Zomby
Idioma disponible: inglésZomby has revamped and mutated numerous forms of underground club music, from vintage hardcore techno and drum'n'bass of the '90s to early grime and dubstep, trap, and footwork of the ensuing decades in which he has been active. Though song publishing attributed Zomby compositions to Justin Moulds, the identity of the enigmatic producer was otherwise shielded from the public. The first press photo displayed him in ninja clothing with a cardboard Eye of Providence covering his visage -- an image he joked about procuring from an Internet image search -- and his face was masked or otherwise obscured afterward. Nevertheless, his earliest releases garnered a cult following that only grew with his releases on revered and diverse independents such as Kode9's Hyperdub, Actress' Werkdiscs, 4AD, and XL. Filled with brisk breakbeats, racing pianos, wobbling basslines, and air horns galore, the Werkdiscs release Where Were U in 92? (2008) paid tribute to rave's peak. Though tapes were the artist's only connection to the subculture until 1993, the set was all clued-in jubilance. The jittery One Foot Ahead of the Other (2009) incorporated colorful 8-bit sounds. Zomby then signed to 4AD, where he released the melodically rich album Dedication and the EP Nothing (both 2011), and then the expansive double-disc With Love (2013). After a pair of four-track EPs for XL (2015), he released an album for early supporter Hyperdub, Ultra (2016), featuring collaborations with Burial and Darkstar, among others. Gasp! (2017), a three-track EP, followed on Big Dada. Months later, the Modern Love label issued the album Mercury's Rainbow (also 2017), a brittle and austere set of grime tracks inspired by Wiley's early-2000s "eskibeat" sound.
© Andy Kellman & Ricardo Rainho /TiVo Leer más
Zomby has revamped and mutated numerous forms of underground club music, from vintage hardcore techno and drum'n'bass of the '90s to early grime and dubstep, trap, and footwork of the ensuing decades in which he has been active. Though song publishing attributed Zomby compositions to Justin Moulds, the identity of the enigmatic producer was otherwise shielded from the public. The first press photo displayed him in ninja clothing with a cardboard Eye of Providence covering his visage -- an image he joked about procuring from an Internet image search -- and his face was masked or otherwise obscured afterward. Nevertheless, his earliest releases garnered a cult following that only grew with his releases on revered and diverse independents such as Kode9's Hyperdub, Actress' Werkdiscs, 4AD, and XL.
Filled with brisk breakbeats, racing pianos, wobbling basslines, and air horns galore, the Werkdiscs release Where Were U in 92? (2008) paid tribute to rave's peak. Though tapes were the artist's only connection to the subculture until 1993, the set was all clued-in jubilance. The jittery One Foot Ahead of the Other (2009) incorporated colorful 8-bit sounds. Zomby then signed to 4AD, where he released the melodically rich album Dedication and the EP Nothing (both 2011), and then the expansive double-disc With Love (2013). After a pair of four-track EPs for XL (2015), he released an album for early supporter Hyperdub, Ultra (2016), featuring collaborations with Burial and Darkstar, among others. Gasp! (2017), a three-track EP, followed on Big Dada. Months later, the Modern Love label issued the album Mercury's Rainbow (also 2017), a brittle and austere set of grime tracks inspired by Wiley's early-2000s "eskibeat" sound.
© Andy Kellman & Ricardo Rainho /TiVo
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Dedication
Electrónica - Editado por 4AD el 11/07/2011
Sélection Les InrocksDisque Roi VoxPop16-Bit CD Quality 44.1 kHz - Stereo -
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Mercury's Rainbow
Electrónica - Editado por Modern Love el 1/12/2017
16-Bit CD Quality 44.1 kHz - Stereo -
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Mush / Spliff Dub (Rustie Remix)
Alternativa & Indie - Editado por Hyperdub el 10/03/2008
16-Bit CD Quality 44.1 kHz - Stereo -
Liquid Dancehall / Strange Fruit
Electrónica - Editado por RAMP Recordings el 12/04/2008
16-Bit CD Quality 44.1 kHz - Stereo -
Rumours & Revelations
Electrónica - Editado por BRAiNMATH el 29/04/2012
16-Bit CD Quality 44.1 kHz - Stereo -
Let's Jam!!
Electrónica - Editado por XL Recordings el 9/10/2015
16-Bit CD Quality 44.1 kHz - Stereo