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When New Order's Bernard Sumner joined the Smiths' Johnny Marr to form Electronic in 1989, some called it a dream collaboration. Marr's gifted guitar work made him a star musician on top of making the Smiths one of the greatest bands to emerge from post-punk. Sumner and his coolly boyish vocals stepped up to fill the shoes of his old friend, the late Ian Curtis, upon the end of Joy Division in 1980. New Order and the Smiths were two bands that matched one another in appeal and importance. Both groups also defined what would be known as alternative rock, so Marr and Sumner coming together just made sense. Get the Message: The Best of Electronic is a definitive look at how the super duo succeeded in making cohesive and appealing dance-rock and became one of the greatest alt-rock bands. All three albums -- 1991's self-titled masterpiece, 1996's Raise the Pressue, and their 1999 hidden treasure, Twisted Tenderness -- are represented throughout along with an assortment of outtakes and remixes. Their various collaborations, including their very memorable work done with the Pet Shop Boys' Neil Tennant, cannot be forgotten, either. Their U.K. Top 20 hit "Getting Away with It," the fluid acoustic guitars of "Get the Message," and the previously unavailable single mix of "Disappointed," all of which feature Tennant on vocals, remain timeless standouts for Electronic. Other highlights include the sexy synth beats of "Imitation of Life" (B-side to "Forbidden City") and "All That I Need" (B-side to the Karl Bartos-penned hit from Raise the Pressure's "For You"). With Rhino's meticulous selection of tracks, Get the Message is definitely one of those collections tailored for both longtime fans who already own everything and for new fans seeking a great prelude.
© MacKenzie Wilson /TiVo
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Karl Bartos, Writer - Johnny Marr, Guitar, Keyboards, Writer, Bass - BERNARD SUMNER, Keyboards, Vocals, Writer - Alan Meyerson, Mixer - Electronic, Producer, MainArtist - Ged Lynch, Drums, Percussion - James Spencer, Engineer
© 2006 Parlophone Records Ltd, a Warner Music Group Company under exclusive licence to Parlophone Records Limited, ℗ 1996 X Limited and New Voodoo Limited
Johnny Marr, Composer, Producer - Owen Morris, Engineer - BERNARD SUMNER, Composer, Producer - Electronic, MainArtist - NEIL TENNANT, Composer, Producer
© 2006 Parlophone Records Ltd, a Warner Music Group Company under exclusive license to Parlophone Records Limited, ℗ 1989 X Limited and New Voodoo Limited
Johnny Marr, Producer, Guitar, Keyboards, Writer, Bass - Owen Morris, Engineer - BERNARD SUMNER, Producer, Keyboards, Vocals, Writer - Electronic, MainArtist
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 1991 Warner Records Inc.
Johnny Marr, Composer, Producer, Writer - Owen Morris, Engineer - BERNARD SUMNER, Composer, Producer, Writer - Electronic, MainArtist
© 2006 Parlophone Records Ltd, a Warner Music Group Company under exclusive license to Parlophone Records Limited, ℗ 1990 X Limited and New Voodoo Limited
Johnny Marr, Composer, Producer, Guitar, Keyboards, Bass - Mike 'Spike' Drake, Engineer, Engineer & Mixer - BERNARD SUMNER, Composer, Producer, Keyboards, Vocals - Stephen Hague, Mixer, Production - Electronic, MainArtist - NEIL TENNANT, Composer, Producer, Vocals
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 1992 Warner Records Inc
Arthur Baker, Producer - Johnny Marr, Composer - JAMES BROWN, Assistant - BERNARD SUMNER, Composer - Chris Blair, Masterer, MasteringEngineer - Electronic, Producer, MainArtist - Darren Nash, Mixer - James Spencer, Engineer - Tim Pettit, Assistant - Jackie Turner, Assistant - Astrid Williamson, Vocals - Merv de Peyer, Mixer, Keyboards, Programmer
© 2006 Parlophone Records Ltd, a Warner Music Group Company under exclusive license to Parlophone Records Limited, ℗ 1999 X Limited and New Voodoo Limited
Karl Bartos, Keyboards - Johnny Marr, Composer, Guitar, Keyboards, Writer, Bass - Denise Johnson, Producer, Vocals - BERNARD SUMNER, Composer, Keyboards, Vocals, Writer - Alan Meyerson, Mixer - Electronic, Producer, MainArtist - James Spencer, Engineer
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 1996 Warner Records Inc.
Johnny Marr, Guitar, Keyboards, Writer, Bass - Steve Sidelnyk, Drums - BERNARD SUMNER, Composer, Keyboards, Vocals, Writer - Electronic, Producer, MainArtist - James Spencer, Mixer, Engineer
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 1996 Warner Records Inc.
Arthur Baker, Producer - Johnny Marr, Composer - JAMES BROWN, Engineer - BERNARD SUMNER, Composer - Electronic, Producer, MainArtist - Ian Cooper, Masterer, MasteringEngineer - Darren Nash, Engineer, Engineer & Mixer - Ed Chadwick, Engineer, Engineer & Mixer - James Spencer, Mixer, Engineer - Tim Pettit, Engineer - Jackie Turner, Engineer
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Warner Records Inc.
Karl Bartos, Composer, Writer - Johnny Marr, Guitar, Keyboards, Writer, Bass - BERNARD SUMNER, Composer, Keyboards, Vocals, Writer - Electronic, Producer, MainArtist - Ged Lynch, Drums - James Spencer, Mixer, Engineer
© 2006 Parlophone Records Ltd, a Warner Music Group Company under exclusive license to Parlophone Records Limited, ℗ 1996 X Limited and New Voodoo Limited
Karl Bartos, Composer, Writer - Johnny Marr, Composer, Guitar, Keyboards, Writer, Bass - BERNARD SUMNER, Composer, Keyboards, Vocals, Writer - Alan Meyerson, Mixer - Electronic, Producer, MainArtist - James Spencer, Engineer
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 1996 Warner Records Inc.
Johnny Marr, Composer, Guitar, Keyboards, Writer, Bass - BERNARD SUMNER, Composer, Keyboards, Vocals, Writer - Electronic, Producer, MainArtist - Ged Lynch, Drums, Percussion - James Spencer, Mixer, Engineer
© 2006 Parlophone Records Ltd, a Warner Music Group Company under exclusive license to Parlophone Records Limited, ℗ 1996 X Limited and New Voodoo Limited
Arthur Baker, Producer - Johnny Marr, Composer - JAMES BROWN, Assistant - BERNARD SUMNER, Composer - Electronic, Producer, MainArtist - Ian Cooper, Masterer, MasteringEngineer - Darren Nash, Engineer, Engineer & Mixer - Ed Chadwick, Engineer, Engineer & Mixer - James Spencer, Mixer, Engineer - Tim Pettit, Assistant - Jackie Turner, Assistant
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Warner Records Inc.
Arthur Baker, Producer - Johnny Marr, Composer - JAMES BROWN, Assistant - BERNARD SUMNER, Composer - Electronic, Producer, MainArtist - Ian Cooper, Masterer, MasteringEngineer - Darren Nash, Engineer, Engineer & Mixer - Ed Chadwick, Engineer, Engineer & Mixer - James Spencer, Mixer, Engineer - Tim Pettit, Assistant - Jackie Turner, Assistant
© 2006 Parlophone Records Ltd, a Warner Music Group Company under exclusive license to Parlophone Records Limited, ℗ 1999 X Limited and New Voodoo Limited
Arthur Baker, Producer - Johnny Marr, Composer - JAMES BROWN, Assistant - BERNARD SUMNER, Composer - Chris Blair, Masterer, MasteringEngineer - Electronic, Producer, MainArtist - Darren Allison, Engineer - Darren Nash, Mixer - James Spencer, Engineer - Tim Pettit, Assistant - Jackie Turner, Assistant - Astrid Williamson, Vocals - Stephen Power, Mixer, Production - Lindsay Reed, Vocals - Merv de Peyer, Mixer, Keyboards, Programmer - Fridge, Beats, Miscellaneous, Noises
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Warner Records Inc.
Album review
When New Order's Bernard Sumner joined the Smiths' Johnny Marr to form Electronic in 1989, some called it a dream collaboration. Marr's gifted guitar work made him a star musician on top of making the Smiths one of the greatest bands to emerge from post-punk. Sumner and his coolly boyish vocals stepped up to fill the shoes of his old friend, the late Ian Curtis, upon the end of Joy Division in 1980. New Order and the Smiths were two bands that matched one another in appeal and importance. Both groups also defined what would be known as alternative rock, so Marr and Sumner coming together just made sense. Get the Message: The Best of Electronic is a definitive look at how the super duo succeeded in making cohesive and appealing dance-rock and became one of the greatest alt-rock bands. All three albums -- 1991's self-titled masterpiece, 1996's Raise the Pressue, and their 1999 hidden treasure, Twisted Tenderness -- are represented throughout along with an assortment of outtakes and remixes. Their various collaborations, including their very memorable work done with the Pet Shop Boys' Neil Tennant, cannot be forgotten, either. Their U.K. Top 20 hit "Getting Away with It," the fluid acoustic guitars of "Get the Message," and the previously unavailable single mix of "Disappointed," all of which feature Tennant on vocals, remain timeless standouts for Electronic. Other highlights include the sexy synth beats of "Imitation of Life" (B-side to "Forbidden City") and "All That I Need" (B-side to the Karl Bartos-penned hit from Raise the Pressure's "For You"). With Rhino's meticulous selection of tracks, Get the Message is definitely one of those collections tailored for both longtime fans who already own everything and for new fans seeking a great prelude.
© MacKenzie Wilson /TiVo
About the album
- 1 disc(s) - 15 track(s)
- Total length: 01:10:21
- Main artists: Electronic
- Composer: Various Composers
- Label: Parlophone UK
- Genre: Pop/Rock Rock
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 The copyright in this compilation is owned by Parlophone Records Ltd
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