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Orchestre National de Barbès|en concert

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Orchestre National De Barbès

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Language available : english

The "Berbes" in the group's name are the Berbers, the indigenous non-Arabic people of North Africa. Their folk music is heavily percussive and rather raucous with a melody that's hard to pick out. Some listeners might be familiar with the Master Musicians of Jajouka. Orchestre National de Barbes, however, is not a folk group, but a pop-fusion group. They sound like a cross between rai (Arabic pop) and West African Afro pop. Almost all of the instruments are Western: drum kit, guitar, sax, mandolin, bass, and a lot of keyboards. Some of the percussion and an occasional xylophone-like instrument seem to be local, and the vocals sound like Arabic with a little French thrown in. The sound is usually very rhythmic and upbeat, like a big R&B group. "Savon" is incredibly infectious and sounds a bit like Duran Duran. In dramatic contrast, "Ma Ychalli" is much more Arabic, despite the keyboards. After a long prelude by what sounds like a mandolin imitating an oud, the singer "improvises" a complex, moody verse. The percussion is used to comment on the proceedings rather than drive them, and the instruments do not dominate the vocals. This is a very good fusion of local music and Western pop, but the three or four songs based more directly on Arabic or Berber music are the exception, not the rule. For a live recording, the sound and the performance are exceedingly good. The mood is glowing and good times are ahead. Fans of West African or North African pop need not hesitate.

© Kurt Keefner /TiVo

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en concert

Orchestre National de Barbès

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1
Mimouna (live)
00:05:37

TRADITIONNEL, Composer - Orchestre National De Barbes, MainArtist - Abdellaziz Sahmaoui, Composer

© 1997 Tajmaat licence exclusive de Parlophone Music France ℗ 1997 Tajmaat Under Exclusive Licence to Parlophone / Warner Music France, a Warner Music Group Company

2
Sawye (live)
00:04:25

TRADITIONNEL, Composer - Orchestre National De Barbes, MainArtist - Youcef Boukella, Composer

© 1997 Tajmaat licence exclusive de Parlophone Music France ℗ 1997 Tajmaat Under Exclusive Licence to Parlophone / Warner Music France, a Warner Music Group Company

3
Hagda (live)
00:05:27

Orchestre National De Barbes, MainArtist - Rai Na Rai, Composer

© 1997 Tajmaat licence exclusive de Parlophone Music France ℗ 1997 Tajmaat Under Exclusive Licence to Parlophone / Warner Music France, a Warner Music Group Company

4
Savon (Live)
00:07:39

Traditional, Composer, Writer - Orchestre National De Barbes, MainArtist - Youcef Boukella, Arranger - Fateh Benlala, Arranger

© 1997 Tajmaat licence exclusive de Parlophone Music France ℗ 1997 Tajmaat Under Exclusive Licence to Parlophone / Warner Music France, a Warner Music Group Company

5
Zawiya (live)
00:06:25

Orchestre National De Barbes, MainArtist - Abdellaziz Sahmaoui, Composer

© 1997 Tajmaat licence exclusive de Parlophone Music France ℗ 1997 Tajmaat Under Exclusive Licence to Parlophone / Warner Music France, a Warner Music Group Company

6
Salam (live)
00:05:57

Orchestre National De Barbes, MainArtist - Youcef Boukella, Composer - Kamel Tenfiche, Composer

© 1997 Tajmaat licence exclusive de Parlophone Music France ℗ 1997 Tajmaat Under Exclusive Licence to Parlophone / Warner Music France, a Warner Music Group Company

7
Labou (live)
00:04:04

Orchestre National De Barbes, MainArtist - Youcef Boukella, Composer - Abdellaziz Sahmaoui, Composer

© 1997 Tajmaat licence exclusive de Parlophone Music France ℗ 1997 Tajmaat Under Exclusive Licence to Parlophone / Warner Music France, a Warner Music Group Company

8
Ma ychali (live)
00:12:41

TRADITIONNEL, Composer - Orchestre National De Barbes, MainArtist - Fateh Benlala, Composer

© 1997 Tajmaat licence exclusive de Parlophone Music France ℗ 1997 Tajmaat Under Exclusive Licence to Parlophone / Warner Music France, a Warner Music Group Company

9
Toura (live)
00:05:40

TRADITIONNEL, Composer - Orchestre National De Barbes, MainArtist - Youcef Boukella, Composer

© 1997 Tajmaat licence exclusive de Parlophone Music France ℗ 1997 Tajmaat Under Exclusive Licence to Parlophone / Warner Music France, a Warner Music Group Company

10
Chalini (live)
00:07:46

Traditional, Composer, Writer - Orchestre National De Barbes, MainArtist - Youcef Boukella, Arranger

© 1997 Tajmaat licence exclusive de Parlophone Music France ℗ 1997 Tajmaat Under Exclusive Licence to Parlophone / Warner Music France, a Warner Music Group Company

11
Alaoui (live)
00:07:02

TRADITIONNEL, Composer - Orchestre National De Barbes, MainArtist - Lardi Dida, Composer

© 1997 Tajmaat licence exclusive de Parlophone Music France ℗ 1997 Tajmaat Under Exclusive Licence to Parlophone / Warner Music France, a Warner Music Group Company

12
Dor biha (live)
00:05:44

Traditional, Writer - Orchestre National De Barbes, Arranger, MainArtist

© 1997 Tajmaat licence exclusive de Parlophone Music France ℗ 1997 Tajmaat Under Exclusive Licence to Parlophone / Warner Music France, a Warner Music Group Company

Albumbeschreibung

The "Berbes" in the group's name are the Berbers, the indigenous non-Arabic people of North Africa. Their folk music is heavily percussive and rather raucous with a melody that's hard to pick out. Some listeners might be familiar with the Master Musicians of Jajouka. Orchestre National de Barbes, however, is not a folk group, but a pop-fusion group. They sound like a cross between rai (Arabic pop) and West African Afro pop. Almost all of the instruments are Western: drum kit, guitar, sax, mandolin, bass, and a lot of keyboards. Some of the percussion and an occasional xylophone-like instrument seem to be local, and the vocals sound like Arabic with a little French thrown in. The sound is usually very rhythmic and upbeat, like a big R&B group. "Savon" is incredibly infectious and sounds a bit like Duran Duran. In dramatic contrast, "Ma Ychalli" is much more Arabic, despite the keyboards. After a long prelude by what sounds like a mandolin imitating an oud, the singer "improvises" a complex, moody verse. The percussion is used to comment on the proceedings rather than drive them, and the instruments do not dominate the vocals. This is a very good fusion of local music and Western pop, but the three or four songs based more directly on Arabic or Berber music are the exception, not the rule. For a live recording, the sound and the performance are exceedingly good. The mood is glowing and good times are ahead. Fans of West African or North African pop need not hesitate.

© Kurt Keefner /TiVo

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