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Corey Wilkes|Cries From Tha Ghetto

Cries From Tha Ghetto

Corey Wilkes, Abstrakt Pulse

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Staying true to his reputation as a post-Lester Bowie-type jazz trumpeter, Corey Wilkes and his band Abstrakt Pulse take cues from hard and post-bop, creative improvised music, and populist latter-period Art Ensemble of Chicago sounds. Alternating between tuneful free music and spontaneously composed snippets, the formidable Wilkes and his quintet keep the music moving forward with vitality and a keen sense of drama. This is an intriguingly put-together group with veteran drummer Isaiah Spencer borrowed from the Ernest Dawkins-led New Horizons Ensemble, along with newcomers Kevin Nabors on tenor sax, guitarist Scott Hesse, and bassist Junius Paul. The opening "First Mind" gives you a good idea of what is to come, as the band leaps off a post-bop platform in mixed 5/4 and 4/4 meters. A struttin' and shouted-out attitude reflective of Bowie identifies the very hip "Levitation," while the outstanding track "Visionary of an Abstrakt" is placed firmly in the straight-ahead hard bop jazz tradition. More of the humorous, sarcastic Bowie/AEC stance is brushed on thick in loose, soulful layers for "Villa Tiamo," while "Chasin' LeRoy" is your deep-rooted black-bottom Chicago blues swing, with Wilkes and Nabors chatting along in call-and-response mode. The whiny and moaning free "SICK JJ," the languid, light, and comforting implied waltz "Rain," and the 11-minute title track with probing bass and scorching horns all add plenty of contrast. The short made-up pieces act like bridges and nothing more, though they are somewhat compelling and definitely spirited. Wilkes seems like a chameleon, not bound to a single style, and is comfortable in either this context or with a more commercial approach. He's no doubt a brilliant player, young yet wise beyond his years, and while scratching the surface, displays plenty of grit, street smarts, and a serious fun attitude, marking him as one of the most promising trumpet players in the 2000s. This is a very interesting recording that deserves repeat listenings to savor and enjoy.
© Michael G. Nastos /TiVo

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Cries From Tha Ghetto

Corey Wilkes

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1
First Mind
00:09:05

Corey Wilkes, Composer, MainArtist - Abstrakt Pulse, MainArtist

2009 Pi Recordings 2009 Pi Recordings

2
Abstrakt #1
00:00:44

Corey Wilkes, Composer, MainArtist - Abstrakt Pulse, MainArtist

2009 Pi Recordings 2009 Pi Recordings

3
SICK JJ
00:06:30

Corey Wilkes, Composer, MainArtist - Abstrakt Pulse, MainArtist

2009 Pi Recordings 2009 Pi Recordings

4
Levitation
00:07:22

Corey Wilkes, Composer, MainArtist - Abstrakt Pulse, MainArtist

2009 Pi Recordings 2009 Pi Recordings

5
Rain
00:04:49

Corey Wilkes, Composer, MainArtist - Abstrakt Pulse, MainArtist

2009 Pi Recordings 2009 Pi Recordings

6
Cries from Tha Ghetto
00:10:53

Corey Wilkes, Composer, MainArtist - Abstrakt Pulse, MainArtist

2009 Pi Recordings 2009 Pi Recordings

7
Abstrakt #2
00:01:12

Corey Wilkes, Composer, MainArtist - Abstrakt Pulse, MainArtist

2009 Pi Recordings 2009 Pi Recordings

8
Visionary of an Abstrakt
00:07:44

Corey Wilkes, Composer, MainArtist - Abstrakt Pulse, MainArtist

2009 Pi Recordings 2009 Pi Recordings

9
Abstrakt #3
00:01:01

Corey Wilkes, Composer, MainArtist - Abstrakt Pulse, MainArtist

2009 Pi Recordings 2009 Pi Recordings

10
Villa Tiamo
00:05:12

Corey Wilkes, Composer, MainArtist - Abstrakt Pulse, MainArtist

2009 Pi Recordings 2009 Pi Recordings

11
Abstrakt #4
00:00:24

Corey Wilkes, Composer, MainArtist - Abstrakt Pulse, MainArtist

2009 Pi Recordings 2009 Pi Recordings

12
Chasin' LeRoy
00:04:18

Corey Wilkes, Composer, MainArtist - Abstrakt Pulse, MainArtist

2009 Pi Recordings 2009 Pi Recordings

Albumbeschreibung

Staying true to his reputation as a post-Lester Bowie-type jazz trumpeter, Corey Wilkes and his band Abstrakt Pulse take cues from hard and post-bop, creative improvised music, and populist latter-period Art Ensemble of Chicago sounds. Alternating between tuneful free music and spontaneously composed snippets, the formidable Wilkes and his quintet keep the music moving forward with vitality and a keen sense of drama. This is an intriguingly put-together group with veteran drummer Isaiah Spencer borrowed from the Ernest Dawkins-led New Horizons Ensemble, along with newcomers Kevin Nabors on tenor sax, guitarist Scott Hesse, and bassist Junius Paul. The opening "First Mind" gives you a good idea of what is to come, as the band leaps off a post-bop platform in mixed 5/4 and 4/4 meters. A struttin' and shouted-out attitude reflective of Bowie identifies the very hip "Levitation," while the outstanding track "Visionary of an Abstrakt" is placed firmly in the straight-ahead hard bop jazz tradition. More of the humorous, sarcastic Bowie/AEC stance is brushed on thick in loose, soulful layers for "Villa Tiamo," while "Chasin' LeRoy" is your deep-rooted black-bottom Chicago blues swing, with Wilkes and Nabors chatting along in call-and-response mode. The whiny and moaning free "SICK JJ," the languid, light, and comforting implied waltz "Rain," and the 11-minute title track with probing bass and scorching horns all add plenty of contrast. The short made-up pieces act like bridges and nothing more, though they are somewhat compelling and definitely spirited. Wilkes seems like a chameleon, not bound to a single style, and is comfortable in either this context or with a more commercial approach. He's no doubt a brilliant player, young yet wise beyond his years, and while scratching the surface, displays plenty of grit, street smarts, and a serious fun attitude, marking him as one of the most promising trumpet players in the 2000s. This is a very interesting recording that deserves repeat listenings to savor and enjoy.
© Michael G. Nastos /TiVo

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