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Françoise Hardy|Gin Tonic

Gin Tonic

Françoise Hardy

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Language available : english

Françoise Hardy's first record of the '80s was, like the last of the '70s, produced by Gabriel Yared. Hardy's songs were mostly ballads, and if they possessed more character than the great majority of the era's French pop, they still rarely made much of an impression. The opener "Jazzy Retro Satanas" is one of the exceptions to the ballads rule, a breezy up-tempo number that moved from shades of jazzy improv to sleek, brassy disco with a complement of shrieking backing vocalists. "Bosse Bossez Bossa" was one of the weakest songs she had ever recorded, an annoyingly repetitive toss-off that mentions the bossa nova nearly every five seconds yet never references it musically. Françoise Hardy was still capable of brilliance -- "Si C'est Vraiment Vraiment Vrai" is one of her few strong ballads of the era -- but the bland arrangements and weak material foiled most of her attempts at artistry.

© John Bush /TiVo

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Gin Tonic

Françoise Hardy

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1
Jazzy retro satanas
00:02:47

Françoise Hardy, MainArtist - Gabriel Yared, Composer, Producer - Bernard Ilous, Lyricist

© 1994 Parlophone / Warner Music France, a Warner Music Group Company. ℗ 1980 Parlophone / Warner Music France, a Warner Music Group Company

2
Branche cassée
00:03:08

Françoise Hardy, Lead Vocals, MainArtist - Gabriel Yared, Producer - Jean-Claude Vannier, Writer

© 1994 Parlophone / Warner Music France, a Warner Music Group Company. ℗ 1980 Parlophone / Warner Music France, a Warner Music Group Company

3
Âme s'trame drame
00:02:31

Françoise Hardy, Lead Vocals, MainArtist - Gabriel Yared, Producer - Alain Goldstein, Writer

© 1994 Parlophone / Warner Music France, a Warner Music Group Company. ℗ 1980 Parlophone / Warner Music France, a Warner Music Group Company

4
Si c'est vraiment vraiment vrai
00:03:24

Françoise Hardy, Lead Vocals, MainArtist - Michel Jonasz, Writer - Gabriel Yared, Producer

© 1994 Parlophone / Warner Music France, a Warner Music Group Company. Label Parlophone, ℗ 1980 Warner Music France

5
Bosse bossez bossa
00:03:39

Françoise Hardy, Lead Vocals, MainArtist - Michel Jonasz, Writer - Gabriel Yared, Composer, Producer

© 1994 Parlophone / Warner Music France, a Warner Music Group Company. ℗ 1980 Parlophone / Warner Music France, a Warner Music Group Company

6
Gin Tonic
00:02:00

Françoise Hardy, Lyricist, Lead Vocals, MainArtist - Gabriel Yared, Composer, Producer

© 1994 Parlophone / Warner Music France, a Warner Music Group Company. ℗ 1980 Parlophone / Warner Music France, a Warner Music Group Company

7
Juke Box
00:03:26

Françoise Hardy, Lead Vocals, MainArtist - Michel Jonasz, Lyricist - Gabriel Yared, Composer, Producer

© 1994 Parlophone / Warner Music France, a Warner Music Group Company. ℗ 1980 Parlophone / Warner Music France, a Warner Music Group Company

8
Seule comme une pomme
00:03:00

Françoise Hardy, Lead Vocals, MainArtist - Gabriel Yared, Producer - Alain Goldstein, Writer

© 1994 Parlophone / Warner Music France, a Warner Music Group Company. ℗ 1980 Parlophone / Warner Music France, a Warner Music Group Company

9
Chanson ouverte
00:02:24

Françoise Hardy, MainArtist - Gabriel Yared, Composer, Producer - Alain Goldstein, Lyricist

© 1994 Parlophone / Warner Music France, a Warner Music Group Company. ℗ 1980 Parlophone / Warner Music France, a Warner Music Group Company

10
Minuit minuit
00:02:45

Françoise Hardy, MainArtist - Michel Jonasz, Lyricist - Gabriel Yared, Composer, Producer

© 1994 Parlophone / Warner Music France, a Warner Music Group Company. ℗ 1980 Parlophone / Warner Music France, a Warner Music Group Company

11
Que tu m'enterres
00:04:05

Françoise Hardy, Lead Vocals, MainArtist - Michel Jonasz, Lyricist - Gabriel Yared, Composer, Producer

© 1994 Parlophone / Warner Music France, a Warner Music Group Company. Label Parlophone, ℗ 1980 Warner Music France

Albumbeschreibung

Françoise Hardy's first record of the '80s was, like the last of the '70s, produced by Gabriel Yared. Hardy's songs were mostly ballads, and if they possessed more character than the great majority of the era's French pop, they still rarely made much of an impression. The opener "Jazzy Retro Satanas" is one of the exceptions to the ballads rule, a breezy up-tempo number that moved from shades of jazzy improv to sleek, brassy disco with a complement of shrieking backing vocalists. "Bosse Bossez Bossa" was one of the weakest songs she had ever recorded, an annoyingly repetitive toss-off that mentions the bossa nova nearly every five seconds yet never references it musically. Françoise Hardy was still capable of brilliance -- "Si C'est Vraiment Vraiment Vrai" is one of her few strong ballads of the era -- but the bland arrangements and weak material foiled most of her attempts at artistry.

© John Bush /TiVo

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