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Twinkle|Golden Lights

Golden Lights

Twinkle

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This is a slightly expanded edition of the Golden Lights compilation that came out on RPM in 1993. Like the previous anthology, it includes both sides of her six 1964-1966 singles, two tracks from a rare 1965 EP, her 1969 Immediate single, and a late-'60s outtake. This upgrade adds a German version of her 1965 single "Tommy"; her 1974 single "Days"/"Caroline"; three songs from an unreleased film/album project called Michael Hannah, from the same era as the "Days" single; and the 1982 B-side "For Sale." There's also enhanced CD film footage of her performing "Terry" at an April 1965 NME poll-winners concert. Does all of this add up to a must-have, if you already own the first Golden Lights CD? That depends on how fanatical a fan you are, though presumably it's mostly fanatics who bought the first reissue. The '60s material, even by '60s British girl group standards, is featherweight poppiness, but big fans of (for instance) Sandie Shaw could do worse than seek this out. The five 1970s tracks are better than you might expect: The songs are serviceable pop/rock without the gross faceless façade typical of much production from the era, sung in an innocent voice very much like that heard on her '60s stuff. The sound quality is a little subpar on the three previously unreleased '70s outtakes, due to unavailability of the original tapes, though it's not hard to listen to. "For Sale" suffers from mechanical early-'80s production, but again has more personality than much straight pop of the time, by virtue of her sheer guilelessness.

© Richie Unterberger /TiVo

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Golden Lights

Twinkle

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1
Terry
00:03:10

Twinkle, Writer, MainArtist - Lynn Ripley, Composer

© 1993 RPM Records ℗ 1964 Phil Solomon

2
The Boy Of My Dreams
00:02:45

Twinkle, MainArtist

© 1993 RPM Records ℗ 1964 RPM Records

3
Golden Lights
00:02:33

Twinkle, MainArtist - Lynn Ripley, Composer, Arranger

© 1993 RPM Records ℗ 1965 Phil Solomon

4
Ain't Nobody Home But Me
00:02:47

Twinkle, MainArtist - Tommy Scott, Composer

© 1993 RPM Records ℗ 1965 Cherry Red Records Ltd Cherry Red Records Ltd

5
Tommy
00:02:39

Twinkle, MainArtist

© 1993 RPM Records ℗ 1964 RPM Records

6
So Sad
00:02:57

Twinkle, MainArtist

© 1993 RPM Records ℗ 1964 RPM Records

7
Tommy (German Language Version)
00:02:31

Twinkle, MainArtist

© 1993 RPM Records ℗ 1964 RPM Records

8
A Lonely Singing Doll
00:02:21

Twinkle, MainArtist

© 1993 RPM Records ℗ 1964 RPM Records

9
Unhappy Boy
00:02:43

Twinkle, MainArtist

© 1993 RPM Records ℗ 1964 RPM Records

10
Poor Old Johnny
00:02:46

Twinkle, MainArtist

© 1993 RPM Records ℗ 1964 RPM Records

11
I Need Your Hand in Mine
00:02:50

Twinkle, MainArtist

© 1993 RPM Records ℗ 1964 RPM Records

12
The End of the World
00:02:50

Sylvia Dee, Composer, Writer - Twinkle, MainArtist - Arthur Dent, Composer, Writer

© 1993 RPM Records ℗ 1964 Cherry Red Records Ltd.

13
Take Me to the Dance
00:02:59

Twinkle, MainArtist

© 1993 RPM Records ℗ 1964 RPM Records

14
What Am I Doing Here With You
00:02:33

P.F. Sloan, Composer - Twinkle, MainArtist - Steve Barri, Composer

© 1993 RPM Records ℗ 1966 Cherry Red Records Ltd Cherry Red Records Ltd

15
Now I Have You
00:02:32

Twinkle, MainArtist

© 1993 RPM Records ℗ 1964 RPM Records

16
Micky
00:02:29

Twinkle, MainArtist

© 1993 RPM Records ℗ 1964 RPM Records

17
Darby and Joan
00:03:04

Twinkle, MainArtist

© 1993 RPM Records ℗ 1964 RPM Records

Albumbeschreibung

This is a slightly expanded edition of the Golden Lights compilation that came out on RPM in 1993. Like the previous anthology, it includes both sides of her six 1964-1966 singles, two tracks from a rare 1965 EP, her 1969 Immediate single, and a late-'60s outtake. This upgrade adds a German version of her 1965 single "Tommy"; her 1974 single "Days"/"Caroline"; three songs from an unreleased film/album project called Michael Hannah, from the same era as the "Days" single; and the 1982 B-side "For Sale." There's also enhanced CD film footage of her performing "Terry" at an April 1965 NME poll-winners concert. Does all of this add up to a must-have, if you already own the first Golden Lights CD? That depends on how fanatical a fan you are, though presumably it's mostly fanatics who bought the first reissue. The '60s material, even by '60s British girl group standards, is featherweight poppiness, but big fans of (for instance) Sandie Shaw could do worse than seek this out. The five 1970s tracks are better than you might expect: The songs are serviceable pop/rock without the gross faceless façade typical of much production from the era, sung in an innocent voice very much like that heard on her '60s stuff. The sound quality is a little subpar on the three previously unreleased '70s outtakes, due to unavailability of the original tapes, though it's not hard to listen to. "For Sale" suffers from mechanical early-'80s production, but again has more personality than much straight pop of the time, by virtue of her sheer guilelessness.

© Richie Unterberger /TiVo

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