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Joan Baez|Joan Baez

Joan Baez

Joan Baez

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At the time of its release, Joan Baez's debut album was something of a revelation. The folk music revival was beginning to gather steam, stoked on the popular side by artists such as the Kingston Trio and the Easy Riders, as well as up-and-coming ensembles such as the Highwaymen, and on the more intense and serious side by the Weavers. The female singers on the scene were mostly old-time veteran activist types like Ronnie Gilbert and Malvina Reynolds, who was in her sixties. And then along comes this album, by a 19-year-old who looked more like the kind of co-ed every mother dreamt her son would come home with, displaying a voice from heaven, a soprano so pure and beguiling that the mere act of listening to her -- forget what she was singing -- was a pleasure. Baez's first album, made up primarily of traditional songs (including a startling version of "House of the Rising Sun"), was beguiling enough to woo even conservative-leaning listeners. Accompanied by the Weavers' Fred Hellerman and a pair of session singers, Baez gives a fine account of the most reserved and least confrontational aspects of the folk revival, presenting a brace of traditional songs (most notably "East Virginia" and "Mary Hamilton") with an urgency and sincerity that makes the listener feel as though they were being sung for the first time, and opening with a song that was to become her signature piece for many years, "Silver Dagger." The recording was notable for its purity of sound.

© Bruce Eder /TiVo

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Joan Baez

Joan Baez

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1
Silver Dagger
00:02:32

Traditional, Composer - Joan Baez, MainArtist - Ricky Neff, ComposerLyricist

(C) 2006 Vanguard ℗ 1997 Vanguard Records, a Welk Music Group Company

2
East Virginia
00:03:43

Unknown, Composer - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

3
Fare Thee Well
00:03:21

Unknown, Composer - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

4
House Of The Rising Sun
00:02:56

Traditional, ComposerLyricist - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

5
All My Trials
00:04:40

Unknown, ComposerLyricist - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

6
Wildwood Flower
00:02:37

Unknown, Composer - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

7
Donna Donna
00:03:12

Unknown, Composer - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

8
John Riley
00:03:53

Traditional, ComposerLyricist - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 1990 Vanguard Records, a Welk Music Group Company

9
Rake And Rambling Boy
00:01:59

Unknown, Composer - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

10
Little Moses
00:03:31

Unknown, Composer - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

11
Mary Hamilton
00:05:57

Unknown, Composer - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 1990 Vanguard Records, a Welk Music Group Company

12
Henry Martin
00:04:15

Unknown, Composer - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

13
El Preso Numero Nueve
00:02:50

Unknown, Composer - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

14
Girl Of Constant Sorrow
00:01:45

Unknown, Composer - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

15
I Know You Rider
00:03:46

Unknown, Composer - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

16
John Riley
00:04:22

Unknown, Composer - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

Albumbeschreibung

At the time of its release, Joan Baez's debut album was something of a revelation. The folk music revival was beginning to gather steam, stoked on the popular side by artists such as the Kingston Trio and the Easy Riders, as well as up-and-coming ensembles such as the Highwaymen, and on the more intense and serious side by the Weavers. The female singers on the scene were mostly old-time veteran activist types like Ronnie Gilbert and Malvina Reynolds, who was in her sixties. And then along comes this album, by a 19-year-old who looked more like the kind of co-ed every mother dreamt her son would come home with, displaying a voice from heaven, a soprano so pure and beguiling that the mere act of listening to her -- forget what she was singing -- was a pleasure. Baez's first album, made up primarily of traditional songs (including a startling version of "House of the Rising Sun"), was beguiling enough to woo even conservative-leaning listeners. Accompanied by the Weavers' Fred Hellerman and a pair of session singers, Baez gives a fine account of the most reserved and least confrontational aspects of the folk revival, presenting a brace of traditional songs (most notably "East Virginia" and "Mary Hamilton") with an urgency and sincerity that makes the listener feel as though they were being sung for the first time, and opening with a song that was to become her signature piece for many years, "Silver Dagger." The recording was notable for its purity of sound.

© Bruce Eder /TiVo

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