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Katona Twins|Rodrigo: Concierto Madrigal for Two Guitars and Orchestra & Tonadilla for Two Guitars

Rodrigo: Concierto Madrigal for Two Guitars and Orchestra & Tonadilla for Two Guitars

Katona Twins, Conrad van Alphen and Rotterdam Chamber Orchestra

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Concierto de Aranjuez was performed in 1940 with such overwhelming success that Rodrigo was immediately hailed as the most acclaimed Spanish contemporary composer. Born in 1901 in Sagunto, Valencia, Joaquín Rodrigo lost his eyesight at the age of three as a result of diphtheria. He studied in Valencia initially and then was sent to Paris to enter the composition class of Paul Dukas. Rodrigo was deeply absorbed in the study of early Spanish art music, and the influences of Renaissance and Baroque composers can be felt in much of his music. With the encouragement of Dukas and Falla, he began to incorporate more of the distinctive features of Iberian folk music. The most identifiable feature of Rodrigo’s music is his particular treatment of non-harmonic dissonance. This typically takes the form of major and minor seconds in accompanying parts, supplying spicy counterpoint to the otherwise plainly diatonic melodies and harmonies. This CD consists of original repertoire for two guitars (Concierto Madrigal, Tonadilla) and works that were originally conceived for the piano. The strong Spanish character that is very distinctive in many of Rodrigo’s keyboard music is a result of guitar idioms being translated through the keyboard. By transcribing and thus re-translating such idioms back into guitar terms we have a curiously circular rebirth of the composer’s first intentions.(...)

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Rodrigo: Concierto Madrigal for Two Guitars and Orchestra & Tonadilla for Two Guitars

Katona Twins

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Concierto Madrigal (Joaquín Rodrigo)

1
I. Fanfare. Allegro marziale
00:01:55

Joaquin Rodrigo, Composer - Katona Twins, MainArtist - Conrad van Alphen , Conductor, MainArtist - Schott Edition, MusicPublisher - Rotterdam Chamber Orchestra, Orchestra, MainArtist

2002 Channel Classics Records 2002 Channel Classics Records

2
II. Madrigal. Andante nostalgico
00:02:38

Joaquin Rodrigo, Composer - Katona Twins, MainArtist - Conrad van Alphen , Conductor, MainArtist - Schott Edition, MusicPublisher - Rotterdam Chamber Orchestra, Orchestra, MainArtist

2002 Channel Classics Records 2002 Channel Classics Records

3
III. Entrada. Allegro vivace
00:01:43

Joaquin Rodrigo, Composer - Katona Twins, MainArtist - Conrad van Alphen , Conductor, MainArtist - Schott Edition, MusicPublisher - Rotterdam Chamber Orchestra, Orchestra, MainArtist

2002 Channel Classics Records 2002 Channel Classics Records

4
IV. "Pastorcico, tú que vienes, pastorcico tú que vas". Allegro vivace
00:01:39

Joaquin Rodrigo, Composer - Katona Twins, MainArtist - Conrad van Alphen , Conductor, MainArtist - Schott Edition, MusicPublisher - Rotterdam Chamber Orchestra, Orchestra, MainArtist

2002 Channel Classics Records 2002 Channel Classics Records

5
V. Girardilla. Presto
00:01:24

Joaquin Rodrigo, Composer - Katona Twins, MainArtist - Conrad van Alphen , Conductor, MainArtist - Schott Edition, MusicPublisher - Rotterdam Chamber Orchestra, Orchestra, MainArtist

2002 Channel Classics Records 2002 Channel Classics Records

6
VI. Pastoral. Allegretto
00:03:13

Joaquin Rodrigo, Composer - Katona Twins, MainArtist - Conrad van Alphen , Conductor, MainArtist - Schott Edition, MusicPublisher - Rotterdam Chamber Orchestra, Orchestra, MainArtist

2002 Channel Classics Records 2002 Channel Classics Records

7
VII. Fandango. Molto ritmico
00:02:03

Joaquin Rodrigo, Composer - Katona Twins, MainArtist - Conrad van Alphen , Conductor, MainArtist - Schott Edition, MusicPublisher - Rotterdam Chamber Orchestra, Orchestra, MainArtist

2002 Channel Classics Records 2002 Channel Classics Records

8
VIII. Arietta. Andante nostalgico
00:05:50

Joaquin Rodrigo, Composer - Katona Twins, MainArtist - Conrad van Alphen , Conductor, MainArtist - Schott Edition, MusicPublisher - Rotterdam Chamber Orchestra, Orchestra, MainArtist

2002 Channel Classics Records 2002 Channel Classics Records

9
IX. Zapateado. Allegro vivace
00:05:02

Joaquin Rodrigo, Composer - Katona Twins, MainArtist - Conrad van Alphen , Conductor, MainArtist - Schott Edition, MusicPublisher - Rotterdam Chamber Orchestra, Orchestra, MainArtist

2002 Channel Classics Records 2002 Channel Classics Records

10
X. Caccia a la española. Allegro vivace - Andantino nostalgico
00:04:45

Joaquin Rodrigo, Composer - Katona Twins, MainArtist - Conrad van Alphen , Conductor, MainArtist - Schott Edition, MusicPublisher - Rotterdam Chamber Orchestra, Orchestra, MainArtist

2002 Channel Classics Records 2002 Channel Classics Records

11
Fandango del ventorrillo
00:01:25

Joaquin Rodrigo, Composer - Katona Twins, MainArtist - Schott Edition, MusicPublisher

2002 Channel Classics Records 2002 Channel Classics Records

Tonadilla (Joaquín Rodrigo)

12
I. Allegro ma non troppo
00:02:25

Joaquin Rodrigo, Composer - Katona Twins, MainArtist - Schott Edition, MusicPublisher

2002 Channel Classics Records 2002 Channel Classics Records

13
II. Minuetto pomposo. Andante
00:05:03

Joaquin Rodrigo, Composer - Katona Twins, MainArtist - Schott Edition, MusicPublisher

2002 Channel Classics Records 2002 Channel Classics Records

14
III. Allegro vivace
00:03:45

Joaquin Rodrigo, Composer - Katona Twins, MainArtist - Schott Edition, MusicPublisher

2002 Channel Classics Records 2002 Channel Classics Records

15
Serenata española (Arr. for 2 Guitars by Peter Katona and Zoltán Katona)
00:05:12

Joaquin Rodrigo, Composer - Katona Twins, MainArtist - Zoltán Katona , Arranger - Peter Katona, Arranger - Schott Edition, MusicPublisher

2002 Channel Classics Records 2002 Channel Classics Records

16
3 Evocaciones: III. Mañana en Triana (Arr. for 2 Guitars by Peter Katona and Zoltán Katona)
00:03:11

Joaquin Rodrigo, Composer - Katona Twins, MainArtist - Zoltán Katona , Arranger - Peter Katona, Arranger - Schott Edition, MusicPublisher

2002 Channel Classics Records 2002 Channel Classics Records

17
Sonada de adiós, "Hommage a Paul Dukas (Arr. for 2 Guitars by Peter Katona and Zoltán Katona)
00:03:56

Joaquin Rodrigo, Composer - Katona Twins, MainArtist - Zoltán Katona , Arranger - Peter Katona, Arranger - Schott Edition, MusicPublisher

2002 Channel Classics Records 2002 Channel Classics Records

18
Gran marcha de los subsecretarios (Arr. for 2 Guitars by Peter Katona and Zoltán Katona)
00:05:00

Joaquin Rodrigo, Composer - Katona Twins, MainArtist - Zoltán Katona , Arranger - Peter Katona, Arranger - Schott Edition, MusicPublisher

2002 Channel Classics Records 2002 Channel Classics Records

19
Danza de la amapola (Arr. for 2 Guitars by Peter Katona and Zoltán Katona)
00:01:41

Joaquin Rodrigo, Composer - Katona Twins, MainArtist - Zoltán Katona , Arranger - Peter Katona, Arranger - Schott Edition, MusicPublisher

2002 Channel Classics Records 2002 Channel Classics Records

Album review

Concierto de Aranjuez was performed in 1940 with such overwhelming success that Rodrigo was immediately hailed as the most acclaimed Spanish contemporary composer. Born in 1901 in Sagunto, Valencia, Joaquín Rodrigo lost his eyesight at the age of three as a result of diphtheria. He studied in Valencia initially and then was sent to Paris to enter the composition class of Paul Dukas. Rodrigo was deeply absorbed in the study of early Spanish art music, and the influences of Renaissance and Baroque composers can be felt in much of his music. With the encouragement of Dukas and Falla, he began to incorporate more of the distinctive features of Iberian folk music. The most identifiable feature of Rodrigo’s music is his particular treatment of non-harmonic dissonance. This typically takes the form of major and minor seconds in accompanying parts, supplying spicy counterpoint to the otherwise plainly diatonic melodies and harmonies. This CD consists of original repertoire for two guitars (Concierto Madrigal, Tonadilla) and works that were originally conceived for the piano. The strong Spanish character that is very distinctive in many of Rodrigo’s keyboard music is a result of guitar idioms being translated through the keyboard. By transcribing and thus re-translating such idioms back into guitar terms we have a curiously circular rebirth of the composer’s first intentions.(...)

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