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Nancy Wilson|Nancy Wilson/Cannonball Adderley

Nancy Wilson/Cannonball Adderley

Nancy Wilson & Cannonball Adderley

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An excellent collaboration of Nancy Wilson's voice with Cannonball Adderley's alto sax from the early '60s. While this 1961 recording was the first time Wilson was with Adderley in the studio, it was not the first time they had worked together. After singing with Rusty Bryant's band, Wilson had worked with Adderley in Columbus, Ohio. (It was there that Adderley encouraged her to go to N.Y.C. to do some recording, eventually leading to this session.) Not entirely a vocal album, five of the 12 cuts are instrumentals. A highlight is the gentle cornet playing of Nat Adderley behind Wilson, especially on "Save Your Love for Me" and "The Old Country." Cannonball Adderley's swinging, boppish sax is heard to excellent effect throughout. Joe Zawinul's work behind Wilson on "The Masquerade Is Over" demonstrates that he is a talented, sensitive accompanist. On the instrumental side, "Teaneck" and "One Man's Dream" are especially good group blowing sessions. On the other end of the spectrum, Adderley's alto offers a lovely slow tempo treatment of the Vernon Duke-Ira Gershwin masterpiece "I Can't Get Started." To keep the listeners on their musical toes, the first couple of bars of "Save Your Love for Me" are quotes from "So What" from the Miles Davis Sextet's seminal Kind of Blue session. Given the play list and the outstanding artists performing it, why any serious jazz collection would be without this classic album is difficult to comprehend.

© Dave Nathan /TiVo

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Nancy Wilson/Cannonball Adderley

Nancy Wilson

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1
Save Your Love For Me
Nancy Wilson
00:02:44

Nancy Wilson, MainArtist - Cannonball Adderley, MainArtist - Buddy Johnson, ComposerLyricist

(C) 1993 Capitol Records, Inc. ℗ 1961 Blue Note Records, a division of Capitol Records Inc.

2
Never Will I Marry
Nancy Wilson
00:02:19

Nat Adderley, Cornet, AssociatedPerformer - Sweet, Mastering Engineer, Remixer, StudioPersonnel - FRANK LOESSER, ComposerLyricist - Nancy Wilson, MainArtist - Cannonball Adderley, MainArtist - Sam Jones, AssociatedPerformer, Bass (Vocal) - Tom Morgan, Producer - Andy Wiswell, Producer - Louis Hayes, Drums, AssociatedPerformer - Joe Zawinul, Piano, AssociatedPerformer

(C) 1993 Capitol Records, Inc. ℗ 1961 Blue Note Records

3
The Old Country
Nancy Wilson
00:03:01

L. David Lewis, Composer - Nat Adderley, Composer, Cornet, AssociatedPerformer - Sweet, Mastering Engineer, Remixer, StudioPersonnel - Nancy Wilson, Alto Saxophone, Vocals, MainArtist, AssociatedPerformer - Larry Walsh, Mastering Engineer, StudioPersonnel - Cannonball Adderley, Alto Saxophone, Vocals, MainArtist, AssociatedPerformer - Sam Jones, AssociatedPerformer, Bass (Vocal) - Tom Morgan, Producer - Andy Wiswell, Producer - Louis Hayes, Drums, AssociatedPerformer - Joe Zawinul, Piano, AssociatedPerformer

(C) 1993 Capitol Records, Inc. ℗ 1961 Capitol Records, LLC

4
Happy Talk
Nancy Wilson
00:02:25

Nat Adderley, Cornet, AssociatedPerformer - Sweet, Mastering Engineer, Remixer, StudioPersonnel - Richard Rodgers, Composer - Nancy Wilson, MainArtist - Oscar Hammerstein II , Composer - Cannonball Adderley, MainArtist - Sam Jones, AssociatedPerformer, Bass (Vocal) - Tom Morgan, Producer - Andy Wiswell, Producer - Louis Hayes, Drums, AssociatedPerformer - Joe Zawinul, Piano, AssociatedPerformer

(C) 1993 Capitol Records, Inc. ℗ 1961 Capitol Records, LLC

5
I'm Afraid The Masquerade Is Over
Nancy Wilson
00:04:18

Nancy Wilson, MainArtist - Herbert Magidson, ComposerLyricist - Allie Wrubel, ComposerLyricist - Cannonball Adderley, MainArtist - Tom Morgan, Producer - Andy Wiswell, Producer

(C) 1993 Capitol Records, Inc. ℗ 1961 Capitol Records, LLC

6
A Sleepin' Bee
Nancy Wilson
00:02:34

Nat Adderley, Cornet, AssociatedPerformer - Sweet, Mastering Engineer, Remixer, StudioPersonnel - Harold Arlen, ComposerLyricist - Nancy Wilson, MainArtist - Cannonball Adderley, MainArtist - Sam Jones, AssociatedPerformer, Bass (Vocal) - Tom Morgan, Producer - Andy Wiswell, Producer - Louis Hayes, Drums, AssociatedPerformer - Joe Zawinul, Piano, AssociatedPerformer - Truman Capote, ComposerLyricist

(C) 1993 Capitol Records, Inc. ℗ 1961 Blue Note Records

7
Little Unhappy Boy
Nancy Wilson
00:02:15

CURTIS LEWIS, ComposerLyricist - Nat Adderley, Cornet, AssociatedPerformer - Sweet, Mastering Engineer, Remixer, StudioPersonnel - Nancy Wilson, MainArtist - Michael Cuscuna, Producer - Cannonball Adderley, MainArtist - Sam Jones, AssociatedPerformer, Bass (Vocal) - Tom Morgan, Producer - Andy Wiswell, Producer - Louis Hayes, Drums, AssociatedPerformer - Joe Zawinul, Piano, AssociatedPerformer

(C) 1993 Capitol Records, Inc. ℗ 1961 Blue Note Records

8
Teaneck (Instrumental)
Cannonball Adderley
00:04:31

Nat Adderley, Composer, Cornet, AssociatedPerformer - Sweet, Mastering Engineer, Remixer, StudioPersonnel - Cannonball Adderley, MainArtist - Sam Jones, AssociatedPerformer, Bass (Vocal) - Tom Morgan, Producer - Andy Wiswell, Producer - Louis Hayes, Drums, AssociatedPerformer - Joe Zawinul, Piano, AssociatedPerformer

(C) 1993 Capitol Records, Inc. ℗ 1961 Blue Note Records

9
I Can't Get Started (Instrumental)
Cannonball Adderley
00:04:57

Ira Gershwin, ComposerLyricist - Nat Adderley, Cornet, AssociatedPerformer - Sweet, Mastering Engineer, Remixer, StudioPersonnel - Vernon Duke, ComposerLyricist - Cannonball Adderley, MainArtist - Sam Jones, AssociatedPerformer, Bass (Vocal) - Tom Morgan, Producer - Andy Wiswell, Producer - Louis Hayes, Drums, AssociatedPerformer - Joe Zawinul, Piano, AssociatedPerformer

(C) 1993 Capitol Records, Inc. ℗ 1961 Blue Note Records

10
One Man's Dream (Instrumental)
Cannonball Adderley
00:05:11

C. Wright, Composer - Nat Adderley, Cornet, AssociatedPerformer - Sweet, Mastering Engineer, Remixer, StudioPersonnel - Larry Walsh, Mastering Engineer, StudioPersonnel - Cannonball Adderley, Alto Saxophone, MainArtist, AssociatedPerformer - Sam Jones, AssociatedPerformer, Bass (Vocal) - J. Zawinul, Composer - Tom Morgan, Producer - Andy Wiswell, Producer - Louis Hayes, Drums, AssociatedPerformer - Joe Zawinul, Piano, AssociatedPerformer

(C) 1993 Capitol Records, Inc. ℗ 1961 Blue Note Records

11
Never Say Yes (Instrumental)
Cannonball Adderley
00:03:59

Nat Adderley, Composer, Cornet, AssociatedPerformer - Sweet, Mastering Engineer, Remixer, StudioPersonnel - Cannonball Adderley, MainArtist - Sam Jones, AssociatedPerformer, Bass (Vocal) - Tom Morgan, Producer - Andy Wiswell, Producer - Louis Hayes, Drums, AssociatedPerformer - Joe Zawinul, Piano, AssociatedPerformer

(C) 1993 Capitol Records, Inc. ℗ 1961 Blue Note Records

12
Unit 7 (Instrumental)
Cannonball Adderley
00:06:05

Nat Adderley, Cornet, AssociatedPerformer - Sweet, Mastering Engineer, Remixer, StudioPersonnel - Cannonball Adderley, MainArtist - Sam Jones, AssociatedPerformer, Bass (Vocal) - Tom Morgan, Producer - Andy Wiswell, Producer - Louis Hayes, Drums, AssociatedPerformer - Joe Zawinul, Piano, AssociatedPerformer - Samuel Jones, Composer

(C) 1993 Capitol Records, Inc. ℗ 1961 Blue Note Records

Album review

An excellent collaboration of Nancy Wilson's voice with Cannonball Adderley's alto sax from the early '60s. While this 1961 recording was the first time Wilson was with Adderley in the studio, it was not the first time they had worked together. After singing with Rusty Bryant's band, Wilson had worked with Adderley in Columbus, Ohio. (It was there that Adderley encouraged her to go to N.Y.C. to do some recording, eventually leading to this session.) Not entirely a vocal album, five of the 12 cuts are instrumentals. A highlight is the gentle cornet playing of Nat Adderley behind Wilson, especially on "Save Your Love for Me" and "The Old Country." Cannonball Adderley's swinging, boppish sax is heard to excellent effect throughout. Joe Zawinul's work behind Wilson on "The Masquerade Is Over" demonstrates that he is a talented, sensitive accompanist. On the instrumental side, "Teaneck" and "One Man's Dream" are especially good group blowing sessions. On the other end of the spectrum, Adderley's alto offers a lovely slow tempo treatment of the Vernon Duke-Ira Gershwin masterpiece "I Can't Get Started." To keep the listeners on their musical toes, the first couple of bars of "Save Your Love for Me" are quotes from "So What" from the Miles Davis Sextet's seminal Kind of Blue session. Given the play list and the outstanding artists performing it, why any serious jazz collection would be without this classic album is difficult to comprehend.

© Dave Nathan /TiVo

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