Marco Beltrami
American composer Marco Beltrami's stirring, percussive orchestral scores have been used for a wide range of horror, action, and science fiction movies, most notably his mainstream breakthrough with the Wes Craven slasher film Scream in 1996 and several Marvel films. His first of multiple Academy Award nominations came with the 2007 remake of the western 3:10 to Yuma. Fifteen years after the first installment, 2011's Scream 4 was his fourth straight score for the series. In 2015, Beltrami collaborated with Philip Glass on music for the Marvel Comics film Fantastic Four, and in 2018, his score was one of the few things that could be heard in the hit horror movie A Quiet Place. He followed up two years later with A Quiet Place, Pt. II, and returned to Marvel without Glass for 2021's Venom. Subsequent Beltrami projects of note have included the 2023 John Woo thriller Silent Night.
A New York native, Beltrami attended Brown University and the Yale School of Music, eventually studying with Luigi Nono in Italy before apprenticing with none other than Jerry Goldsmith in Los Angeles. He got his professional start in film and television in the early '90s, earning his first main composer credit on 1994's Death Match. He scored projects including the horror film The Whispering (1995) and the syndicated TV drama Land's End (1995-1996) before Scream hit theaters in late 1996. He went on to compose music for Guillermo del Toro (1997's Mimic) and Robert Rodriguez (1998's The Faculty) as well as reuniting with Craven for Scream 2 (1998) before the end of the decade.
Beltrami kicked off the next decade with 2000's Scream 3 (directed by Craven) and Dracula 2000 (executive produced by Craven). Highlights from the next several years included Blade II (his Marvel debut), 2003's Terminator 3: Rise of the Machines, 2004's Hellboy (again with del Toro) and I, Robot starring Will Smith. In the meantime, he also contributed to the final four seasons of TV's The Practice. In 2008, his work on 3:10 to Yuma earned Beltrami his first Academy Award nomination for Best Original Score, with a second one arriving two years later for Best Picture winner The Hurt Locker. Beltrami collaborated on two final films for Wes Craven, My Soul to Take and Scream 4, in the early 2010s. They turned out to be Craven's last directorial projects before he died of cancer in 2015.
In the meantime, Beltrami returned to the world of Marvel for the X-Men franchise entry The Wolverine in 2013. The year 2015 brought the release of another Beltrami-Marvel film, Fantastic Four, and a score Beltrami composed with Philip Glass. The Wolverine sequel Logan followed in 2017. A year later, Beltrami's A Quiet Place score was nominated for a Golden Globe.
Beltrami diversified with music for films like the 2018 Nat Geo rock climbing documentary Free Solo, a collaboration with composer Brandon Roberts. It won them an Emmy for Outstanding Music Composition for a Documentary Series or Special. Late in the decade, he also scored the racing biopic Ford v. Ferrari (2019, with Buck Sanders) and the art-collecting satire Velvet Buzzsaw (2019, also with Sanders) while working on horror projects such as Scary Stories to Tell in the Dark (2019, with Anna Drubich) and A Quiet Place Part II (2020). During that time, he and Brandon Roberts also partnered on a television reboot of The Twilight Zone. Still composing collaboratively in 2021, his output included the series Nine Perfect Strangers (with Miles Hankins) and the R.L. Stine Fear Street trilogy of films (with Roberts, Drubich, and Marcus Trumpp). He took sole credit for that year's Marvel blockbuster Venom: Let There Be Carnage. He and others contributed score material for the sci-fi thriller series Pantheon (AMC+) in 2022 and 2023, a time span that saw the release of Beltrami thriller and horror projects including No Exit, director Adrian Lyne's Deep Water, the Gerard Butler vehicle Plane (with Trumpp), The Nun II, and Renfield, starring Nicolas Cage as Dracula. He composed the scores for John Woo's 2023 film Silent Night and the 2024 mystery miniseries Apples Never Fall (with Hankins).
© Marcy Donelson /TiVo
Artistas similares
-
The Faculty (Original Motion Picture Soundtrack)
Bandas sonoras de cine - Editado por Intrada el 28/02/2023
24-Bit 44.1 kHz - Stereo -
The Nun II (Original Motion Picture Soundtrack)
Bandas sonoras de cine - Editado por WaterTower Music el 1/09/2023
24-Bit 48.0 kHz - Stereo -
Renfield (Original Motion Picture Soundtrack)
Bandas sonoras de cine - Editado por Back Lot Music el 14/04/2023
24-Bit 48.0 kHz - Stereo -
Scream (Original Motion Picture Score / Box Set)
Bandas sonoras de cine - Editado por Varèse Sarabande el 7/01/2022
16-Bit CD Quality 44.1 kHz - Stereo -
Plane (Original Motion Picture Soundtrack)
Bandas sonoras de cine - Editado por Filmtrax Ltd. el 24/02/2023
24-Bit 44.1 kHz - Stereo -
Knowing (Original Motion Picture Soundtrack)
Bandas sonoras de cine - Editado por Varèse Sarabande el 20/03/2009
16-Bit CD Quality 44.1 kHz - Stereo -
Mimic (Music From The Dimension Motion Picture)
Bandas sonoras de cine - Editado por Varèse Sarabande el 1/01/1997
16-Bit CD Quality 44.1 kHz - Stereo -
Silent Night (Original Motion Picture Score)
Bandas sonoras de cine - Editado por La-La Land Records el 30/11/2023
24-Bit 48.0 kHz - Stereo -
Fear Street Part Three: 1666 (Music from the Netflix Trilogy)
Marco Beltrami, Anna Drubich, Marcus Trumpp
Bandas sonoras de cine - Editado por Milan el 16/07/2021
24-Bit 48.0 kHz - Stereo -
Fear Street Part One: 1994 (Music from the Netflix Trilogy)
Bandas sonoras de cine - Editado por Milan el 2/07/2021
24-Bit 48.0 kHz - Stereo -
Fear Street Part Two: 1978 (Music from the Netflix Trilogy)
Marco Beltrami, Brandon Roberts
Bandas sonoras de cine - Editado por Milan el 9/07/2021
24-Bit 48.0 kHz - Stereo -
Terminator 3: Rise Of The Machines (Original Motion Picture Soundtrack)
Bandas sonoras de cine - Editado por Varèse Sarabande el 24/06/2003
16-Bit CD Quality 44.1 kHz - Stereo -
A Quiet Place (Original Soundtrack Album)
Bandas sonoras de cine - Editado por Masterworks el 23/03/2018
24-Bit 44.1 kHz - Stereo -
The Omen (Original Motion Picture Soundtrack)
Bandas sonoras de cine - Editado por Varèse Sarabande el 1/01/2006
16-Bit CD Quality 44.1 kHz - Stereo -
Hellboy (Original Motion Picture Soundtrack)
Bandas sonoras de cine - Editado por Varèse Sarabande el 1/01/2004
16-Bit CD Quality 44.1 kHz - Stereo -
Underwater (Original Motion Picture Soundtrack)
Marco Beltrami, Brandon Roberts
Bandas sonoras de cine - Editado por Hollywood Records el 10/01/2020
16-Bit CD Quality 44.1 kHz - Stereo -
Trois enterrements (Original Motion Picture Soundtrack)
Bandas sonoras de cine - Editado por EuropaCorp el 11/02/2005
16-Bit CD Quality 44.1 kHz - Stereo -
1864 (Original Television Soundtrack)
Bandas sonoras de cine - Editado por MovieScore Media el 16/12/2014
16-Bit CD Quality 44.1 kHz - Stereo -
I, Robot (Original Motion Picture Soundtrack)
Bandas sonoras de cine - Editado por Varèse Sarabande el 1/01/2004
16-Bit CD Quality 44.1 kHz - Stereo -
Underworld Evolution (Original Score By Marco Beltrami)
Bandas sonoras de cine - Editado por Lakeshore Records el 21/02/2006
16-Bit CD Quality 44.1 kHz - Stereo -
The Thing (Original Motion Picture Soundtrack)
Bandas sonoras de cine - Editado por Back Lot Music el 27/09/2011
16-Bit CD Quality 44.1 kHz - Stereo