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Marty Robbins|Don't Let Me Touch You

Don't Let Me Touch You

Marty Robbins

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Language available : english

Billy Sherrill, the king of CBS country in the '70s, produced Don't Let Me Touch You in 1977, and his fondness for majestic string arrangements is a nice fit for a crooner as skilled as Marty Robbins. Sherrill helps bring out Marty's old-fashioned side, having him record a clutch of standards from the Great American Songbook -- "Try a Little Tenderness," "Harbor Lights," and "Return to Me" anchor the middle of the album, with the latter reaching six on Billboard's Country Singles chart, the same position achieved by the title track -- and the whole enterprise carries the unmistakable air of an easy listening crossover. Hints of harder country are apparent -- there's a stride piano and a little steel guitar, a subdued Western gait to a tempo -- but this is quiet, subdued music. If anything, Robbins is responsible for the suggestions of soft rock modernity here: he wrote "The Way I Loved You Best," "More Than Anything I Miss You," and "Tomorrow, Tomorrow, Tomorrow," each existing at the horizon line where buttoned-up tradition meets the colorful fads of today. It's enough to give Don't Let Me Touch You a slight lift out of its appealing somnolence.

© Stephen Thomas Erlewine /TiVo

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Don't Let Me Touch You

Marty Robbins

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1
Don't Let Me Touch You
00:02:49

Marty Robbins, Associated Performer, Main Artist - M.Robbins, Composer, Lyricist - B. Sherrill, Composer, Lyricist - Billy Sherrill, Producer

(P) 1977 Sony Music Entertainment

2
There's No More You and Me
00:03:12

Marty Robbins, Associated Performer, Main Artist - Billy Sherrill, Producer - B. Jadin, Composer, Lyricist

(P) 1977 Sony Music Entertainment

3
To Get to You
00:03:16

Marty Robbins, Associated Performer, Main Artist - Billy Sherrill, Producer - J. Chapel, Composer, Lyricist

(P) 1977 Sony Music Entertainment

4
The Way I Loved You Best
00:02:52

Marty Robbins, Associated Performer, Main Artist, Producer - M.Robbins, Composer, Lyricist

(P) 1977 Sony Music Entertainment

5
Try a Little Tenderness
00:03:22

Marty Robbins, Associated Performer, Main Artist - Harry Woods, Composer, Lyricist - James Campbell, Composer, Lyricist - Reginald Connelly, Composer, Lyricist - Billy Sherrill, Producer

(P) 1977 Sony Music Entertainment

6
Return to Me
00:02:54

Marty Robbins, Associated Performer, Main Artist - Billy Sherrill, Producer - Carmen Lombardo, Composer, Lyricist - Danny DiMinno, Composer, Lyricist

(P) 1977 Sony Music Entertainment

7
Harbor Lights
00:02:27

Marty Robbins, Associated Performer, Main Artist - Jimmy Kennedy, Composer, Lyricist - Hiriam Williams, Composer, Lyricist - Billy Sherrill, Producer

(P) 1977 Sony Music Entertainment

8
More Than Anything I Miss You
00:02:29

Marty Robbins, Associated Performer, Main Artist - Billy Sherrill, Producer - R. Robbins, Composer, Lyricist

(P) 1977 Sony Music Entertainment

9
A Tree In the Meadow
00:02:56

Marty Robbins, Associated Performer, Main Artist - B. Reid, Composer, Lyricist - Billy Sherrill, Producer

(P) 1977 Sony Music Entertainment

10
Tomorrow, Tomorrow, Tomorrow
00:02:30

Marty Robbins, Associated Performer, Main Artist - M.Robbins, Composer, Lyricist - Billy Sherrill, Producer

(P) 1977 Sony Music Entertainment

Albumbeschreibung

Billy Sherrill, the king of CBS country in the '70s, produced Don't Let Me Touch You in 1977, and his fondness for majestic string arrangements is a nice fit for a crooner as skilled as Marty Robbins. Sherrill helps bring out Marty's old-fashioned side, having him record a clutch of standards from the Great American Songbook -- "Try a Little Tenderness," "Harbor Lights," and "Return to Me" anchor the middle of the album, with the latter reaching six on Billboard's Country Singles chart, the same position achieved by the title track -- and the whole enterprise carries the unmistakable air of an easy listening crossover. Hints of harder country are apparent -- there's a stride piano and a little steel guitar, a subdued Western gait to a tempo -- but this is quiet, subdued music. If anything, Robbins is responsible for the suggestions of soft rock modernity here: he wrote "The Way I Loved You Best," "More Than Anything I Miss You," and "Tomorrow, Tomorrow, Tomorrow," each existing at the horizon line where buttoned-up tradition meets the colorful fads of today. It's enough to give Don't Let Me Touch You a slight lift out of its appealing somnolence.

© Stephen Thomas Erlewine /TiVo

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