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Boots - AQUARIA

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AQUARIA

BOOTS

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Language available : english

Much like his sudden breakout onto the music scene, Boots' debut Aquaria (Columbia) starts with a buzz. Gaining exposure after producing much of Beyonce's 2013 surprise album, he went on to work with Run the Jewels (RTJ's El-P returns the favor here) and FKA Twigs. A pop queen, a hardcore rap duo, and an alt-R&B newcomer -- seemingly disparate beneficiaries of one man's work, and yet it all makes perfect sense. Boots combines the best of R&B, rock, electronic, rap, and pop sensibilities for a futuristic sound that comes close to achieving a musical mono-genre singularity. Nothing on Aquaria seems out of place, but each song brings something new to the party. Slathered in a sexy sinister sheen, his alt-R&B is borderline industrial at some points: switch his vocals for Trent Reznor's and these might be lost B-sides from Nine Inch Nails' Year Zero/Ghosts era ("I Run Roulette" and "Dead Come Running"). From the dizzying drone of "C.U.R.E." to the pulsing palpitations on "Oraclies," Boots crafts slick jams disguised as metal bangers. Depeche Mode, Radiohead, the aforementioned NIN: whether intentional or not, their knack for combining sick beats with aggressive instrumentation and textured atmospherics are influences found all over this album. Even trip-hop pioneer Tricky gets an allusive shout-out on "Bombs Away," its throbbing lurch like a shared heartbeat with Tricky's hit "Excess." Elsewhere, he's up alongside contemporaries in the alt-R&B scene: the spooky bombast, creepy strings, and jittering digital jolts sound like some of the better Daniel Johns (Silverchair) tracks on his solo debut, while the anxious, suffocating moments recall the Weeknd's work as a former mysterious mixtape artist. Beyond the dissonant clash, a trio of smoothed-out tracks near the end of the album provide a break from the excitement: the drugged-out slow jam "Earthquake," the ghost-dirge "Only," and the plaintive, fame-phobic "Still," which actually brings the brightest shine to an overall ominous and thrilling affair.
© Neil Z. Yeung /TiVo

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AQUARIA

Boots

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1
Brooklyn Gamma
00:03:20

Boots, Associated Performer, Composer, Engineer, Guitar, Keyboards, Lyricist, Main Artist, Producer - EL-P, Co-Producer, Engineer, Synthesizer - Gabe Wax, Co-Producer, Keyboards, Other, Synthesizer - Carla Azar, Drums - Matt Barrick, Drums - Nick Brown, Drums - Florian Etien, Engineer - Rich Costey, Mixing Engineer - Joe LaPorta, Mastering Engineer - Martin Cook, Assistant Engineer - Nicolas Fournier, Assistant Engineer - Mario Borgatta, Assistant Engineer

(P) 2015 Columbia Records, a Division of Sony Music Entertainment

2
C.U.R.E.
00:02:55

Boots, Associated Performer, Composer, Drums, Engineer, Guitar, Lyricist, Main Artist, Other, Producer - Stuart White, Mixing Engineer, Producer - Joe LaPorta, Mastering Engineer

(P) 2015 Columbia Records, a Division of Sony Music Entertainment

3
Oraclies
00:03:55

Boots, Associated Performer, Bass, Composer, Drums, Engineer, Guitar, Lyricist, Main Artist, Other, Producer, Scratches - Florian Etien, Engineer - Stuart White, Mixing Engineer - Joe LaPorta, Mastering Engineer

(P) 2015 Columbia Records, a Division of Sony Music Entertainment

4
Bombs Away
00:03:25

Boots, Associated Performer, Composer, Drums, Engineer, Guitar, Keyboards, Lyricist, Main Artist, Producer - Rich Costey, Mixing Engineer - Joe LaPorta, Mastering Engineer - Gabe Wax, Synthesizer - Martin Cook, Assistant Engineer - Nicolas Fournier, Assistant Engineer - Mario Borgatta, Assistant Engineer

(P) 2015 Columbia Records, a Division of Sony Music Entertainment

5
I Run Roulette
00:03:50

Boots, Associated Performer, Bass, Composer, Drums, Engineer, Guitar, Lyricist, Main Artist, Producer - Nick Brown, Drums - Florian Etien, Engineer - Rich Costey, Mixing Engineer - Joe LaPorta, Mastering Engineer - Martin Cook, Assistant Engineer - Nicolas Fournier, Assistant Engineer - Mario Borgatta, Assistant Engineer

(P) 2015 In Souls Music Inc., under exclusive license to Columbia Records, a Division of Sony Music Entertainment

6
Gallows
00:01:41

Boots, Associated Performer, Bass, Composer, Drums, Engineer, Keyboards, Lyricist, Main Artist, Mixing Engineer, Producer - Carla Azar, Drums - Anthony Coleman, Horn - Jason Disu, Horn - EL-P, Producer - Joe LaPorta, Mastering Engineer

(P) 2015 Columbia Records, a Division of Sony Music Entertainment

7
AQUARIA
00:04:59

Boots, Associated Performer, Composer, Drums, Engineer, Lyricist, Main Artist, Mixing Engineer, Other, Producer, Vibraphone - Deradoorian, Associated Performer, Featured Artist - BOOTS feat. Deradoorian, Associated Performer - Kirby Lauryen, Composer, Lyricist - Angel Deradoorian, Composer, Lyricist - Haley Dekle - Roger Manning, Kazoo, Keyboards, Other - Joe LaPorta, Mastering Engineer - Carla Azar, Drums

(P) 2015 Columbia Records, a Division of Sony Music Entertainment

8
Earthquake
00:03:00

Boots, Associated Performer, Composer, Drums, Engineer, Lyricist, Main Artist, Producer - Gabe Wax, Producer, Synthesizer - Matt Barrick, Congas, Drums, Keyboards, Other, Percussion, Producer - Carla Azar, Drums, Producer - Rich Costey, Mixing Engineer - Joe LaPorta, Mastering Engineer - Martin Cook, Assistant Engineer - Nicolas Fournier, Assistant Engineer - Mario Borgatta, Assistant Engineer

(P) 2015 Columbia Records, a Division of Sony Music Entertainment

9
Only
00:04:16

Boots, Associated Performer, Composer, Drums, Guitar, Lyricist, Main Artist, Other, Piano, Producer - Matt Barrick, Drums - Nick Brown, Drums - Florian Etien, Engineer - Rich Costey, Mixing Engineer - Joe LaPorta, Mastering Engineer

(P) 2015 In Souls Music Inc., under exclusive license to Columbia Records, a Division of Sony Music Entertainment

10
Dead Come Running
00:04:09

Boots, Associated Performer, Bass, Composer, Drums, Engineer, Guitar, Keyboards, Lyricist, Main Artist, Mixing Engineer, Other, Producer - EL-P, Drums, Producer, Trumpet - Carla Azar, Drums, Producer - Joe LaPorta, Mastering Engineer

(P) 2015 Columbia Records, a Division of Sony Music Entertainment

11
Still
00:02:56

Boots, Associated Performer, Composer, Guitar, Lyricist, Main Artist, Other, Producer, Timpani - Haley Dekle - Florian Etien, Engineer - Rich Costey, Mixing Engineer - Joe LaPorta, Mastering Engineer - Martin Cook, Assistant Engineer - Nicolas Fournier, Assistant Engineer - Mario Borgatta, Assistant Engineer

(P) 2015 Columbia Records, a Division of Sony Music Entertainment

Album Description

Much like his sudden breakout onto the music scene, Boots' debut Aquaria (Columbia) starts with a buzz. Gaining exposure after producing much of Beyonce's 2013 surprise album, he went on to work with Run the Jewels (RTJ's El-P returns the favor here) and FKA Twigs. A pop queen, a hardcore rap duo, and an alt-R&B newcomer -- seemingly disparate beneficiaries of one man's work, and yet it all makes perfect sense. Boots combines the best of R&B, rock, electronic, rap, and pop sensibilities for a futuristic sound that comes close to achieving a musical mono-genre singularity. Nothing on Aquaria seems out of place, but each song brings something new to the party. Slathered in a sexy sinister sheen, his alt-R&B is borderline industrial at some points: switch his vocals for Trent Reznor's and these might be lost B-sides from Nine Inch Nails' Year Zero/Ghosts era ("I Run Roulette" and "Dead Come Running"). From the dizzying drone of "C.U.R.E." to the pulsing palpitations on "Oraclies," Boots crafts slick jams disguised as metal bangers. Depeche Mode, Radiohead, the aforementioned NIN: whether intentional or not, their knack for combining sick beats with aggressive instrumentation and textured atmospherics are influences found all over this album. Even trip-hop pioneer Tricky gets an allusive shout-out on "Bombs Away," its throbbing lurch like a shared heartbeat with Tricky's hit "Excess." Elsewhere, he's up alongside contemporaries in the alt-R&B scene: the spooky bombast, creepy strings, and jittering digital jolts sound like some of the better Daniel Johns (Silverchair) tracks on his solo debut, while the anxious, suffocating moments recall the Weeknd's work as a former mysterious mixtape artist. Beyond the dissonant clash, a trio of smoothed-out tracks near the end of the album provide a break from the excitement: the drugged-out slow jam "Earthquake," the ghost-dirge "Only," and the plaintive, fame-phobic "Still," which actually brings the brightest shine to an overall ominous and thrilling affair.
© Neil Z. Yeung /TiVo

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