The Fireballs
This New Mexican group was the primary exponent of the Tex-Mex sound in the instrumental rock & roll of the late '50s and early '60s, landing three Top 40 hits, "Torquay," "Bulldog," and "Quite a Party." Paced by the clean, economic guitar lines of George Tomsco, their moody, laconic arrangements and dextrous picking was similar in essential respects to the Ventures. The Fireballs, who used the same Norman Petty-run studio in Clovis, NM, as Buddy Holly, had a much more prominent "border" music feel to their melodies than the Ventures. The Ventures, on the other hand, had a much more full-bodied and versatile attack, accounting to a large degree for the Fireballs' comparatively slight place in history.
The Fireballs, who occasionally sang on their recordings, are actually much more famous for their controversial contributions to the Buddy Holly legacy. In the early '60s, in association with Petty (Holly's former producer and manager), they overdubbed some of Holly's demo tapes for posthumous release. Some Holly fans claim that these performances should have been left to stand as they were; Petty, and others, have claimed (dubiously) that they were only salvageable for commercial release via such overdubs.
In 1963, the Fireballs hooked up with singer Jimmy Gilmer. As Jimmy Gilmer & the Fireballs, they had one of the biggest hits of 1963 with a number-one smash lightweight-pop ditty, "Sugar Shack." A similar follow-up, "Daisy Petal Pickin'," made the Top 20, but the British Invasion wiped them out immediately. The Fireballs, sans Gilmer, made one last unexpected comeback in 1968, when their "Bottle of Wine" (featuring vocals by the group themselves) made the Top Ten.
© Richie Unterberger /TiVo
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Best of the Fireballs
Rock - Editado por Ace Records el 28/08/1992
16-Bit CD Quality 44.1 kHz - Stereo -
The Complete U.S. Instrumental Singles
Rock - Editado por Nor-Va-Jak Music el 20/11/2023
24-Bit 192.0 kHz - Stereo -
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Sugar Shack / Buddy's Buddy
Pop - Editado por Ace Records el 29/09/1997
16-Bit CD Quality 44.1 kHz - Stereo -
Bottle of Wine / Come on, React!
Pop - Editado por Ace Records el 25/03/2002
16-Bit CD Quality 44.1 kHz - Stereo -
Clovis Classics: The Definitive Collection
Rock - Editado por Ace Records el 28/08/1992
16-Bit CD Quality 44.1 kHz - Stereo -
The Best of the Fireballs' Vocals
Pop - Editado por Ace Records el 28/04/1997
16-Bit CD Quality 44.1 kHz - Stereo -
Exotic Guitars from the Clovis Vaults
Rock - Editado por Ace Records el 25/09/2006
16-Bit CD Quality 44.1 kHz - Stereo -
Torquay / Campusology
Rock - Editado por Ace Records el 25/10/1993
16-Bit CD Quality 44.1 kHz - Stereo -
Rockin' in the 50's
Rock - Editado por Skooldaze #789 el 15/03/2011
16-Bit CD Quality 44.1 kHz - Stereo -
Blue Fire / Rarities
Rock - Editado por Ace Records el 23/02/1998
16-Bit CD Quality 44.1 kHz - Stereo -
Lucky 'Leven / Folkbeat
Pop - Editado por Ace Records el 24/09/2021
16-Bit CD Quality 44.1 kHz - Stereo -
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Ho-Dad Machine
The Fireballs, The Beach Boys, Bruce Johnston, The Lively Ones, Dick Dale and His Del-Tones
Pop - Editado por Plates of History el 1/11/2021
16-Bit CD Quality 44.1 kHz - Stereo -
The Fireballs / Vaquero
Rock - Editado por Ace Records el 26/04/1993
16-Bit CD Quality 44.1 kHz - Stereo -
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Torquay (Original Album Plus Bonus Tracks)
Pop - Editado por Surfin' Bird el 1/01/1963
16-Bit CD Quality 44.1 kHz - Stereo -
Here Are the Fireballs (2023 Remastered)
Rock - Editado por Warwick Records el 13/02/1961
16-Bit CD Quality 44.1 kHz - Stereo -
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