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Sophie Yates|Bach: Complete English Suites

Bach: Complete English Suites

Sophie Yates

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There is no surviving autograph manuscript of Bach’s English Suites, and for such a set of magnificent pieces, an important and well-loved part of the baroque keyboard "canon", surprisingly little is known about its history. What we do know is that the suites are amongst Bach’s earlier works – probably written in the second decade of the eighteenth century – and that the appellation "English" was not given to them until the 1750s. In order to understand these fascinating works on a deeper level, we have to appreciate the importance of dance in the cultural context of eighteenth-century Europe. As a social skill, the ability to dance correctly was considered so vital that every court had a dancing master, often French, who taught the different types of dances to aspiring courtiers.

Because of this, dancing, and by extension the instrumental dance suite, was one of the factors contributing to French taste’s becoming a defining characteristic of the baroque style. As we know that the Dancing Master traditionally taught by playing tunes on the violin, it is quite possible that Bach’s own renditions of the dance forms were influenced by the playing of Jean-François Monjou – Dancing Master at the Cöthen court, where the young Johann Sebastian worked from 1717 until 1723.

On that basis, acclaimed early keyboard specialist Sophie Yates has recorded these works on a double-manual Flemish harpsichord by Andrew Garlick, a copy of the petit ravalement instrument by Ioannes Ruckers, 1624, now at the Musée Unterlinden, Colmar, France. © Chandos

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Bach: Complete English Suites

Sophie Yates

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Suite I, BWV 806 (Johann Sebastian Bach)

1
I. Prelude
00:02:51

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

2
II. Allemande
00:06:28

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

3
III. Courante I
00:01:58

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

4
IV. Courante II avec deux Doubles
00:03:42

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

5
V. Sarabande
00:04:27

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

6
VI. Bourrée I - Bourrée II - (Bourrée I repetatur et claudatur)
00:05:08

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

7
VII. Gigue
00:03:12

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

Suite II, BWV 807 (Johann Sebastian Bach)

8
I. Prelude
00:05:07

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

9
II. Allemande
00:04:51

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

10
III. Courante
00:02:04

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

11
IV. Sarabande - Les agréments de la même Sarabande
00:04:01

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

12
V. Bourrée I alternativement - Bourrée II -
00:05:19

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

13
VI. Gigue - Da Capo (senza ripetizione) al Fine
00:03:48

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

Suite III, BWV 808 (Johann Sebastian Bach)

14
I. Prelude
00:03:24

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

15
II. Allemande
00:04:37

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

16
III. Courante
00:02:40

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

17
IV. Sarabande - Les agréments de la même Sarabande
00:03:45

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

18
V. Gavotte alternativement - Gavotte II ou la Musette
00:03:38

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

19
VI. Gigue
00:03:05

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

DISC 2

Suite IV, BWV 809 (Johann Sebastian Bach)

1
I. Prelude. Vitement
00:05:05

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

2
II. Allemande
00:04:19

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

3
III. Courante
00:01:51

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

4
IV. Sarabande
00:04:03

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

5
V. Menuet I - Menuet II - Repetatur Menuet I
00:03:51

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

6
VI. Gigue
00:03:46

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

Suite V, BWV 810 (Johann Sebastian Bach)

7
I. Prelude
00:05:05

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

8
II. Allemande
00:04:47

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

9
III. Courante
00:02:24

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

10
IV. Sarabande
00:03:56

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

11
V. Passepied I en Rondeau - Passepied II
00:03:54

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

12
VI. Gigue
00:03:16

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

Suite VI, BWV 811 (Johann Sebastian Bach)

13
I. Prelude
00:09:04

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

14
II. Allemande
00:04:48

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

15
III. Courante
00:02:59

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

16
IV. Sarabande - Double
00:03:45

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

17
V. Gavotte I - Gavotte II - Repetatur Gavotte I
00:04:10

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

18
VI. Gigue
00:03:36

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2021 Chandos Records Ltd 2021 Chandos Records Ltd

Album review

There is no surviving autograph manuscript of Bach’s English Suites, and for such a set of magnificent pieces, an important and well-loved part of the baroque keyboard "canon", surprisingly little is known about its history. What we do know is that the suites are amongst Bach’s earlier works – probably written in the second decade of the eighteenth century – and that the appellation "English" was not given to them until the 1750s. In order to understand these fascinating works on a deeper level, we have to appreciate the importance of dance in the cultural context of eighteenth-century Europe. As a social skill, the ability to dance correctly was considered so vital that every court had a dancing master, often French, who taught the different types of dances to aspiring courtiers.

Because of this, dancing, and by extension the instrumental dance suite, was one of the factors contributing to French taste’s becoming a defining characteristic of the baroque style. As we know that the Dancing Master traditionally taught by playing tunes on the violin, it is quite possible that Bach’s own renditions of the dance forms were influenced by the playing of Jean-François Monjou – Dancing Master at the Cöthen court, where the young Johann Sebastian worked from 1717 until 1723.

On that basis, acclaimed early keyboard specialist Sophie Yates has recorded these works on a double-manual Flemish harpsichord by Andrew Garlick, a copy of the petit ravalement instrument by Ioannes Ruckers, 1624, now at the Musée Unterlinden, Colmar, France. © Chandos

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