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On Rosanne Cash's final recording for Columbia's Nashville division she pulled out all the stops. Already known for her unflinching honesty, she took it to its most poignant and searing extreme on Interiors. Cash produced the record herself and wrote or co-wrote all the material here. A country record it's not, but that hardly matters. This is a pop record with teeth and ache and broken hearts strewn all over the place. In fact, Interiors has the feel of a battlefield emptied of everything but its ghosts. The album is a collection of ten songs linked thematically by the chronicling of the tension, dysfunction, and ultimate dissolution of Cash's marriage to Rodney Crowell caused by dishonesty, infidelity, substance abuse, and physical distance; and she owns her side of the street with courage without laying blame. Carefully wrought with subtle instrumentation surrounding her fearless yet wavering vocals. Acoustic guitars, pianos, brushed drums, an occasional organ, a bass almost hidden under layers of ethereal grace -- these are the musical trappings that frame Cash's voice as she sets about a task so seemingly painful it's almost uncomfortable to listen to. It's as if the listener is granted a private audience with her heart and innermost thoughts. Everything is here: the disillusionment, the anger, the vain hope of reconciliation, and finally the acceptance and resignation that endings are a part of life and serve their purpose. While these ten tracks are virtually inseparable from one another, there are standouts such as "Dance With the Tiger" written with John Stewart, "Real Woman" written with Crowell, "Mirror Image," "I Want a Cure," and the harrowing closer, "Paralyzed," where Cash is accompanied only by a piano. Here she lets her current position be known, that seeing the end of this relationship leaves her in the clutches of being unable to move from the emotional space she is in. This album is full of a truth that most would rather not acknowledge, but it is morally and spiritually instructive in terms of its lyrical content, and musically it is her masterpiece. In fact, it's proof that art can redeem what cannot be in human terms.
© Thom Jurek /TiVo
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Rodney Crowell, Producer - Jim Hanson, Bass - Steuart Smith, Electric Guitar - Eddie Bayers, Drums - Richard Bennett, Guitar - Richard Bennett, Mandolin - Richard Bennett, Acoustic Baritone Guitar - Vince Santoro, Tambourine - Rosanne Cash, Vocal - Rosanne Cash, Composer - Rosanne Cash, Producer - Rosanne Cash, Lyricist - Rosanne Cash, Performer - Barbara Santoro, Background Vocal
(P) 1990 SONY BMG MUSIC ENTERTAINMENT
Steuart Smith, Acoustic Baritone Guitar - Eddie Bayers, Drums - Rosanne Cash, Producer - Rosanne Cash, Vocal - Rosanne Cash, Composer - Rosanne Cash, Lyricist - Rosanne Cash, Performer - John Stewart, Lyricist - John Stewart, Composer - Michael Rhodes, Bass - Maura O'Connell, Background Vocal - Vince Melamed, Keyboards
1990 Sony Music Entertainment Inc.
Rodney Crowell, Performer - Michael Lawler, Keyboards - R. Cash, Composer - R. Cash, Lyricist - Steuart Smith, Acoustic Baritone Guitar - Eddie Bayers, Drums - J. Tittle, Composer - J. Tittle, Lyricist - Rosanne Cash, Producer - Rosanne Cash, Vocal - Rosanne Cash, Performer - Vince Melamed, Keyboards
1990 Sony Music Entertainment Inc.
Vince Melamed, Keyboards - Barbara Santoro, Background Vocal - Jim Hanson, Background Vocal - Jim Hanson, Bass - Eddie Bayers, Drums - Rodney Crowell, Producer - Rodney Crowell, Composer - Rodney Crowell, Lyricist - Steuart Smith, Electric Guitar - Vince Santoro, Background Vocal - Rosanne Cash, Producer - Rosanne Cash, Vocal - Rosanne Cash, Composer - Rosanne Cash, Lyricist - Rosanne Cash, Performer - Tommy Spurlock, Steel Guitar - Richard Bennett, Acoustic Baritone Guitar
(P) 1990 SONY BMG MUSIC ENTERTAINMENT
Michael Blaustone, Shaker - Steuart Smith, Electric Guitar - Steuart Smith, Acoustic Baritone Guitar - Eddie Bayers, Drums - Rosanne Cash, Producer - Rosanne Cash, Background Vocal - Rosanne Cash, Composer - Rosanne Cash, Lyricist - Rosanne Cash, Performer - Vince Melamed, Keyboards
(P) 1990 SONY BMG MUSIC ENTERTAINMENT
Rodney Crowell, Background Vocal - R. Cash, Composer - R. Cash, Lyricist - Steuart Smith, Electric Guitar - Steuart Smith, Acoustic Baritone Guitar - Eddie Bayers, Drums - Mark O'Connor, Mandolin - Rosanne Cash, Producer - Rosanne Cash, Background Vocal - Rosanne Cash, Performer - Michael Rhodes, Bass
(P) 1990 SONY BMG MUSIC ENTERTAINMENT
Steuart Smith, Acoustic Baritone Guitar - Steuart Smith, Electric Guitar - Eddie Bayers, Drums - Mark O'Connor, Mandolin - Jerry Douglas, Dobro - Rosanne Cash, Producer - Rosanne Cash, Vocal - Rosanne Cash, Composer - Rosanne Cash, Lyricist - Rosanne Cash, Performer - Michael Rhodes, Acoustic Bass - Jim Photoglo, Background Vocal - Vince Melamed, Keyboards
1990 Sony Music Entertainment Inc.
Eddie Bayers, Drums - Mark O'Connor, Violin - Rosanne Cash, Producer - Rosanne Cash, Vocal - Rosanne Cash, Composer - Rosanne Cash, Lyricist - Rosanne Cash, Performer - Michael Rhodes, Bass - Vince Melamed, Composer - Vince Melamed, Keyboards - Vince Melamed, Piano - Vince Melamed, Lyricist
(P) 1990 SONY BMG MUSIC ENTERTAINMENT
Michael Lawler, Keyboards - Steuart Smith, Electric Guitar - Steuart Smith, Acoustic Baritone Guitar - Kristen DeLauer, Background Vocal - Eddie Bayers, Drums - Michael Rhodes, Bass - Rosanne Cash, Producer - Rosanne Cash, Composer - Rosanne Cash, Background Vocal - Rosanne Cash, Lyricist - Rosanne Cash, Performer
(P) 1990 SONY BMG MUSIC ENTERTAINMENT
Vince Melamed, Arranger - Liz Gilbert, Assistant Producer - Arlene Katz, Assistant Producer - Donivan Cowart, Recording Engineer - John Jarvis, Keyboards - John Jarvis, Piano - Russ Martin, Recording Engineer - Jamie Lupinetti, Assistant Producer - Mark O'Connor, Violin - Steuart Smith, Arranger - Bernie Grundman, Mastering Engineer - John Guess, Recording Engineer - Glenn Meadows, Mastering Engineer - Milan Bogdan, Recording Engineer - Rosanne Cash, Producer - Rosanne Cash, Composer - Rosanne Cash, Lyricist - Rosanne Cash, Performer - Rosanne Cash, Arranger - Edgar Meyer, Bass - Roger Nichols, Recording Engineer
1990 Sony Music Entertainment Inc.
R. Cash, Composer - R. Cash, Lyricist - Rosanne Cash, Producer - Rosanne Cash, Vocal - Rosanne Cash, Performer - K. Sykes, Composer - K. Sykes, Lyricist
(P) 1990 SONY BMG MUSIC ENTERTAINMENT
Karl Wallinger, Composer - Karl Wallinger, Lyricist - Michael Lawler, Keyboards - Pat Flynn, Acoustic Baritone Guitar - Steuart Smith, Electric Guitar - Eddie Bayers, Drums - Michael Rhodes, Bass - Jerry Douglas, Slide Guitar - Rosanne Cash, Producer - Rosanne Cash, Vocal - Rosanne Cash, Performer
(P) 1990 SONY BMG MUSIC ENTERTAINMENT
Zev Katz, Bass - Clifford Carter, Keyboards - Rosanne Cash, Composer - Rosanne Cash, Producer - Rosanne Cash, Vocal - Rosanne Cash, Lyricist - Rosanne Cash, Performer - Larry Campbell, Mandolin - John Leventhal, Guitar - Dennis McDermott, Drums
(P) 2005 SONY BMG MUSIC ENTERTAINMENT
Zev Katz, Bass - R. Cash, Composer - R. Cash, Lyricist - Clifford Carter, Keyboards - Rosanne Cash, Producer - Rosanne Cash, Vocal - Rosanne Cash, Performer - Larry Campbell, Mandolin - John Leventhal, Guitar - Dennis McDermott, Drums
(P) 2005 SONY BMG MUSIC ENTERTAINMENT
Albumbeschreibung
On Rosanne Cash's final recording for Columbia's Nashville division she pulled out all the stops. Already known for her unflinching honesty, she took it to its most poignant and searing extreme on Interiors. Cash produced the record herself and wrote or co-wrote all the material here. A country record it's not, but that hardly matters. This is a pop record with teeth and ache and broken hearts strewn all over the place. In fact, Interiors has the feel of a battlefield emptied of everything but its ghosts. The album is a collection of ten songs linked thematically by the chronicling of the tension, dysfunction, and ultimate dissolution of Cash's marriage to Rodney Crowell caused by dishonesty, infidelity, substance abuse, and physical distance; and she owns her side of the street with courage without laying blame. Carefully wrought with subtle instrumentation surrounding her fearless yet wavering vocals. Acoustic guitars, pianos, brushed drums, an occasional organ, a bass almost hidden under layers of ethereal grace -- these are the musical trappings that frame Cash's voice as she sets about a task so seemingly painful it's almost uncomfortable to listen to. It's as if the listener is granted a private audience with her heart and innermost thoughts. Everything is here: the disillusionment, the anger, the vain hope of reconciliation, and finally the acceptance and resignation that endings are a part of life and serve their purpose. While these ten tracks are virtually inseparable from one another, there are standouts such as "Dance With the Tiger" written with John Stewart, "Real Woman" written with Crowell, "Mirror Image," "I Want a Cure," and the harrowing closer, "Paralyzed," where Cash is accompanied only by a piano. Here she lets her current position be known, that seeing the end of this relationship leaves her in the clutches of being unable to move from the emotional space she is in. This album is full of a truth that most would rather not acknowledge, but it is morally and spiritually instructive in terms of its lyrical content, and musically it is her masterpiece. In fact, it's proof that art can redeem what cannot be in human terms.
© Thom Jurek /TiVo
About the album
- 1 disc(s) - 14 track(s)
- Total length: 00:51:03
- Main artists: Rosanne Cash
- Composer: Various Composers
- Label: Columbia - Legacy
- Genre: Blues/country/folk Country
(P) 1990, 2005 SONY BMG MUSIC ENTERTAINMENT
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