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Don Gibson|Look Who's Blue

Look Who's Blue

Don Gibson

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Don Gibson's second album titled Look Who's Blue (one was released in 1960, as well) effectively shows his pop instincts and essentially keeps to a straight country format. There aren't a lot of surprises here -- just quality songs (written by Gibson, Eddy Raven, Lorrie Morgan, and others), expertly sung and played. Truly the king of the crossover country singers, Gibson makes it all sound so easy. Whereas followers like Ronnie Milsap and Kenny Rogers are pop or country singers depending on the particular song being sung, Don Gibson has a voice that sounds inherently stone-cold country, but is just smooth and unaffected enough to appeal to a wider audience. At times sounding like a subtler combination of George Jones and country-era Jerry Lee Lewis, he attacks each song on the album with sincerity and flawless phrasing throughout. As always, the joys of Don Gibson come from repeated listenings -- his artistry, like that of Waylon Jennings, is of the kind that speaks not just to drunken nights and hung-over mornings, but to a deeper existential loneliness only fully comprehended in quieter moments. Not surprisingly, the only misstep here is the one pure pop song, the Burt Bacharach standard "Any Day Now," which was later an international smash for Milsap. While Gibson's performance is beautifully and darkly bitter, the Nashville session cats (Grady Martin, Buddy Emmons) are unusually stilted, which causes the song to stick out like a sore thumb among the other, more relaxed tracks.

© Pemberton Roach /TiVo

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Look Who's Blue

Don Gibson

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1
My Hands Are Tied
00:01:59

Don Gibson, MainArtist - Copyright Control, MusicPublisher

2011 Music Manager 2011 Marathon Media International Ltd.

2
Big Hearted Me
00:02:17

Don Gibson, MainArtist - Copyright Control, MusicPublisher

2011 Music Manager 2011 Marathon Media International Ltd.

3
It Only Hurts For A Little While
00:02:12

Don Gibson, MainArtist - Copyright Control, MusicPublisher

2011 Music Manager 2011 Marathon Media International Ltd.

4
Never Love Again
00:01:58

Don Gibson, MainArtist - Copyright Control, MusicPublisher

2011 Music Manager 2011 Marathon Media International Ltd.

5
Lonely Street
00:02:30

Don Gibson, MainArtist - Copyright Control, MusicPublisher

2011 Music Manager 2011 Marathon Media International Ltd.

6
Just One Time
00:02:44

Don Gibson, MainArtist - Copyright Control, MusicPublisher

2011 Music Manager 2011 Marathon Media International Ltd.

7
Why Don't You Love Me
00:01:48

Don Gibson, MainArtist - Copyright Control, MusicPublisher

2011 Music Manager 2011 Marathon Media International Ltd.

8
My Love For You
00:02:37

Don Gibson, MainArtist - Copyright Control, MusicPublisher

2011 Music Manager 2011 Marathon Media International Ltd.

9
On The Banks Of The Ponchartrain
00:02:40

Don Gibson, MainArtist - Copyright Control, MusicPublisher

2011 Music Manager 2011 Marathon Media International Ltd.

10
If I Can Stay Away
00:02:33

Don Gibson, MainArtist - Copyright Control, MusicPublisher

2011 Music Manager 2011 Marathon Media International Ltd.

11
The Streets Of Laredo
00:03:19

Don Gibson, MainArtist - Copyright Control, MusicPublisher

2011 Music Manager 2011 Marathon Media International Ltd.

12
Everybody But Me
00:01:53

Don Gibson, MainArtist - Copyright Control, MusicPublisher

2011 Music Manager 2011 Marathon Media International Ltd.

Albumbeschreibung

Don Gibson's second album titled Look Who's Blue (one was released in 1960, as well) effectively shows his pop instincts and essentially keeps to a straight country format. There aren't a lot of surprises here -- just quality songs (written by Gibson, Eddy Raven, Lorrie Morgan, and others), expertly sung and played. Truly the king of the crossover country singers, Gibson makes it all sound so easy. Whereas followers like Ronnie Milsap and Kenny Rogers are pop or country singers depending on the particular song being sung, Don Gibson has a voice that sounds inherently stone-cold country, but is just smooth and unaffected enough to appeal to a wider audience. At times sounding like a subtler combination of George Jones and country-era Jerry Lee Lewis, he attacks each song on the album with sincerity and flawless phrasing throughout. As always, the joys of Don Gibson come from repeated listenings -- his artistry, like that of Waylon Jennings, is of the kind that speaks not just to drunken nights and hung-over mornings, but to a deeper existential loneliness only fully comprehended in quieter moments. Not surprisingly, the only misstep here is the one pure pop song, the Burt Bacharach standard "Any Day Now," which was later an international smash for Milsap. While Gibson's performance is beautifully and darkly bitter, the Nashville session cats (Grady Martin, Buddy Emmons) are unusually stilted, which causes the song to stick out like a sore thumb among the other, more relaxed tracks.

© Pemberton Roach /TiVo

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