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Cold Beat

Idioma disponible: inglés
The project of Hannah Lew, Cold Beat combines stark instrumentation that straddles coldwave and post-punk with deeply felt songwriting. From the beginning, Lew dove into big-picture topics: On 2014's Over Me, the singer/songwriter/multi-instrumentalist explored the death of her father and loss in general on compact, driving songs that harked back to the heyday of Tubeway Army, Blondie, and the Sound (whose song "Cold Beat" gave Lew's project its name). The changing face of her hometown of San Francisco in the wake of the tech boom informed 2015's Into the Air, which added jangly indie pop, motorik, and minimal synth experiments to Lew's repertoire. Later, the electronic elements of Cold Beat's music came to the forefront on 2020's polished, expansive Mother, which reflected the influence of Eurythmics (as well as Lew's motherhood), and on the following year's introspective War Garden. Lew began writing Cold Beat songs in the late 2000s while playing with the acclaimed San Francisco trio Grass Widow and establishing herself as a filmmaker and visual artist. When the band went on hiatus after releasing 2012's Internal Logic, Lew focused on Cold Beat in earnest. She took Neon Piss guitarist Kyle King, Shannon & the Clams guitarist/synth player Cody Blanchard, and former Grass Widow drummer Lillian Maring into the studio to record November 2013's Worms/Year 5772, a set of songs touching on the death of her father and her own insomnia. The first release on Lew's Crime on the Moon label, it also featured remixes by POW! and Total Control's Mikey Young, with whom Lew forged a long-running creative partnership. Lew continued her meditations on grief with Cold Beat's first full-length, July 2014's Over Me. Recorded by Trans Am's Phil Manley and mixed and mastered by Young, it found Lew backed by King and Erase Errata drummer Bianca Sparta. Cold Beat's lineup and sound continued to evolve quickly. Just over a year after the release of Over Me, the band returned with September 2015's Into the Air, which featured drummer Susi Leni and guitarist Jackson Blumgart alongside Lew and King. Partly influenced by San Francisco's rapid gentrification thanks to the tech boom, the album boasted a more electronic-based sound that informed the Cold Beat albums that followed. Lew wrote and recorded most of 2017's more intimate Chaos by Invitation on her own, later bringing in Manley, Young, King, and Blumgart for additional tracking. In August 2018, Cold Beat returned with A Simple Reflection, an EP of Eurythmics covers that expanded the group's lineup to include King, guitarist Sean Monaghan and keyboardist Luciano Talpini Aita. The EP's lush, synth-driven sound laid the musical groundwork for the band's fourth album. Mother, which was inspired by Lew's pregnancy as well as the tumultuous state of the world, was released by DFA in February 2020. A year later, the Double Sided Mirror Remix EP featured reworkings of the Mother track by Cabaret Voltaire's Stephen Mallinder and Cooper Saver. Recorded via Zoom during the COVID-19 global pandemic, September 2021's War Garden continued Cold Beat's more danceable direction as it meditated on loss, separation, and resilience.
© Heather Phares /TiVo
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