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The Tallis Scholars|Josquin - Missa Gaudeamus & Missa L'ami Baudichon

Josquin - Missa Gaudeamus & Missa L'ami Baudichon

The Tallis Scholars

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A common practice among Renaissance composers of sacred music involved using familiar melodies as a cantus firmus or fixed melody in the tenor part, typically drawn out in long note values. This was a consistent feature of the masses of Josquin, of which the Missa Gaudeamus employs the opening six notes of a Gregorian chant, Gaudeamus omnes in Domino, and the Missa L'ami Baudichon, which was based on the first three notes of a vulgar song. Such a mingling of the sacred and profane may strike modern listeners as jarring, though this practice was widely accepted in the 15th century, and the inventiveness of Josquin's flowing melodies and the subtlety of his counterpoint make these musical references little more than grist for his genius. The Tallis Scholars, under the direction of Peter Phillips, have been documenting Josquin's masses for the Gimell label since 1986, and this group's distinctive, pure sound and impeccable execution have set these recordings in a class by themselves. The recording in the Chapel of Merton College, Oxford is clear and focused, with enough acoustic resonance to enrich the voices but without blurring Josquin's perfectly articulated lines.
© TiVo

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Josquin - Missa Gaudeamus & Missa L'ami Baudichon

The Tallis Scholars

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1
Gaudeamus omnes
00:01:12

Peter Phillips, Conductor - plainchant, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

Missa Gaudeamus: (Josquin des Prés)

2
1. Kyrie I
00:00:57

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

3
2. Christe
00:00:57

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

4
3. Kyrie II
00:01:02

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

5
4. Gloria in excelsis Deo
00:02:41

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

6
5. Qui tollis peccata mundi, miserere
00:03:55

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

7
6. Credo in unum Deum
00:03:46

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

8
7. Et incarnatus est
00:03:27

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

9
8. Et in Spiritum Sanctum
00:02:56

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

10
9. Et unam sanctam
00:01:34

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

11
10. Sanctus
00:01:39

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

12
11. Pleni sunt caeli
00:01:30

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

13
12. Hosanna I
00:00:55

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

14
13. Benedictus
00:02:10

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

15
14. Hosanna II
00:01:01

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

16
15. Agnus Dei I
00:02:07

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

17
16. Agnus Dei II
00:01:42

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

18
17. Agnus Dei III
00:03:30

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

Missa L'ami Baudichon: (Josquin des Prés)

19
1. Kyrie I
00:00:41

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

20
2. Christe
00:01:14

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

21
3. Kyrie II
00:00:49

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

22
4. Gloria in excelsis Deo
00:03:03

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

23
5. Qui tollis peccata mundi, miserere
00:01:26

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

24
6. Qui sedes ad dexteram Patris
00:02:06

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

25
7. Credo in unum Deum
00:03:42

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

26
8. Et incarnatus est
00:00:57

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

27
9. Crucifixus
00:00:53

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

28
10. Et resurrexit
00:03:51

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

29
11. Sanctus
00:02:05

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

30
12. Pleni sunt caeli
00:01:23

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

31
13. Hosanna I
00:00:42

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

32
14. Benedictus
00:01:21

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

33
15: Hosanna II
00:00:47

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

34
16. Agnus Dei I
00:01:02

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

35
17. Agnus Dei II
00:02:05

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

36
18. Agnus Dei III
00:01:18

Peter Phillips, Conductor - Josquin des Prez, Composer - The Tallis Scholars, Ensemble

2018 Gimell Records 2018 Gimell Records

Album review

A common practice among Renaissance composers of sacred music involved using familiar melodies as a cantus firmus or fixed melody in the tenor part, typically drawn out in long note values. This was a consistent feature of the masses of Josquin, of which the Missa Gaudeamus employs the opening six notes of a Gregorian chant, Gaudeamus omnes in Domino, and the Missa L'ami Baudichon, which was based on the first three notes of a vulgar song. Such a mingling of the sacred and profane may strike modern listeners as jarring, though this practice was widely accepted in the 15th century, and the inventiveness of Josquin's flowing melodies and the subtlety of his counterpoint make these musical references little more than grist for his genius. The Tallis Scholars, under the direction of Peter Phillips, have been documenting Josquin's masses for the Gimell label since 1986, and this group's distinctive, pure sound and impeccable execution have set these recordings in a class by themselves. The recording in the Chapel of Merton College, Oxford is clear and focused, with enough acoustic resonance to enrich the voices but without blurring Josquin's perfectly articulated lines.
© TiVo

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