Joe Henderson
Joe Henderson is proof that jazz can sell without watering down the music; it just takes creative marketing. Although his sound and style were virtually unchanged from the mid-'60s, Joe Henderson's signing with Verve in 1992 was treated as a major news event by the label (even though he had already recorded many memorable sessions for other companies). His Verve recordings had easy-to-market themes (tributes to Billy Strayhorn, Miles Davis, and Antonio Carlos Jobim) and, as a result, he became a national celebrity and a constant poll winner while still sounding the same as when he was in obscurity in the 1970s.
The general feeling is that it couldn't have happened to a more deserving jazz musician. After studying at Kentucky State College and Wayne State University, Joe Henderson played locally in Detroit before spending time in the military (1960-1962). He played briefly with Jack McDuff and then gained recognition for his work with Kenny Dorham (1962-1963), a veteran bop trumpeter who championed him and helped Henderson get signed to Blue Note. Henderson appeared on many Blue Note sessions both as a leader and as a sideman, spent 1964-1966 with Horace Silver's Quintet, and during 1969-1970 was in Herbie Hancock's band. From the start, he had a very distinctive sound and style which, although influenced a bit by both Sonny Rollins and John Coltrane, also contained a lot of brand new phrases and ideas. Henderson had long been able to improvise in both inside and outside settings, from hard bop to freeform. In the 1970s, he recorded frequently for Milestone and lived in San Francisco, but was somewhat taken for granted. The second half of the 1980s found him continuing his freelancing and teaching while recording for Blue Note, but it was when he hooked up with Verve that he suddenly became famous. Virtually all of his recordings are currently in print on CD, including a massive collection of his neglected (but generally rewarding) Milestone dates. On June 30, 2001, Joe Henderson passed away due to heart failure after a long battle with emphysema.
© Scott Yanow /TiVo
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Snap Your Fingers
Funk - Editado por Good Time Records el 08-10-1962
16-Bit CD Quality 44.1 kHz - Stereo -
The State Of The Tenor (Vol. 2 / Live At The Village Vanguard/1985)
Jazz - Editado por Blue Note Records el 01-01-1985
16-Bit CD Quality 44.1 kHz - Stereo -
Sunrise in Tokyo (Live)
Jazz - Editado por Jazz Door el 01-01-1974
16-Bit CD Quality 44.1 kHz - Stereo -
Les Idoles Du Saxophone: Joe Henderson, Vol. 1
Pop - Editado por Mpm el 01-05-2020
16-Bit CD Quality 44.1 kHz - Stereo -
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Blues for a Four String Guitar
Blues - Editado por Legacy Music el 24-10-1963
24-Bit 96.0 kHz - Stereo -
Love Me Sweet / My Hands Are Tied
Soul - Editado por Legacy Music el 24-10-1963
24-Bit 96.0 kHz - Stereo -
If We Could Start All Over Again
Soul - Editado por Legacy Music el 25-10-1964
24-Bit 96.0 kHz - Stereo -
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Page One (The Rudy Van Gelder Edition, Remastered, Doxy Collection)
Jazz - Editado por Doxy Records el 10-11-2017
Discoteca Ideal Qobuz16-Bit CD Quality 44.1 kHz - Stereo -
Page One
Jazz - Editado por Resurfaced Records el 10-11-2017
Discoteca Ideal Qobuz16-Bit CD Quality 44.1 kHz - Stereo -
Party Time With Winnie and Joe, Vol. 2
Winifred Atwell, Joe Henderson
Pop - Editado por Leverage el 01-01-2000
16-Bit CD Quality 44.1 kHz - Stereo -
Our Thing (The Rudy Van Gelder Edition, Remastered, Doxy Collection)
Jazz - Editado por Doxy Records el 05-10-2017
16-Bit CD Quality 44.1 kHz - Stereo -
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Remembers Ginger Rogers And Fred Astaire
Pop - Editado por PnR el 01-01-2000
16-Bit CD Quality 44.1 kHz - Stereo