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Florilegium|C.P.E. Bach: Sanguineus & Melancholicus

C.P.E. Bach: Sanguineus & Melancholicus

Florilegium

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Sanguineus und Melancholicus What comprises good performance? The ability through singing or playing to make the ear conscious of the true content and affect of the composition. Any passage can be so radically changed by modifying its performance that it will be scarcely recognisable... Good performance, then, occurs when one hears all notes and their embellishments played in correct time with fitting volume produced by a touch which is related to the true content of the piece (Versuch ber die wahre Art das Clavier zu spielen). C.P.E. Bachs instructions illustrates the aestheticism of the era. In his eyes good performance is a matter of portraying rage, anger, and other passions or the briskness of allegros... the tenderness of adagios. Much of Bachs music has a strong improvisatory character, with large dynamic ranges, dramatic changes of mood, and sudden textural contrasts (The Empfindsamkeit style). These are the affects that the performer must understand and identify in Bachs music. One of C.P.E. Bachs most programmatic chamber pieces is entitled a Conversation between a Sanguineus and a Melancholicus.

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C.P.E. Bach: Sanguineus & Melancholicus

Florilegium

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Quartet in D Major, Wq. 94, H. 505 (Carl Philipp Emanuel Bach)

1
I. Allegretto
Florilegium
00:05:14

Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Florilegium, Ensemble, MainArtist

1997 Channel Classics Records 1997 Channel Classics Records

2
II. Sehr langsam und ausgehalten
Florilegium
00:04:36

Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Florilegium, Ensemble, MainArtist

1997 Channel Classics Records 1997 Channel Classics Records

3
III. Allegro di molto
Florilegium
00:04:55

Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Florilegium, Ensemble, MainArtist

1997 Channel Classics Records 1997 Channel Classics Records

4
Sonata for Viola da Gamba and Cembalo Obligato in G Minor, Wq. 88, H. 510: II. Larghetto
Florilegium
00:06:19

Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Florilegium, Ensemble, MainArtist

1997 Channel Classics Records 1997 Channel Classics Records

Trio Sonata in C Minor, Wq. 161/1, H. 579 "Sanguineus et Melancholicus" (Carl Philipp Emanuel Bach)

5
I. Allegretto - Presto
Florilegium
00:05:02

Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Florilegium, Ensemble, MainArtist

1997 Channel Classics Records 1997 Channel Classics Records

6
II. Adagio
Florilegium
00:04:00

Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Florilegium, Ensemble, MainArtist

1997 Channel Classics Records 1997 Channel Classics Records

7
III. Allegro
Florilegium
00:06:30

Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Florilegium, Ensemble, MainArtist

1997 Channel Classics Records 1997 Channel Classics Records

Flute Sonata in A Minor, Wq. 132, H. 562 (Carl Philipp Emanuel Bach)

8
I. Poco adagio
Ashley Solomon
00:04:14

Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Ashley Solomon, Conductor, MainArtist

1997 Channel Classics Records 1997 Channel Classics Records

9
II. Allegro
Ashley Solomon
00:03:19

Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Ashley Solomon, Conductor, MainArtist

1997 Channel Classics Records 1997 Channel Classics Records

10
III. Allegro
Ashley Solomon
00:02:59

Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Ashley Solomon, Conductor, MainArtist

1997 Channel Classics Records 1997 Channel Classics Records

Trio Sonata in C Major, Wq. 147, H. 571 (Carl Philipp Emanuel Bach)

11
I. Allegro
Florilegium
00:03:59

Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Florilegium, Ensemble, MainArtist

1997 Channel Classics Records 1997 Channel Classics Records

12
II. Adagio
Florilegium
00:05:08

Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Florilegium, Ensemble, MainArtist

1997 Channel Classics Records 1997 Channel Classics Records

13
III. Allegro
Florilegium
00:05:31

Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Florilegium, Ensemble, MainArtist

1997 Channel Classics Records 1997 Channel Classics Records

14
Concerto à 4 in G Minor, TWV 43:g4: I. Allegro
Florilegium
00:01:54

Georg Philipp Telemann, Composer - Florilegium, Ensemble, MainArtist

1997 Channel Classics Records 1997 Channel Classics Records

15
Sonata à 4 in G Minor, PB 424: IV. Allegro
Florilegium
00:01:16

Copyright Control, MusicPublisher - Joseph Bodin De Boismortier, Composer - Florilegium, Ensemble, MainArtist

1997 Channel Classics Records 1997 Channel Classics Records

16
Chamber Concerto in G Minor, RV 107: I. Allegro
Florilegium
00:02:12

Antonio Vivaldi, Composer - Florilegium, Ensemble, MainArtist

1997 Channel Classics Records 1997 Channel Classics Records

17
Ouverture-Suite No. 4 in D Major: VII. La Joye
Florilegium
00:01:13

Florilegium, Ensemble, MainArtist - Johann Bernhard Bach, Composer

1997 Channel Classics Records 1997 Channel Classics Records

Albumbeschreibung

Sanguineus und Melancholicus What comprises good performance? The ability through singing or playing to make the ear conscious of the true content and affect of the composition. Any passage can be so radically changed by modifying its performance that it will be scarcely recognisable... Good performance, then, occurs when one hears all notes and their embellishments played in correct time with fitting volume produced by a touch which is related to the true content of the piece (Versuch ber die wahre Art das Clavier zu spielen). C.P.E. Bachs instructions illustrates the aestheticism of the era. In his eyes good performance is a matter of portraying rage, anger, and other passions or the briskness of allegros... the tenderness of adagios. Much of Bachs music has a strong improvisatory character, with large dynamic ranges, dramatic changes of mood, and sudden textural contrasts (The Empfindsamkeit style). These are the affects that the performer must understand and identify in Bachs music. One of C.P.E. Bachs most programmatic chamber pieces is entitled a Conversation between a Sanguineus and a Melancholicus.

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