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Elis Regina|Dois Na Bossa No.3

Dois Na Bossa No.3

Jair Rodrigues

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In May 1965, Elis Regina and Jair Rodrigues began hosting a weekly show at TV Record (São Paulo), O Fino Da Bossa. At the same time, they opened a show at the Teatro Paramount, in the same city, which was recorded live. The LP Dois Na Bossa (Philips) was a national best-seller. They repeated the accomplishment in 1966 (Dois Na Bossa, No. 2) and again in 1967 with this album. The atmosphere was clearly dominated by the fact that Brazil was under a severe military dictatorship -- Regina's passionate addresses to the audiences and her choice of repertoire ("Marcha Da Quarta-Feira de Cinzas" can be read in this context even if it was written before 1964) contrasts with Rodrigues' silence in that respect. As in all three albums, together they cover a medley of sambas along with solo performances. The album is not a typical bossa album, despite what the title indicates. It is more of a samba release, with strong influences of bossa in harmonies and arrangements, but with the stronger, hotter grip of the samba groove. The section dedicated to bossa is a romantic medley shared by both artists.

© Alvaro Neder /TiVo

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Dois Na Bossa No.3

Elis Regina

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1
Imagem
Elis Regina
00:02:39

Armando Pittigliani, Producer - ALOYSIO DE OLIVEIRA, ComposerLyricist - Elis Regina, MainArtist - Luiz Eça, ComposerLyricist

℗ 1967 Universal Music Ltda

2
Medley: Mangueira / Fala, Mangueira / Exaltação À Mangueira / Mundo De Zinco / Levanta, Mangueira / Despedida De Mangueira / Pra Machucar meu Coração
Elis Regina
00:05:01

Assis Valente, ComposerLyricist - Aldo Cabral, ComposerLyricist - Nássara, ComposerLyricist - Aloísio Augusto Da Costa, ComposerLyricist - Wilson Batista, ComposerLyricist - Luiz Antonio, ComposerLyricist - Benedito Lacerda, ComposerLyricist - Elis Regina, MainArtist - Mirabeau, ComposerLyricist - Jair Rodrigues, MainArtist - Ary Evangelista Barroso, ComposerLyricist - Milton De Oliveira, ComposerLyricist - Eneas Silva, ComposerLyricist - Zequinha Reis, ComposerLyricist

℗ 1968 Universal Music Ltda

3
O Ser Humano
Jair Rodrigues
00:02:55

Osmar Navarro, ComposerLyricist - Jair Rodrigues, MainArtist

℗ 1967 Universal Music Ltda

4
Cruz De Cinza, Cruz De Sal
Elis Regina
00:02:00

Walter Santos, ComposerLyricist - Elis Regina, MainArtist - Tereza Souza, ComposerLyricist

℗ 1967 Universal Music Ltda

5
Serenata De Teleco-Teco
Jair Rodrigues
00:02:01

Gilberto Gil, ComposerLyricist - Jair Rodrigues, MainArtist

℗ 1967 Universal Music Ltda

6
Manifesto
Elis Regina
00:03:18

Guto, ComposerLyricist - Mariozinho Rocha, ComposerLyricist - Elis Regina, MainArtist

℗ 1967 Universal Music Ltda

7
Medley Romantico: Minha Namorada / Eu Sei Que Vou Te Amar / A Volta / Primavera
Elis Regina
00:05:41

Vinicius De Moraes, ComposerLyricist - António Carlos Jobim, ComposerLyricist - Carlos Lyra, ComposerLyricist - Roberto Menescal, ComposerLyricist - Elis Regina, MainArtist - Ronaldo Bôscoli, ComposerLyricist - Jair Rodrigues, MainArtist

℗ 1967 Universal Music Ltda

8
Amor De Carnaval
Jair Rodrigues
00:03:06

Jair Rodrigues, MainArtist - Ze Keti, ComposerLyricist

℗ 1967 Universal Music Ltda

9
Marcha Da Quarta-Feira De Cinzas
Elis Regina
00:03:08

Vinicius De Moraes, ComposerLyricist - Carlos Lyra, ComposerLyricist - Elis Regina, MainArtist

℗ 1967 Universal Music Ltda

10
Capoeira Camará
Jair Rodrigues
00:02:21

Jair Rodrigues, MainArtist - Paulo Da Cunha, ComposerLyricist

℗ 1967 Universal Music Ltda

Albumbeschreibung

In May 1965, Elis Regina and Jair Rodrigues began hosting a weekly show at TV Record (São Paulo), O Fino Da Bossa. At the same time, they opened a show at the Teatro Paramount, in the same city, which was recorded live. The LP Dois Na Bossa (Philips) was a national best-seller. They repeated the accomplishment in 1966 (Dois Na Bossa, No. 2) and again in 1967 with this album. The atmosphere was clearly dominated by the fact that Brazil was under a severe military dictatorship -- Regina's passionate addresses to the audiences and her choice of repertoire ("Marcha Da Quarta-Feira de Cinzas" can be read in this context even if it was written before 1964) contrasts with Rodrigues' silence in that respect. As in all three albums, together they cover a medley of sambas along with solo performances. The album is not a typical bossa album, despite what the title indicates. It is more of a samba release, with strong influences of bossa in harmonies and arrangements, but with the stronger, hotter grip of the samba groove. The section dedicated to bossa is a romantic medley shared by both artists.

© Alvaro Neder /TiVo

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