Ben Salisbury
Idioma disponible: inglésKnown for his work on natural history programs and his collaborative material with fellow producer Geoff Barrow, Ben Salisbury is an English musician, arranger, and composer. He became interested in music at an early age -- having been classically trained on piano from the age of five -- and went on to study for a degree in music at both Newcastle University and Bournemouth University. After studies, he made his way into score work for television and film, most notably for David Attenborough's documentary series The Life of Mammals, Life in Cold Blood, and Life in the Undergrowth. He went on to receive compositional credits for The Nature of Britain, Congo, and the Making Waves series, the latter of which revolved around the planning and filming of Attenborough's The Blue Planet. Salisbury also co-wrote (with Barnaby Taylor) the theme for Nature's Great Events, which was performed by the BBC Concert Orchestra at the celebratory reopening of Bristol's Colston Hall in 2009. He also won the Best Music Video Award for his work on the program Natural Tracks as well as receiving an Emmy nomination for his work on Operation Thunderball, an episode of the BBC's Wildlife on One series. Salisbury met Barrow when they had both begun playing football for a five-a-side league on weekends. However, it wasn't until five years had passed that they discovered each other's profession and decided to begin working together. Salisbury then began orchestrating string arrangements for bands on Barrow's own Invada Records. It was through this that he began working with artists on the Bristol music scene, including Malachai, for whom he arranged and co-wrote some of the material on their sophomore effort, Return to the Ugly Side. He also worked on Boca 45's Vertigo Sounds and the Beekeepers' debut, Apiculture. Barrow had then begun working as a music supervisor for the Banksy film Exit Through the Gift Shop, and eventually brought in Salisbury -- this would be the pair's first partnership in working on film music together. In 2012, the duo worked together on their film score for the sci-fi thriller Dredd. Although their material was declined by the studio, Salisbury and Barrow decided to release their efforts anyway and put out the Drokk: Music Inspired by Mega-City One album via Invada in 2012. That year also saw Salisbury compose the music for Beyoncé's autobiographical film Life Is But a Dream. In 2014, Salisbury and Barrow were recruited by author/screenwriter Alex Garland to provide the score for his directorial debut, Ex Machina. The pair delivered a highly atmospheric, percussion-less, and minimal yet hefty film score, which earned them the award for Best Original Score at the 2016 Ivor Novello Awards. They worked with Garland again in 2018, scoring his second movie, Annihilation.
© Rob Wacey /TiVo Leer más
Known for his work on natural history programs and his collaborative material with fellow producer Geoff Barrow, Ben Salisbury is an English musician, arranger, and composer. He became interested in music at an early age -- having been classically trained on piano from the age of five -- and went on to study for a degree in music at both Newcastle University and Bournemouth University. After studies, he made his way into score work for television and film, most notably for David Attenborough's documentary series The Life of Mammals, Life in Cold Blood, and Life in the Undergrowth. He went on to receive compositional credits for The Nature of Britain, Congo, and the Making Waves series, the latter of which revolved around the planning and filming of Attenborough's The Blue Planet. Salisbury also co-wrote (with Barnaby Taylor) the theme for Nature's Great Events, which was performed by the BBC Concert Orchestra at the celebratory reopening of Bristol's Colston Hall in 2009. He also won the Best Music Video Award for his work on the program Natural Tracks as well as receiving an Emmy nomination for his work on Operation Thunderball, an episode of the BBC's Wildlife on One series.
Salisbury met Barrow when they had both begun playing football for a five-a-side league on weekends. However, it wasn't until five years had passed that they discovered each other's profession and decided to begin working together. Salisbury then began orchestrating string arrangements for bands on Barrow's own Invada Records. It was through this that he began working with artists on the Bristol music scene, including Malachai, for whom he arranged and co-wrote some of the material on their sophomore effort, Return to the Ugly Side. He also worked on Boca 45's Vertigo Sounds and the Beekeepers' debut, Apiculture. Barrow had then begun working as a music supervisor for the Banksy film Exit Through the Gift Shop, and eventually brought in Salisbury -- this would be the pair's first partnership in working on film music together.
In 2012, the duo worked together on their film score for the sci-fi thriller Dredd. Although their material was declined by the studio, Salisbury and Barrow decided to release their efforts anyway and put out the Drokk: Music Inspired by Mega-City One album via Invada in 2012. That year also saw Salisbury compose the music for Beyoncé's autobiographical film Life Is But a Dream. In 2014, Salisbury and Barrow were recruited by author/screenwriter Alex Garland to provide the score for his directorial debut, Ex Machina. The pair delivered a highly atmospheric, percussion-less, and minimal yet hefty film score, which earned them the award for Best Original Score at the 2016 Ivor Novello Awards. They worked with Garland again in 2018, scoring his second movie, Annihilation.
© Rob Wacey /TiVo
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Men (Original Motion Picture Soundtrack)
Bandas sonoras de cine - Editado por Lakeshore Records el 20/05/2022
24-Bit 44.1 kHz - Stereo -
Annihilation (Original Motion Picture Soundtrack)
Bandas sonoras de cine - Editado por Lakeshore Records el 23/02/2018
16-Bit CD Quality 44.1 kHz - Stereo -
Ex Machina (Original Motion Picture Soundtrack)
Bandas sonoras de cine - Editado por Back Lot Music el 20/01/2015
16-Bit CD Quality 44.1 kHz - Stereo -
Devs (Original Series Soundtrack)
Ben Salisbury, The Insects, Geoff Barrow
Bandas sonoras de cine - Editado por Lakeshore Records el 1/05/2020
24-Bit 44.1 kHz - Stereo -
Drokk: Music Inspired by Mega-City One
Electrónica - Editado por INVADA Records el 30/04/2012
16-Bit CD Quality 44.1 kHz - Stereo -
Black Mirror: Men Against Fire (Original Score)
Bandas sonoras de cine - Editado por Lakeshore Records el 21/10/2016
16-Bit CD Quality 44.1 kHz - Stereo -
Luce (Original Motion Picture Soundtrack)
Bandas sonoras de cine - Editado por Lakeshore Records el 2/08/2019
16-Bit CD Quality 44.1 kHz - Stereo -
The Church (From the "Men" Original Soundtrack)
Bandas sonoras de cine - Editado por Lakeshore Records el 4/05/2022
24-Bit 44.1 kHz - Stereo -
Make Up (Original Score)
Bandas sonoras de cine - Editado por INVADA Records el 27/07/2020
24-Bit 48.0 kHz - Stereo -
Archive 81 (Soundtrack from the Netflix Series)
Bandas sonoras de cine - Editado por Lakeshore Records el 14/01/2022
24-Bit 44.1 kHz - Stereo -
Drowning
Bandas sonoras de cine - Editado por Invada Records UK el 20/07/2020
24-Bit 48.0 kHz - Stereo -
Make Up (Original Score)
Bandas sonoras de cine - Editado por Invada Records UK el 27/07/2020
24-Bit 48.0 kHz - Stereo