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New Collegium|Carl Philipp Emanuel Bach: Empfindsam

Carl Philipp Emanuel Bach: Empfindsam

New Collegium and Claudio Ribeiro

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"Empfindsamer Stil" or "Empfindsamkeit" developed in Germany by the middle of the 18th century with the main goal of expressing emotions in order to move the spectator. Carl Philipp Emanuel Bach, Johann Sebastian’s second son, was the composer who best represented the style’s ideals. Christoph Friedrich Nicolai, a contemporary critic, aptly described the merit of C. P. E. Bach’s ingenious originality: “Anyone who would wish to see such a truly original composer as our Bach freely go his own way, untrammelled by custom or fashion, will find his heart’s desire in these splendid, unique symphonies”. These qualities probably explain why his symphonies kept being played up to modern days.
Carl Philipp Emanuel Bach goes into the deepest of his sentimental expression, with delicate harmonies and well-designed melodic lines alternating with tortuous melodic leaps, painful harmonic progressions and outstanding cantabile writing. Tempests of notes and harmonies supported by temperamental accompaniments from the strings are followed by the most sublime cantabiles, passages in an almost galant style, with short and simple melodic motifs. Striking harmonies and dissonant leaps are combined with sudden fermatas to create the dramatic instability typical of Sturm und Drang.
A veritable musical fireworks in a captivating rendering by New Collegium! © Ramée

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Carl Philipp Emanuel Bach: Empfindsam

New Collegium

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Symphony in D Major, Wq. 183.1, H. 663 (Carl Philipp Emanuel Bach)

1
I. Allegro di molto
00:06:12

Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Cláudio Ribeiro, MainArtist - New Collegium, MainArtist

2020 Outhere Music 2020 New Collegium

2
II. Largo
00:01:55

Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Cláudio Ribeiro, MainArtist - New Collegium, MainArtist

2020 Outhere Music 2020 New Collegium

3
III. Presto
00:03:01

Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Cláudio Ribeiro, MainArtist - New Collegium, MainArtist

2020 Outhere Music 2020 New Collegium

Concerto for Harpsichord and Orchestra in E Major, Wq. 14, H. 417 (Carl Philipp Emanuel Bach)

4
I. Allegro
00:08:51

Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Cláudio Ribeiro, MainArtist - New Collegium, MainArtist

2020 Outhere Music 2020 New Collegium

5
II. Poco adagio
00:07:36

Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Cláudio Ribeiro, MainArtist - New Collegium, MainArtist

2020 Outhere Music 2020 New Collegium

6
III. Allegro assai
00:06:49

Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Cláudio Ribeiro, MainArtist - New Collegium, MainArtist

2020 Outhere Music 2020 New Collegium

Concerto III from 24 concerti del manoscritto di Napoli (Francesco Barbella)

7
I. Amoroso
00:03:27

Copyright Control, MusicPublisher - Cláudio Ribeiro, MainArtist - Francesco Barbella, Composer - Inês d’Avena, MainArtist - New Collegium, MainArtist

2020 Outhere Music 2020 New Collegium

8
II. Allegro
00:02:47

Copyright Control, MusicPublisher - Cláudio Ribeiro, MainArtist - Francesco Barbella, Composer - Inês d’Avena, MainArtist - New Collegium, MainArtist

2020 Outhere Music 2020 New Collegium

9
III. Adagio
00:01:15

Copyright Control, MusicPublisher - Cláudio Ribeiro, MainArtist - Francesco Barbella, Composer - Inês d’Avena, MainArtist - New Collegium, MainArtist

2020 Outhere Music 2020 New Collegium

10
IV. Allegro
00:01:38

Copyright Control, MusicPublisher - Cláudio Ribeiro, MainArtist - Francesco Barbella, Composer - Inês d’Avena, MainArtist - New Collegium, MainArtist

2020 Outhere Music 2020 New Collegium

Sonata in A Minor for Violin, Cello and Obbligato Harpsichord, Wq. 90:01, H. 522 (Carl Philipp Emanuel Bach)

11
I. Presto
00:03:30

Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Cláudio Ribeiro, MainArtist - Rebecca Rosen, MainArtist - New Collegium, MainArtist - Sara DeCorso, MainArtist

2020 Outhere Music 2020 New Collegium

12
II. Andante
00:02:05

Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Cláudio Ribeiro, MainArtist - Rebecca Rosen, MainArtist - New Collegium, MainArtist - Sara DeCorso, MainArtist

2020 Outhere Music 2020 New Collegium

13
III. Presto ma non tanto
00:02:40

Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Cláudio Ribeiro, MainArtist - Rebecca Rosen, MainArtist - New Collegium, MainArtist - Sara DeCorso, MainArtist

2020 Outhere Music 2020 New Collegium

Symphony in F Major, F. 67, BR C 2 "Dissonanzen-Sinfonie" (Wilhelm Friedemann Bach)

14
I. Vivace
00:04:13

Copyright Control, MusicPublisher - Wilhelm Friedemann Bach, Composer - Cláudio Ribeiro, MainArtist - New Collegium, MainArtist

2020 Outhere Music 2020 New Collegium

15
II. Andante
00:03:57

Copyright Control, MusicPublisher - Wilhelm Friedemann Bach, Composer - Cláudio Ribeiro, MainArtist - New Collegium, MainArtist

2020 Outhere Music 2020 New Collegium

16
III. Allegro
00:03:12

Copyright Control, MusicPublisher - Wilhelm Friedemann Bach, Composer - Cláudio Ribeiro, MainArtist - New Collegium, MainArtist

2020 Outhere Music 2020 New Collegium

17
IV. Menuetto 1 & Menuetto 2
00:02:22

Copyright Control, MusicPublisher - Wilhelm Friedemann Bach, Composer - Cláudio Ribeiro, MainArtist - New Collegium, MainArtist

2020 Outhere Music 2020 New Collegium

Albumbeschreibung

"Empfindsamer Stil" or "Empfindsamkeit" developed in Germany by the middle of the 18th century with the main goal of expressing emotions in order to move the spectator. Carl Philipp Emanuel Bach, Johann Sebastian’s second son, was the composer who best represented the style’s ideals. Christoph Friedrich Nicolai, a contemporary critic, aptly described the merit of C. P. E. Bach’s ingenious originality: “Anyone who would wish to see such a truly original composer as our Bach freely go his own way, untrammelled by custom or fashion, will find his heart’s desire in these splendid, unique symphonies”. These qualities probably explain why his symphonies kept being played up to modern days.
Carl Philipp Emanuel Bach goes into the deepest of his sentimental expression, with delicate harmonies and well-designed melodic lines alternating with tortuous melodic leaps, painful harmonic progressions and outstanding cantabile writing. Tempests of notes and harmonies supported by temperamental accompaniments from the strings are followed by the most sublime cantabiles, passages in an almost galant style, with short and simple melodic motifs. Striking harmonies and dissonant leaps are combined with sudden fermatas to create the dramatic instability typical of Sturm und Drang.
A veritable musical fireworks in a captivating rendering by New Collegium! © Ramée

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