Here Come 15 Minutes

For over thirty-five years, Marc Ribot’s name has been on the covers of albums by Tom Waits, Alain Bashung, Diana Krall, John Zorn, Robert Plant, Caetano Veloso and numerous other artists, and when he's not busy lending his unique guitar to others, the New Yorker takes pleasure, under his own name, in breaking down and re-building rock, jazz, funk, Cuban music and anything his fingers touch.

“If punk was about getting rid of hippies, then I'm getting rid of grunge.” It was with this sentence from Damon Albarn in 1993 that England invaded the stage previously dominated by Nirvana and Seattle grunge. Britpop is deeply linked to politics and local identity and emerged just as Tony Blair and New Labour were entering the scene. English romanticism was once again becoming attractive compared to the American identity, which was considered too hollow in the UK. Make way for “Cool Britannia”.

Since its creation in the late 1950s, Bossa-nova has become an indispensable part of Brazilian music. The style’s strong evocative power won over artists from all around the world and earned recognition for many first-rate musicians whose works are now seen as classics.