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The career of British composer John Jeffreys is unusually interesting. A World War II veteran of the RAF, he studied music at Trinity College of Music in London after the war. Although he composed music in all genres, he was strongly oriented toward the art song. Parallel to his own composing, he pursued strong interests in Renaissance music, becoming an authority on the lutenist/composer Philip Rosseter and in English and Scots poetry. As a child he had been exposed to the music and literature of the English Renaissance, but never to the Viennese classics, a fact that profoundly shaped his style. During the period of maximal modernist repression of other styles, he became discouraged and destroyed in most of his music. But in his old age (he still lives in West Suffolk, where, one learns from the booklet, "his hobbies include hardy plants"), he rediscovered tapes from the 1960s of his music being performed and was encouraged to reconstruct it. A modest renaissance has ensued, and any lover of English song should make it his or her business to check it out. This release by well-known tenor Ian Partridge with his sister Jennifer Partridge as accompanist, recorded in the early '90s, makes an ideal starting place. The landscape on the cover gives the potential buyer the wrong idea. Jeffreys, though certainly a stylistic conservative, is not really neo-anything. He does set pastoral poetry like Thomas Nabbes' "The Little Milkmaid" (track 23), but he does not really belong with the English pastoral school. His use of modal harmony, very delicately balanced with tonal moves, is instructive in this respect; he draws deeply on English traditions but is not using modal sounds simply to evoke the past, and there's nothing really nostalgic about any of these songs. All are quiet, and transmitted in the booklet is the composer's beautiful comment that "music on the edge of silence is the most telling of all." He tends to break up strophic structures with small melodic divergences and elaborations, not to let them set into fixed patterns. Jeffreys does not restrict himself to early texts; perhaps half the songs set texts from the early twentieth century, with a large group at the beginning of the program from the pen of Wilfred Wilson Gibson including the devastating antiwar stanza Stow on the Wold (track 5). Sample also Jeffreys' setting of A.E. Housman's 'Tis time, I think, by Wenlock Town (track 11). It is perhaps in Jeffreys that Housman finds his perfect musical exponent, and you might think of Housman, who used the English countryside as settings for his jewel-like poems but was in no way a "pastoral" poet, as Jeffreys' literary soulmate. Essential for singers, and most strongly recommended for everybody else as a major find from the years lost to the modernist totalitarianism.
© TiVo
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Northumberland (John Jeffreys)
Ian Partridge, Performer - Jennifer Partridge, Performer - John Jeffreys, Composer - Wilfred Gibson, Lyricist
2013 Diversions 2013 Diversions
Merry Eye (John Jeffreys)
Jennifer Partridge, Performer - Ian Partridge, Performer - Wilfred Gibson, Lyricist - John Jeffreys, Composer
2013 Diversions 2013 Diversions
Blck Stitchel (John Jeffreys)
Ian Partridge, Performer - Jennifer Partridge, Performer - Wilfred Gibson, Lyricist - John Jeffreys, Composer
2013 Diversions 2013 Diversions
Otterburn (John Jeffreys)
Ian Partridge, Performer - Jennifer Partridge, Performer - Wilfred Gibson, Lyricist - John Jeffreys, Composer
2013 Diversions 2013 Diversions
Stow on the Wold (John Jeffreys)
Jennifer Partridge, Performer - Ian Partridge, Performer - John Jeffreys, Composer - Wilfred Gibson, Lyricist
2013 Diversions 2013 Diversions
Candle Gate (John Jeffreys)
Ian Partridge, Performer - Jennifer Partridge, Performer - Wilfred Gibson, Lyricist - John Jeffreys, Composer
2013 Diversions 2013 Diversions
Jillian of Berry (John Jeffreys)
Ian Partridge, Performer - Jennifer Partridge, Performer - John Jeffreys, Composer - Francis Beaumont, Lyricist
2013 Diversions 2013 Diversions
In pride of May (John Jeffreys)
Jennifer Partridge, Performer - Ian Partridge, Performer - John Jeffreys, Composer
2013 Diversions 2013 Diversions
That ever I saw (John Jeffreys)
Ian Partridge, Performer - Jennifer Partridge, Performer - John Jeffreys, Composer
2013 Diversions 2013 Diversions
My little pretty one (John Jeffreys)
Ian Partridge, Performer - Jennifer Partridge, Performer - John Jeffreys, Composer
2013 Diversions 2013 Diversions
'Tis time I think (John Jeffreys)
Jennifer Partridge, Performer - Ian Partridge, Performer - John Jeffreys, Composer - A.E. Housman, Lyricist
2013 Diversions 2013 Diversions
The Poacher's Dog (John Jeffreys)
Jennifer Partridge, Performer - Ian Partridge, Performer - John Jeffreys, Composer
2013 Diversions 2013 Diversions
I am the gilly of Christ (John Jeffreys)
Ian Partridge, Performer - Jennifer Partridge, Performer - Joseph Campbell, Lyricist - John Jeffreys, Composer
2013 Diversions 2013 Diversions
The falcon (John Jeffreys)
Jennifer Partridge, Performer - Ian Partridge, Performer - John Jeffreys, Composer
2013 Diversions 2013 Diversions
O my dere hert (John Jeffreys)
Ian Partridge, Performer - Jennifer Partridge, Performer - Martin Luther, Lyricist - John Jeffreys, Composer
2013 Diversions 2013 Diversions
Who is at my window (John Jeffreys)
Ian Partridge, Performer - Jennifer Partridge, Performer - John Jeffreys, Composer
2013 Diversions 2013 Diversions
What evil coil of Fate (John Jeffreys)
Ian Partridge, Performer - Jennifer Partridge, Performer - Ivor Gurney, Lyricist - John Jeffreys, Composer
2013 Diversions 2013 Diversions
Severn meadows (John Jeffreys)
Jennifer Partridge, Performer - Ian Partridge, Performer - Ivor Gurney, Lyricist - John Jeffreys, Composer
2013 Diversions 2013 Diversions
It is Winter (John Jeffreys)
Jennifer Partridge, Performer - Ian Partridge, Performer - John Jeffreys, Composer - Walter de la Mare, Lyricist
2013 Diversions 2013 Diversions
Yet will I love her (John Jeffreys)
Jennifer Partridge, Performer - Ian Partridge, Performer - Thomas Ford, Lyricist - John Jeffreys, Composer
2013 Diversions 2013 Diversions
The little pretty nightingale (John Jeffreys)
Ian Partridge, Performer - Jennifer Partridge, Performer - John Jeffreys, Composer
2013 Diversions 2013 Diversions
Ha'nacker mill (John Jeffreys)
Jennifer Partridge, Performer - Ian Partridge, Performer - Hilaire Belloc, Lyricist - John Jeffreys, Composer
2013 Diversions 2013 Diversions
The Little Milkmaid (John Jeffreys)
Jennifer Partridge, Performer - Ian Partridge, Performer - Thomas Nabbes, Lyricist - John Jeffreys, Composer
2013 Diversions 2013 Diversions
Little Trotty Wagtail (John Jeffreys)
Ian Partridge, Performer - Jennifer Partridge, Performer - John Clare, Lyricist - John Jeffreys, Composer
2013 Diversions 2013 Diversions
Albumbeschreibung
The career of British composer John Jeffreys is unusually interesting. A World War II veteran of the RAF, he studied music at Trinity College of Music in London after the war. Although he composed music in all genres, he was strongly oriented toward the art song. Parallel to his own composing, he pursued strong interests in Renaissance music, becoming an authority on the lutenist/composer Philip Rosseter and in English and Scots poetry. As a child he had been exposed to the music and literature of the English Renaissance, but never to the Viennese classics, a fact that profoundly shaped his style. During the period of maximal modernist repression of other styles, he became discouraged and destroyed in most of his music. But in his old age (he still lives in West Suffolk, where, one learns from the booklet, "his hobbies include hardy plants"), he rediscovered tapes from the 1960s of his music being performed and was encouraged to reconstruct it. A modest renaissance has ensued, and any lover of English song should make it his or her business to check it out. This release by well-known tenor Ian Partridge with his sister Jennifer Partridge as accompanist, recorded in the early '90s, makes an ideal starting place. The landscape on the cover gives the potential buyer the wrong idea. Jeffreys, though certainly a stylistic conservative, is not really neo-anything. He does set pastoral poetry like Thomas Nabbes' "The Little Milkmaid" (track 23), but he does not really belong with the English pastoral school. His use of modal harmony, very delicately balanced with tonal moves, is instructive in this respect; he draws deeply on English traditions but is not using modal sounds simply to evoke the past, and there's nothing really nostalgic about any of these songs. All are quiet, and transmitted in the booklet is the composer's beautiful comment that "music on the edge of silence is the most telling of all." He tends to break up strophic structures with small melodic divergences and elaborations, not to let them set into fixed patterns. Jeffreys does not restrict himself to early texts; perhaps half the songs set texts from the early twentieth century, with a large group at the beginning of the program from the pen of Wilfred Wilson Gibson including the devastating antiwar stanza Stow on the Wold (track 5). Sample also Jeffreys' setting of A.E. Housman's 'Tis time, I think, by Wenlock Town (track 11). It is perhaps in Jeffreys that Housman finds his perfect musical exponent, and you might think of Housman, who used the English countryside as settings for his jewel-like poems but was in no way a "pastoral" poet, as Jeffreys' literary soulmate. Essential for singers, and most strongly recommended for everybody else as a major find from the years lost to the modernist totalitarianism.
© TiVo
About the album
- 1 disc(s) - 24 track(s)
- Total length: 01:12:25
- Main artists: Ian Partridge
- Composer: John Jeffreys
- Label: Diversions
- Genre: Klassiek
2013 Diversions 2013 Diversions
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