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Jerry Garcia|Shady Grove

Shady Grove

Jerry Garcia And David Grisman

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In the last five years of his life, Jerry Garcia frequently dropped in on his old friend, mandolin player David Grisman, to play and record the kind of folk, bluegrass, and old-timey music they had both begun their careers with in the early '60s. Grisman released two Garcia/Grisman albums on his Acoustic Disc label during Garcia's lifetime, and this is the first to be compiled since his death. In a note, Grisman writes, "I decided to organize this material by genre; this first volume is comprised of traditional folk songs and ballads." Indeed, among the 13 tracks here are versions of children's ballads and other ancient songs that formed the repertoire of some of the folk groups that both players belonged to. Grisman has included a lavish CD booklet containing thorough annotations by New Lost City Ramblers member John Cohen that trace the origins of each of the songs and detail Garcia and Grisman's backgrounds. One gets the sense that Cohen and Grisman are trying to provide a tutorial to Deadheads who may be puzzled. The effect of all the scholarship is to imply that the sessions are more deliberate than a hearing suggests, however. The playing is loose and spontaneous, and Garcia is not always in the best voice. Nevertheless, Grisman is right to begin his documentation of Garcia's last sessions with an album that ties directly into the guitarist's initial musical passions.
© William Ruhlmann /TiVo

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Shady Grove

Jerry Garcia

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1
Shady Grove
00:04:19

David Grisman, MainArtist - Jerry Garcia, MainArtist

1996 Acoustic Disc 1996 Acoustic Disc

2
Stealin'
00:03:31

David Grisman, MainArtist - Jerry Garcia, MainArtist

1996 Acoustic Disc 1996 Acoustic Disc

3
Off To Sea Once More
00:05:47

David Grisman, MainArtist - Jerry Garcia, MainArtist

1996 Acoustic Disc 1996 Acoustic Disc

4
The Sweet Sunny South
00:03:24

David Grisman, MainArtist - Jerry Garcia, MainArtist

1996 Acoustic Disc 1996 Acoustic Disc

5
Louis Collins
00:05:57

David Grisman, MainArtist - Jerry Garcia, MainArtist

1996 Acoustic Disc 1996 Acoustic Disc

6
Fair Ellender
00:06:05

David Grisman, MainArtist - Jerry Garcia, MainArtist

1996 Acoustic Disc 1996 Acoustic Disc

7
Jackaroo
00:04:02

David Grisman, MainArtist - Jerry Garcia, MainArtist

1996 Acoustic Disc 1996 Acoustic Disc

8
Casey Jones
00:04:05

David Grisman, MainArtist - Jerry Garcia, MainArtist

1996 Acoustic Disc 1996 Acoustic Disc

9
Dreadful Wind And Rain
00:04:47

David Grisman, MainArtist - Jerry Garcia, MainArtist

1996 Acoustic Disc 1996 Acoustic Disc

10
I Truly Understand
00:03:41

David Grisman, MainArtist - Jerry Garcia, MainArtist

1996 Acoustic Disc 1996 Acoustic Disc

11
The Handsome Cabin Boy
00:06:13

David Grisman, MainArtist - Jerry Garcia, MainArtist

1996 Acoustic Disc 1996 Acoustic Disc

12
Whiskey In The Jar
00:04:15

David Grisman, MainArtist - Jerry Garcia, MainArtist

1996 Acoustic Disc 1996 Acoustic Disc

13
Down In The Valley
00:08:05

David Grisman, MainArtist - Jerry Garcia, MainArtist

1996 Acoustic Disc 1996 Acoustic Disc

Album review

In the last five years of his life, Jerry Garcia frequently dropped in on his old friend, mandolin player David Grisman, to play and record the kind of folk, bluegrass, and old-timey music they had both begun their careers with in the early '60s. Grisman released two Garcia/Grisman albums on his Acoustic Disc label during Garcia's lifetime, and this is the first to be compiled since his death. In a note, Grisman writes, "I decided to organize this material by genre; this first volume is comprised of traditional folk songs and ballads." Indeed, among the 13 tracks here are versions of children's ballads and other ancient songs that formed the repertoire of some of the folk groups that both players belonged to. Grisman has included a lavish CD booklet containing thorough annotations by New Lost City Ramblers member John Cohen that trace the origins of each of the songs and detail Garcia and Grisman's backgrounds. One gets the sense that Cohen and Grisman are trying to provide a tutorial to Deadheads who may be puzzled. The effect of all the scholarship is to imply that the sessions are more deliberate than a hearing suggests, however. The playing is loose and spontaneous, and Garcia is not always in the best voice. Nevertheless, Grisman is right to begin his documentation of Garcia's last sessions with an album that ties directly into the guitarist's initial musical passions.
© William Ruhlmann /TiVo

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