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Mark O Connor|American Classics

American Classics

Mark O'Connor

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Language available : english

The country and bluegrass fiddler Mark O'Connor has been a pioneer in the institutionalization of American vernacular styles, participating in various symphonic and chamber music projects, and establishing an impressive range of educational activities. He has headlined or participated in various recordings involving country-classical or folk-classical fusions (including Yo-Yo Ma's Appalachian Journey). This release lies between his marquee career and his educational empire. It was released in conjuction with a new volume of his O'Connor method violin instruction books, and the arrangements heard are taken directly from that volume. They're straightforward versions of familiar tunes from a large variety of traditions: old-time fiddle music, ragtime, jazz minstrelsy, labor song ("We Shall Overcome" is the representative here), religious music, patriotic songs, spirituals, and more. The piano accompaniments, played by Rieko Aizawa, are in the simple parlor mode of the 19th century. The emphasis is on the diversity of the American tradition rather than on virtuoso performance, and O'Connor's project becomes more and more interesting in this respect as he develops it further. Undeniably, no one has attempted anything of this scope since Dvorák's day, and those intrigued by that, as well as actual students of O'Connor's method, will enjoy this album. For those more interested in the end result, check out one of O'Connor's more extensive classical pieces, such as "Fanfare for the Volunteer."
© James Manheim /TiVo

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American Classics

Mark O Connor

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1
Rubber Dolly Rag
00:02:03

Mark O'Connor, Composer, MainArtist - Mark O'Connor Musik International, MusicPublisher

(C) 2011 Mark O'Connor (P) 2012 OMAC Records

2
Over the Waves
00:02:55

Mark O'Connor, Composer, MainArtist - Mark O'Connor Musik International, MusicPublisher

(C) 2011 Mark O'Connor (P) 2012 OMAC Records

3
Rippling Water Jig
00:01:21

Mark O'Connor, Composer, MainArtist - Mark O'Connor Musik International, MusicPublisher

(C) 2011 Mark O'Connor (P) 2012 OMAC Records

4
Hava Nagila
00:01:59

Mark O'Connor, Composer, MainArtist - Mark O'Connor Musik International, MusicPublisher

(C) 2011 Mark O'Connor (P) 2012 OMAC Records

5
Herman's Hornpipe
00:01:36

Mark O'Connor, Composer, MainArtist - Mark O'Connor Musik International, MusicPublisher

(C) 2011 Mark O'Connor (P) 2012 OMAC Records

6
Lazy River
00:02:01

Mark O'Connor, Composer, MainArtist - Peermusic III Ltd., MusicPublisher

(C) 2011 Mark O'Connor (P) 2012 OMAC Records

7
Rain Clouds
00:02:50

Mark O'Connor, Composer, MainArtist - Mark O'Connor Musik International, MusicPublisher

(C) 2011 Mark O'Connor (P) 2012 OMAC Records

8
Congress Hoedown
00:01:37

Mark O'Connor, Composer, MainArtist - Mark O'Connor Musik International, MusicPublisher

(C) 2011 Mark O'Connor (P) 2012 OMAC Records

9
Deep River
00:02:49

Mark O'Connor, Composer, MainArtist - Mark O'Connor Musik International, MusicPublisher

(C) 2011 Mark O'Connor (P) 2012 OMAC Records

10
Liberty
00:01:25

Mark O'Connor, Composer, MainArtist - Mark O'Connor Musik International, MusicPublisher

(C) 2011 Mark O'Connor (P) 2012 OMAC Records

11
In the Cluster Blues
00:01:40

Mark O'Connor, Composer, MainArtist - Mark O'Connor Musik International, MusicPublisher

(C) 2011 Mark O'Connor (P) 2012 OMAC Records

12
Jessie Polka
00:02:14

Mark O'Connor, Composer, MainArtist - Mark O'Connor Musik International, MusicPublisher

(C) 2011 Mark O'Connor (P) 2012 OMAC Records

13
The Entertainer
00:02:47

Mark O'Connor, Composer, MainArtist - Mark O'Connor Musik International, MusicPublisher

(C) 2011 Mark O'Connor (P) 2012 OMAC Records

14
Grey Eagle
00:01:29

Mark O'Connor, Composer, MainArtist - Mark O'Connor Musik International, MusicPublisher

(C) 2011 Mark O'Connor (P) 2012 OMAC Records

15
March of the Pharaohs
00:03:23

Mark O'Connor, Composer, MainArtist - Mark O'Connor Musik International, MusicPublisher

(C) 2011 Mark O'Connor (P) 2012 OMAC Records

16
Daphne
00:02:05

Mark O'Connor, Composer, MainArtist - Jewel Music Pub., MusicPublisher

(C) 2011 Mark O'Connor (P) 2012 OMAC Records

17
Old Folks at Home
00:03:19

Mark O'Connor, Composer, MainArtist - Mark O'Connor Musik International, MusicPublisher

(C) 2011 Mark O'Connor (P) 2012 OMAC Records

18
Boil 'em Cabbage Down (Variation 14)
00:01:24

Mark O'Connor, Composer, MainArtist - Mark O'Connor Musik International, MusicPublisher

(C) 2011 Mark O'Connor (P) 2012 OMAC Records

19
We Shall Overcome
00:03:11

Mark O'Connor, Composer, MainArtist - Mark O'Connor Musik International, MusicPublisher

(C) 2011 Mark O'Connor (P) 2012 OMAC Records

20
Simple Gifts
00:03:29

Mark O'Connor, Composer, MainArtist - Mark O'Connor Musik International, MusicPublisher

(C) 2011 Mark O'Connor (P) 2012 OMAC Records

21
America the Beautiful
00:03:02

Mark O'Connor, Composer, MainArtist - Mark O'Connor Musik International, MusicPublisher

(C) 2011 Mark O'Connor (P) 2012 OMAC Records

Albumbeschreibung

The country and bluegrass fiddler Mark O'Connor has been a pioneer in the institutionalization of American vernacular styles, participating in various symphonic and chamber music projects, and establishing an impressive range of educational activities. He has headlined or participated in various recordings involving country-classical or folk-classical fusions (including Yo-Yo Ma's Appalachian Journey). This release lies between his marquee career and his educational empire. It was released in conjuction with a new volume of his O'Connor method violin instruction books, and the arrangements heard are taken directly from that volume. They're straightforward versions of familiar tunes from a large variety of traditions: old-time fiddle music, ragtime, jazz minstrelsy, labor song ("We Shall Overcome" is the representative here), religious music, patriotic songs, spirituals, and more. The piano accompaniments, played by Rieko Aizawa, are in the simple parlor mode of the 19th century. The emphasis is on the diversity of the American tradition rather than on virtuoso performance, and O'Connor's project becomes more and more interesting in this respect as he develops it further. Undeniably, no one has attempted anything of this scope since Dvorák's day, and those intrigued by that, as well as actual students of O'Connor's method, will enjoy this album. For those more interested in the end result, check out one of O'Connor's more extensive classical pieces, such as "Fanfare for the Volunteer."
© James Manheim /TiVo

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