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Cannonball Adderley only recorded once as a leader for Blue Note, but this sampler manages to cover most of his prime years. There are cuts taken from the Riverside catalog ("Au Privave" with Wes Montgomery, "Sack O' Woe" and "Gemini"), plus Adderley's big Capitol hit "Mercy, Mercy, Mercy," "One for Daddy-O" (taken from the Blue Note set with Miles Davis as a sideman), and a previously unreleased "Bohemia After Dark" from 1966. The latter (a hot uptempo version taken from a Japanese concert) will drive completists mad, since they will undoubtedly already own all of the rest of the material. For beginners, this is an excellent overview of the exuberant altoist's bop-oriented years, before he gradually switched to funkier sounds.
© Scott Yanow /TiVo
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Nat Adderley, Composer - Miles Davis, Trumpet, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Art Blakey, Drums, AssociatedPerformer - Hank Jones, Piano, AssociatedPerformer - Cannonball Adderley, Alto Saxophone, MainArtist, AssociatedPerformer - Sam Jones, Double Bass, AssociatedPerformer
(C) 1997 Blue Note Records ℗ 1958 Blue Note Records
Charlie Parker, Composer - Ron McMaster, Mastering Engineer, StudioPersonnel - Cannonball Adderley, Producer, MainArtist
(C) 1997 Blue Note Records ℗ 1960 Blue Note Records
Jon Hendricks, ComposerLyricist - Ron McMaster, Mastering Engineer, StudioPersonnel - Cannonball Adderley, MainArtist, ComposerLyricist - Wally Heider, Recording Engineer, StudioPersonnel - Orrin Keepnews, Producer - Cannonball Adderley Quintet, MainArtist
(C) 1997 Blue Note Records ℗ 1997 Blue Note Records
Nat Adderley, Cornet, AssociatedPerformer - Ron McMaster, Mastering Engineer, StudioPersonnel - Jimmy Heath, Composer - Cannonball Adderley, Producer, Alto Saxophone, MainArtist, AssociatedPerformer - Sam Jones, AssociatedPerformer, Bass (Vocal) - Yusef Lateef, Flute, Tenor Saxophone, AssociatedPerformer - Louis Hayes, Drums, AssociatedPerformer - Joe Zawinul, Piano, AssociatedPerformer
(C) 1997 Blue Note Records ℗ 1962 Blue Note Records
David Axelrod, Producer - Cannonball Adderley, MainArtist - Josef Zawinul, ComposerLyricist
(C) 1997 Blue Note Records ℗ 1966 Capitol Records, LLC
Roy McCurdy, Drums, AssociatedPerformer - Nat Adderley, Cornet, AssociatedPerformer - Oscar Pettiford, Composer - Ron McMaster, Mastering Engineer, StudioPersonnel - Cannonball Adderley, Producer, Alto Saxophone, MainArtist, AssociatedPerformer - Yusef Lateef, Flute, Tenor Saxophone, AssociatedPerformer - Joe Zawinul, Piano, AssociatedPerformer - Victor Gaskin, AssociatedPerformer, Bass (Vocal)
(C) 1997 Blue Note Records ℗ 1997 Blue Note Records
Album review
Cannonball Adderley only recorded once as a leader for Blue Note, but this sampler manages to cover most of his prime years. There are cuts taken from the Riverside catalog ("Au Privave" with Wes Montgomery, "Sack O' Woe" and "Gemini"), plus Adderley's big Capitol hit "Mercy, Mercy, Mercy," "One for Daddy-O" (taken from the Blue Note set with Miles Davis as a sideman), and a previously unreleased "Bohemia After Dark" from 1966. The latter (a hot uptempo version taken from a Japanese concert) will drive completists mad, since they will undoubtedly already own all of the rest of the material. For beginners, this is an excellent overview of the exuberant altoist's bop-oriented years, before he gradually switched to funkier sounds.
© Scott Yanow /TiVo
About the album
- 1 disc(s) - 6 track(s)
- Total length: 00:48:09
- Main artists: Cannonball Adderley
- Composer: Various Composers
- Label: Blue Note Records
- Genre: Jazz
© 1997 Blue Note Records ℗ 1997 Blue Note Records
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