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The Royal Scottish National Orchestra|Great Comedy Overtures

Great Comedy Overtures

Royal Scottish National Orchestra - Lance Friedel

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Overtures from comic operas and operettas are staples of the light music genre, and some of the most popular are included on this 2015 Naxos album by Lance Friedel and the Royal Scottish National Orchestra. Because of their memorable tunes, exciting pacing, and colorful orchestration, these effervescent pieces were once ubiquitous in the concert hall and on radio and recordings. While many have slipped into semi-obscurity, among them Peter Cornelius' Overture to Der Barbier von Bagdad, and Adolphe Adam's Overture to Si j'étais roi, such perennials as Emil Nikolaus von Reznicek's Overture to Donna Diana, Ferdinand Hérold's Overture to Zampa, Otto Nicolai's Overture to The Merry Wives of Windsor, and Ermanno Wolf-Ferrari's Overture to Il segreto di Susanna remain favorites and are frequently used to introduce young people to classical music. The 11 selections represent French opéra comique, Viennese operetta, and Italian opera buffa, though the differences in style aren't especially noticeable, except for Domenico Cimarosa's Overture to Il Matrimonio Segreto, which is the sole example from the Classical era. Friedel and his musicians fully communicate the buoyant moods and theatricality of these bon-bons, and the reproduction is clear and detailed, with credible presence and fine separation of parts.

© TiVo

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Great Comedy Overtures

The Royal Scottish National Orchestra

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Zampa: Overture (Ferdinand Hérold)

1
Zampa: Overture
00:08:25

Ferdinand Hérold, Composer - Royal Scottish National Orchestra, Orchestra, MainArtist - Lance Friedel, Conductor

(C) 2015 Naxos (P) 2015 Naxos

Die lustigen Weiber von Windsor (Otto Nicolai)

2
Overture
00:08:20

Otto Nicolai, Composer - Royal Scottish National Orchestra, Orchestra, MainArtist - Lance Friedel, Conductor

(C) 2015 Naxos (P) 2015 Naxos

Il segreto di Susanna (Ermanno Wolf-Ferrari)

3
Overture
00:03:06

Royal Scottish National Orchestra, Orchestra, MainArtist - Ermanno Wolf-Ferrari, Composer - Lance Friedel, Conductor

(C) 2015 Naxos (P) 2015 Naxos

Mignon (Ambroise Thomas)

4
Mignon: Overture
00:08:22

Royal Scottish National Orchestra, Orchestra, MainArtist - Ambroise Thomas, Composer - Lance Friedel, Conductor

(C) 2015 Naxos (P) 2015 Naxos

Donna Diana (Emil Nikolaus von Reznicek)

5
Overture
00:06:01

Emil Nikolaus von Reznicek, Composer - Royal Scottish National Orchestra, Orchestra, MainArtist - Lance Friedel, Conductor

(C) 2015 Naxos (P) 2015 Naxos

Martha (Friedrich von Flotow)

6
Martha: Overture
00:08:24

Royal Scottish National Orchestra, Orchestra, MainArtist - Friedrich von Flotow, Composer - Lance Friedel, Conductor

(C) 2015 Naxos (P) 2015 Naxos

Fra Diavolo, S. 18 (Daniel Auber)

7
Overture
00:08:11

Royal Scottish National Orchestra, Orchestra, MainArtist - Daniel-François-Esprit Auber, Composer - Lance Friedel, Conductor

(C) 2015 Naxos (P) 2015 Naxos

Zar und Zimmermann (Albert Lortzing)

8
Overture
00:06:03

Albert Lortzing, Composer - Royal Scottish National Orchestra, Orchestra, MainArtist - Lance Friedel, Conductor

(C) 2015 Naxos (P) 2015 Naxos

Il matrimonio segreto (Domenico Cimarosa)

9
Overture
00:06:43

Domenico Cimarosa, Composer - Royal Scottish National Orchestra, Orchestra, MainArtist - Lance Friedel, Conductor

(C) 2015 Naxos (P) 2015 Naxos

Si j'étais roi (A. Adam)

10
Overture
00:07:17

Adolphe Adam, Composer - Royal Scottish National Orchestra, Orchestra, MainArtist - Lance Friedel, Conductor

(C) 2015 Naxos (P) 2015 Naxos

Der Barbier von Bagdad (Peter Cornelius)

11
Overture (Arr. F. Mottl)
00:08:39

Peter Cornelius, Composer - Royal Scottish National Orchestra, Orchestra, MainArtist - Lance Friedel, Conductor

(C) 2015 Naxos (P) 2015 Naxos

Album review

Overtures from comic operas and operettas are staples of the light music genre, and some of the most popular are included on this 2015 Naxos album by Lance Friedel and the Royal Scottish National Orchestra. Because of their memorable tunes, exciting pacing, and colorful orchestration, these effervescent pieces were once ubiquitous in the concert hall and on radio and recordings. While many have slipped into semi-obscurity, among them Peter Cornelius' Overture to Der Barbier von Bagdad, and Adolphe Adam's Overture to Si j'étais roi, such perennials as Emil Nikolaus von Reznicek's Overture to Donna Diana, Ferdinand Hérold's Overture to Zampa, Otto Nicolai's Overture to The Merry Wives of Windsor, and Ermanno Wolf-Ferrari's Overture to Il segreto di Susanna remain favorites and are frequently used to introduce young people to classical music. The 11 selections represent French opéra comique, Viennese operetta, and Italian opera buffa, though the differences in style aren't especially noticeable, except for Domenico Cimarosa's Overture to Il Matrimonio Segreto, which is the sole example from the Classical era. Friedel and his musicians fully communicate the buoyant moods and theatricality of these bon-bons, and the reproduction is clear and detailed, with credible presence and fine separation of parts.

© TiVo

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