What is a Qobuzissime? It’s an award presented by Qobuz for a first or second album.
Pop or Reggae, Metal or Classical, Jazz or Blues, no genre is excluded. More often than not the award is presented to a newly discovered artist.
Sometimes it might be a particularly quirky or a crossover album from a discography.
The important aspects are uniqueness, sincerity and quality. We look for these things in the recording, the project and the sound identity.
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Dance - Released March 26, 2021 | Brownswood Recordings
Chill-out - Released January 29, 2021 | Wonderwheel Recordings
It's been four years since Jean Dasso alias Yeahman entered the scene, first with his bass music/tropical "Ghetto Sonido" nights in Toulouse, then with the track Miniyamba (featuring the sweet vocals of singers Mina Shankha and Hajna) in 2017, which allowed him to catch the eye of Wonderwheel Recordings. Led from Brooklyn by DJ Nickodemus, the label hosts big names of the "global bass" circuit such as Quantic, Chancha Via Circuito, DJ Khalab or El Buho, and offered its first long format to Yeahman, who, honouring the image of the adventurer, went to record in Dakar, Naples, Marseille and Toulouse.The Frenchman proves right from the opening that he's got something, on the catchy dreamy samba Deelahli, with the almost erased voice of Mina Shankha, then the ultra-smooth Baixi Baixi, accompanied by the two Portuguese sisters of Aluna Project on a charango and a dembow rhythm. But Yeahman also likes square rhythms, like on Soupe au Feu and its chopped string samples, Sakoneta (and its kora made in Dakar) or GLI-F4, all supported by a silky and hypnotic house beat. We find Mina Shankha and Hajna on a cover of the Peruvian cumba standard Cariñito, then Omar Zidia. Singer and guitarist of the Tuareg group Ezza on Ouloullou, before closing this Qobuzissime journey in the Ostriconi (a paradisaical Corsican region) with the folktronica of the British producer Robin Perkins, alias El Búho, Yeahman's new label mate and undoubtedly future travel companion. © Smaël Bouaici/Qobuz
House - Released December 11, 2020 | Happiness Therapy
House - Released March 6, 2020 | Shall Not Fade
Ambient - Released February 7, 2020 | Gondwana Records
Electronic - Released July 5, 2019 | Transgressive
Electronic - Released October 5, 2018 | [PIAS]
House - Released August 31, 2018 | Neverbeener Records - Grand Musique Management
Electronic - Released July 27, 2018 | Brainfeeder
His second EP You’ll Understand, released in 2016 on Distant Hawaii, a sub-division of the London label Lobster Theremin (spearhead of lo-fi house) and his melancholic yet rousing track Talk To Me You’ll Understand made it clear: Ross From Friends has gold at his fingertips! He has spent his time over the past two years fine-tuning the tiniest details for this 50-minute album that is sure to satisfy those who have fallen for the charm of his silky house, as well as ensure him a new base of devout fans.Ross From Friends’ music is somehow addictive, as confirmed by Thank God I’m A Lizard, a shamanic house with Pink Floyd-like guitars, while Wear Me Down sounds more fluid and reminiscent of the Argentine Ernesto Ferreyra and Luciano's sweaty dancefloor label Cadenza. In addition to the hypnotic aspect of his minimal techno, Ross From Friends adds an extra touch of soul, drawn from his family history. His parents were keen travellers, the kind of Englishmen to roam around Europe in the 80s with a sound system to diffuse the first electronic experiments (hi-NRG, italo-disco…). The Knife offers a kind of soulful synth-pop that plunges us straight back into the atmosphere of the 80s, before he switches up the BPM for the techno track Project Cybersyn. "Every time I started working on a song, I was immediately caught up in the most emotional aspect of things," he explains. It's certainly one of the most important parts of the work around the album, trying to tap into those emotions, that emotional instability." This approach is reminiscent of that of another British producer of the new generation, Leon Vynehall, who built his latest album Nothing Is Still around the history of grandparents with an equally moving result.The superb track Parallel Sequence and its breakbeats also show that the Englishman is not fixated on the kick and that, unlike so many others, he does not put the drum machine at the centre of his music. It would be difficult to define a rotary axis, as his songs seem to emanate from an idea, from a concept. The rest of the album is just as bewitching, and we let ourselves be carried from one end of the twelve tracks to the other in this cotton blanket that Ross From Friends has wrapped us in. It's only summer, but this is probably already one of the albums of the year and for sure a perfect Qobuzissime record. © Smaël Bouaici/Qobuz
Electronic - Released March 9, 2018 | Ed Banger Records
A specific and a lasting reading disorder that occurs during childhood and adolescence, dyslexia is recognized as a dysfunctional learning disability. No doubt that 10LEC6 just learned ... differently? The Afro-post-punk collective has first and foremost digested a number of influences quite impressively. From funky post-punk like ESG and Liquid Liquid hailing from New York in the 80's. But also disco, house, punk from Bad Brains, afrobeat, high-pitched electro and very solid tribal rhythms. Since 2004, the group of varying geometries formed around the street artist Simon and the producer and DJ Jess (a member of the duo Jess & Crabbe) and they make fusion like no other! A fusion that was formed with the arrival in 2014 of a new voice, Nicole, who sings in Bulu, a Bantu language which is spoken in the south of her native Cameroon. With Bone Bame, rhythm takes control of the body and the brain. This third album that appears on Ed Banger, the label of Pedro Winter, is above all a long percussive and electronic trance where the heavy bass and the incantatory voice of Nicole makes it totally elusive. All that is left to do is to let yourself go with delight on this singular and cosmopolitan dancefloor that is like no other. An all round Qobuzissime! © Marc Zisman/Qobuz
Electronic - Released September 22, 2017 | Houndstooth
Electronic - Released July 7, 2014 | Infectious Music