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Frank D'Rone|After The Ball

After The Ball

Frank D'Rone

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Language available : english

Though Frank D'Rone must have appreciated the critical comparisons to Frank Sinatra, his 1960 Mercury LP After the Ball sounds more like the work of Bobby Darin, the deep crooner with the angelic face then making waves with his nightclub act and live record, Darin at the Copa. D'Rone, a former guitarist, also bears the mark of Mel Tormé (a true musician's singer), shaping his notes to fit the mood and constantly making conscious decisions to twist a well-worn standard into a new thing. Though singers like him and Darin represented the new face of swinging pop, D'Rone explores deep into the past for these songs; the title track alone was over 60 years old (though taken at a tempo poor Chas K. Harris never would have envisioned), and "My Melancholy Baby" was of a similar vintage. Thanks to the sparkling arrangements of the ever-inventive Billy May, After the Ball has all the spark and fire of the ring-a-ding-ding '60s. Though D'Rone never found commercial success like Darin, the record held up well.

© John Bush /TiVo

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After The Ball

Frank D'Rone

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1
After The Ball
00:02:13

Charles K. Harris, Composer - Frank D'Rone, MainArtist

℗ 1960 The Verve Music Group, a Division of UMG Recordings, Inc.

2
Oh Look At Me Now
00:02:25

Joseph Bushkin, ComposerLyricist - John De Vries, ComposerLyricist - Frank D'Rone, MainArtist

℗ 1960 The Verve Music Group, a Division of UMG Recordings, Inc.

3
My Melancholy Baby
00:02:19

Ernie Burnett, Composer - George Norton, Author - Frank D'Rone, MainArtist

℗ 1960 The Verve Music Group, a Division of UMG Recordings, Inc.

4
You'd Be So Nice To Come Home To
00:01:58

Cole Porter, ComposerLyricist - Frank D'Rone, MainArtist

℗ 1960 The Verve Music Group, a Division of UMG Recordings, Inc.

5
Now I Know
00:02:20

Harold Arlen, ComposerLyricist - Ted Koehler, ComposerLyricist - Frank D'Rone, MainArtist

℗ 1960 The Verve Music Group, a Division of UMG Recordings, Inc.

6
Let Me Love You
00:01:40

Bart Howard, ComposerLyricist - Frank D'Rone, MainArtist

℗ 1960 The Verve Music Group, a Division of UMG Recordings, Inc.

7
Will You Still Be Mine
00:02:03

Matt Dennis, ComposerLyricist - Tom Adair, ComposerLyricist - Frank D'Rone, MainArtist

℗ 1960 The Verve Music Group, a Division of UMG Recordings, Inc.

8
Warm All Over
00:02:17

FRANK LOESSER, ComposerLyricist - Frank D'Rone, MainArtist

℗ 1960 The Verve Music Group, a Division of UMG Recordings, Inc.

9
It's You Or No One
00:02:00

Jule Styne, Composer - Sammy Cahn, Author - Frank D'Rone, MainArtist

℗ 1960 The Verve Music Group, a Division of UMG Recordings, Inc.

10
Two Sleepy People
00:02:52

HOAGY CARMICHAEL, ComposerLyricist - FRANK LOESSER, ComposerLyricist - Frank D'Rone, MainArtist

℗ 1960 The Verve Music Group, a Division of UMG Recordings, Inc.

11
Why Can't This Night Go On Forever
00:01:58

Isham Jones, ComposerLyricist - Charles Newman, ComposerLyricist - Frank D'Rone, MainArtist

℗ 1960 The Verve Music Group, a Division of UMG Recordings, Inc.

12
We'll Be Together Again
00:03:13

Carl Fischer, Composer - Frankie Laine, Author - Frank D'Rone, MainArtist

℗ 1960 The Verve Music Group, a Division of UMG Recordings, Inc.

Albumbeschreibung

Though Frank D'Rone must have appreciated the critical comparisons to Frank Sinatra, his 1960 Mercury LP After the Ball sounds more like the work of Bobby Darin, the deep crooner with the angelic face then making waves with his nightclub act and live record, Darin at the Copa. D'Rone, a former guitarist, also bears the mark of Mel Tormé (a true musician's singer), shaping his notes to fit the mood and constantly making conscious decisions to twist a well-worn standard into a new thing. Though singers like him and Darin represented the new face of swinging pop, D'Rone explores deep into the past for these songs; the title track alone was over 60 years old (though taken at a tempo poor Chas K. Harris never would have envisioned), and "My Melancholy Baby" was of a similar vintage. Thanks to the sparkling arrangements of the ever-inventive Billy May, After the Ball has all the spark and fire of the ring-a-ding-ding '60s. Though D'Rone never found commercial success like Darin, the record held up well.

© John Bush /TiVo

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