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Kim Lenz and The Jaguars|The One And Only

The One And Only

Kim Lenz and The Jaguars

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Rowdier than Rosie Flores and cuter than Big Sandy, Kim Lenz is the sexiest thing to happen to rockabilly music since Elvis Presley. What her voice lacks in prettiness it more than makes up for in gusto -- when she delivers songs with titles like "Howl at the Moon," "Comin' Back Strong," and "You've Met Your Match," you just can't help but believe her every growl and yelp. The Jaguars are a bare-bones guitar-bass-drums outfit, and it sounds like the producers decided to record them the old-fashioned way (i.e., with only one microphone) in the interest of authenticity. The technique worked; the bass is practically inaudible and the balance is dodgy, just like on those 1950s Sun records. The effect is appealing, though; there's an edgy, first-take energy to every song on the album. Highlights include Lenz's own "Fit to Be Tied" and "Choctaw Boogie," and she delivers a very credible cover version of Big Sandy's swinging "Somebody Lied." Highly recommended.

© Rick Anderson /TiVo

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The One And Only

Kim Lenz and The Jaguars

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1
Howl At the Moon
00:02:47

Kim Lenz, ComposerLyricist - Kim Lenz and The Jaguars, MainArtist

℗ 1999 Craft Recordings, a division of Concord Music Group, Inc.

2
One And Only
00:02:25

Don Roberts, ComposerLyricist - Kim Lenz and The Jaguars, MainArtist

℗ 1999 Craft Recordings, a division of Concord Music Group, Inc.

3
Somebody Lied
00:02:36

Robert Williams, ComposerLyricist - Kim Lenz and The Jaguars, MainArtist

℗ 1999 Craft Recordings, a division of Concord Music Group, Inc.

4
If You Don't Like My Peaches (Don't Shake My Tree)
00:01:40

Jack Rhodes, ComposerLyricist - Don Carter, ComposerLyricist - Dub Nalls, ComposerLyricist - Kim Lenz and The Jaguars, MainArtist

℗ 1999 Craft Recordings, a division of Concord Music Group, Inc.

5
Rock and Roll Guitar
00:02:15

Kim Lenz and The Jaguars, MainArtist

℗ 1999 Craft Recordings, a division of Concord Music Group, Inc.

6
Choctaw Boogie
00:02:16

Kim Lenz, ComposerLyricist - Kim Lenz and The Jaguars, MainArtist

℗ 1999 Craft Recordings, a division of Concord Music Group, Inc.

7
Comin' Back Strong
00:02:15

Kim Lenz and The Jaguars, MainArtist - Carl Sonny Leyland, ComposerLyricist

℗ 1999 Craft Recordings, a division of Concord Music Group, Inc.

8
Dancing Me To Death
00:01:57

Kim Lenz, ComposerLyricist - Kim Lenz and The Jaguars, MainArtist

℗ 1999 Craft Recordings, a division of Concord Music Group, Inc.

9
Crawlin' Back
00:02:41

Sage Guyton, ComposerLyricist - Kim Lenz and The Jaguars, MainArtist

℗ 1999 Craft Recordings, a division of Concord Music Group, Inc.

10
Truest Love
00:02:43

Kim Lenz, ComposerLyricist - Kim Lenz and The Jaguars, MainArtist

℗ 1999 Craft Recordings, a division of Concord Music Group, Inc.

11
Fit to Be Tied
00:02:27

Kim Lenz, ComposerLyricist - Kim Lenz and The Jaguars, MainArtist

℗ 1999 Craft Recordings, a division of Concord Music Group, Inc.

12
Stick 'Em Up Honey
00:01:59

Kim Lenz, ComposerLyricist - Kim Lenz and The Jaguars, MainArtist

℗ 1999 Craft Recordings, a division of Concord Music Group, Inc.

13
Flame Of Love
00:02:14

Dave Burgess, ComposerLyricist - Kim Lenz and The Jaguars, MainArtist

℗ 1999 Craft Recordings, a division of Concord Music Group, Inc.

14
You've Met Your Match
00:02:11

Kim Lenz, ComposerLyricist - Kim Lenz and The Jaguars, MainArtist - Robert Stephen Williams, ComposerLyricist

℗ 1999 Craft Recordings, a division of Concord Music Group, Inc.

Album review

Rowdier than Rosie Flores and cuter than Big Sandy, Kim Lenz is the sexiest thing to happen to rockabilly music since Elvis Presley. What her voice lacks in prettiness it more than makes up for in gusto -- when she delivers songs with titles like "Howl at the Moon," "Comin' Back Strong," and "You've Met Your Match," you just can't help but believe her every growl and yelp. The Jaguars are a bare-bones guitar-bass-drums outfit, and it sounds like the producers decided to record them the old-fashioned way (i.e., with only one microphone) in the interest of authenticity. The technique worked; the bass is practically inaudible and the balance is dodgy, just like on those 1950s Sun records. The effect is appealing, though; there's an edgy, first-take energy to every song on the album. Highlights include Lenz's own "Fit to Be Tied" and "Choctaw Boogie," and she delivers a very credible cover version of Big Sandy's swinging "Somebody Lied." Highly recommended.

© Rick Anderson /TiVo

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