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Ruby Hughes|Purcell Songs realised by Britten

Purcell Songs realised by Britten

Blaze, Clayton, Hughes, Grevelius, Middleton, Rose...

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These versions of Henry Purcell songs by Benjamin Britten are not often recorded, although there is a competing 1990s set from Hyperion that, like the present item, features multiple singers for variety. Britten wrote them later in his career, between the late 1940s and the early 1960s, primarily to de-stress. Both this and the Hyperion set use the term "realizations" to describe the music, for what Britten did was to use the figured basses of Purcell's pieces to generate new piano accompaniments. Yet even by the historical-performance standards of the middle 20th century, these are not really realizations; "arrangements" would be a better word. Even in fairly simple conceptions of the piano part, such as in the songs from Harmonia Sacra at the beginning of this set, Britten's phrasing on the piano is Romantic, not harpsichord-like. This was of course typical for its time, and this double album is fascinating simply as a period piece recalling the time when contemporary musicians were just beginning to understand the Baroque and how its music worked. But this does not explain all of Britten's treatments; some of them are more Britten than Purcell. Sample for instance Sweeter than roses, elegantly rendered by countertenor Robin Blaze. The selection of singers here neatly balances the variety of treatments throughout, and if a double album of this music sounds like a lot, it doesn't work out that way in practice. Another plus: the ambience of the Champs Hill music room is ideal for the project. Recommended for Britten buffs and also for those interested in the development of Baroque music performance.

© TiVo

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Purcell Songs realised by Britten

Ruby Hughes

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1
Job’s Curse, Z. 191
Matthew Rose
00:05:03

Benjamin Britten, Composer - Matthew Rose, MainArtist - Henry Purcell, Composer - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

2
The Blessed Virgin’s Expostulation, Z. 196
Ruby Hughes
00:07:15

Benjamin Britten, Composer - Henry Purcell, Composer - Ruby Hughes, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

3
Saul and the Witch at Endor, Z. 134
Ruby Hughes
00:11:01

Benjamin Britten, Composer - Henry Purcell, Composer - Allan Clayton, MainArtist - Ruby Hughes, MainArtist - Benedict Nelson, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

4
A Morning Hymn, Z. 198
Allan Clayton
00:03:08

Benjamin Britten, Composer - Henry Purcell, Composer - Allan Clayton, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

5
Alleluia, Z. S14
Allan Clayton
00:02:19

Benjamin Britten, Composer - Henry Purcell, Composer - Allan Clayton, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

6
In the Black Dismal Dungeon of Despair, Z. 190
Allan Clayton
00:04:41

Benjamin Britten, Composer - Henry Purcell, Composer - Allan Clayton, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

7
Lord, What is Man? Z. 192
Ruby Hughes
00:06:15

Benjamin Britten, Composer - Henry Purcell, Composer - Ruby Hughes, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

8
We Sing to Him Whose Wisdom Form'd the Ear, Z. 199
Robin Blaze
00:01:46

Benjamin Britten, Composer - Robin Blaze, MainArtist - Henry Purcell, Composer - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

9
Evening Hymn, Z. 193
Ruby Hughes
00:04:22

Benjamin Britten, Composer - Henry Purcell, Composer - Ruby Hughes, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

10
The Queen's Epicdeium, Z. 383
Allan Clayton
00:07:23

Benjamin Britten, Composer - Henry Purcell, Composer - Allan Clayton, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

11
Turn Then Thine Eyes Z. 425
Allan Clayton
00:01:36

Benjamin Britten, Composer - Henry Purcell, Composer - Allan Clayton, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

12
Mad Bess, Z. 370
Anna Grevelius
00:05:45

Benjamin Britten, Composer - Henry Purcell, Composer - Anna Grevelius, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

13
The Fairy Queen, Z. 629: Hark the Ech’ing Air!,
Ruby Hughes
00:02:20

Benjamin Britten, Composer - Henry Purcell, Composer - Ruby Hughes, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

14
The Indian Queen, Z. 630: I Attempt from Love’s Sickness to Fly
Ruby Hughes
00:02:10

Benjamin Britten, Composer - Henry Purcell, Composer - Ruby Hughes, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

15
King Arthur, Z. 628: How Blest are Shepherds
Allan Clayton
00:02:53

Benjamin Britten, Composer - Henry Purcell, Composer - Allan Clayton, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

16
Let the Dreadful Engines of Eternal Will, Z. 578
Matthew Rose
00:07:59

Benjamin Britten, Composer - Matthew Rose, MainArtist - Henry Purcell, Composer - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

DISC 2

1
If Music Be the Food of Love, Z. 379A
Allan Clayton
00:03:43

Benjamin Britten, Composer - Henry Purcell, Composer - Allan Clayton, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

2
Sound the Trumpet, Z. 323
Ruby Hughes
00:02:34

Benjamin Britten, Composer - Robin Blaze, MainArtist - Henry Purcell, Composer - Ruby Hughes, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

3
If Music Be the Food of Love, Z. 379C
Anna Grevelius
00:02:14

Benjamin Britten, Composer - Henry Purcell, Composer - Anna Grevelius, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

4
O Solitude, Z. 306
Ruby Hughes
00:06:08

Benjamin Britten, Composer - Henry Purcell, Composer - Ruby Hughes, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

5
Music for a While, Z. 583
Allan Clayton
00:03:40

Benjamin Britten, Composer - Henry Purcell, Composer - Allan Clayton, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

6
King Arthur, Z. 628: Fairest Isle
Ruby Hughes
00:02:20

Benjamin Britten, Composer - Henry Purcell, Composer - Ruby Hughes, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

7
A Fool’s Preferment, Z. 571: I’ll Sail Upon the Dog-Star,
Benedict Nelson
00:01:24

Benjamin Britten, Composer - Henry Purcell, Composer - Benedict Nelson, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

8
On the Brow of Richmond Hill, Z. 405
Benedict Nelson
00:01:45

Benjamin Britten, Composer - Henry Purcell, Composer - Benedict Nelson, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

9
King Arthur, Z. 628: Shepherd, Leave Decoying
Anna Grevelius
00:01:12

Benjamin Britten, Composer - Henry Purcell, Composer - Anna Grevelius, MainArtist - Ruby Hughes, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

10
The Knotting Song, Z. 371
Robin Blaze
00:02:59

Benjamin Britten, Composer - Robin Blaze, MainArtist - Henry Purcell, Composer - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

11
Not All My Torments, Z. 400
Robin Blaze
00:03:12

Benjamin Britten, Composer - Robin Blaze, MainArtist - Henry Purcell, Composer - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

12
Pious Celinda, Z. 410
Matthew Rose
00:01:27

Benjamin Britten, Composer - Matthew Rose, MainArtist - Henry Purcell, Composer - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

13
There’s Not a Swain of the Plain, Z. 587
Allan Clayton
00:00:51

Benjamin Britten, Composer - Henry Purcell, Composer - Allan Clayton, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

14
Man is For the Woman Made, Z. 605
Benedict Nelson
00:01:11

Benjamin Britten, Composer - Henry Purcell, Composer - Benedict Nelson, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

15
I Take no Pleasure, Z. 388
Matthew Rose
00:01:58

Benjamin Britten, Composer - Matthew Rose, MainArtist - Henry Purcell, Composer - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

16
The Rival Sisters, Z. 609: Take Not a Woman’s Anger Ill
Allan Clayton
00:01:29

Benjamin Britten, Composer - Henry Purcell, Composer - Allan Clayton, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

17
Celemene, Pray Tell Me, Z. 584
Allan Clayton
00:03:52

Benjamin Britten, Composer - Henry Purcell, Composer - Allan Clayton, MainArtist - Ruby Hughes, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

18
I Spy Celia, Z. 499
Benedict Nelson
00:04:15

Benjamin Britten, Composer - Henry Purcell, Composer - Allan Clayton, MainArtist - Benedict Nelson, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

19
What Can We Poor Females Do?, Z. 518
Anna Grevelius
00:01:10

Benjamin Britten, Composer - Henry Purcell, Composer - Anna Grevelius, MainArtist - Ruby Hughes, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

20
Dulcibella, Whene’er I Sue For a Kiss, Z. 485
Benedict Nelson
00:02:17

Benjamin Britten, Composer - Henry Purcell, Composer - Allan Clayton, MainArtist - Benedict Nelson, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

21
When Myra Sings, Z. 521
Allan Clayton
00:02:52

Benjamin Britten, Composer - Henry Purcell, Composer - Allan Clayton, MainArtist - Benedict Nelson, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

22
Pausanius, Z. 585: Sweeter Than Roses
Robin Blaze
00:03:52

Benjamin Britten, Composer - Robin Blaze, MainArtist - Henry Purcell, Composer - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

23
No, Resistance is But Vain, Z. 601
Matthew Rose
00:05:32

Benjamin Britten, Composer - Matthew Rose, MainArtist - Henry Purcell, Composer - Ruby Hughes, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

24
Lost is My Quiet, Z. 502
Ruby Hughes
00:03:17

Benjamin Britten, Composer - Henry Purcell, Composer - Anna Grevelius, MainArtist - Ruby Hughes, MainArtist - Joseph Middleton, MainArtist

(C) 2016 Champs Hill Records (P) 2016 Champs Hill Records

Album review

These versions of Henry Purcell songs by Benjamin Britten are not often recorded, although there is a competing 1990s set from Hyperion that, like the present item, features multiple singers for variety. Britten wrote them later in his career, between the late 1940s and the early 1960s, primarily to de-stress. Both this and the Hyperion set use the term "realizations" to describe the music, for what Britten did was to use the figured basses of Purcell's pieces to generate new piano accompaniments. Yet even by the historical-performance standards of the middle 20th century, these are not really realizations; "arrangements" would be a better word. Even in fairly simple conceptions of the piano part, such as in the songs from Harmonia Sacra at the beginning of this set, Britten's phrasing on the piano is Romantic, not harpsichord-like. This was of course typical for its time, and this double album is fascinating simply as a period piece recalling the time when contemporary musicians were just beginning to understand the Baroque and how its music worked. But this does not explain all of Britten's treatments; some of them are more Britten than Purcell. Sample for instance Sweeter than roses, elegantly rendered by countertenor Robin Blaze. The selection of singers here neatly balances the variety of treatments throughout, and if a double album of this music sounds like a lot, it doesn't work out that way in practice. Another plus: the ambience of the Champs Hill music room is ideal for the project. Recommended for Britten buffs and also for those interested in the development of Baroque music performance.

© TiVo

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