Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
As Florian Fricke moved away from an early synthesizer-centered sound and embraced organic instrumentation in his quest to fuse Eastern and Western musical and spiritual traditions, Popol Vuh's rock orientation became more pronounced. That aspect derived largely from the contributions of electric guitarists Conny Veit (on Hosianna Mantra and Seligpreisung) and Daniel Fichelscher (on Seligpreisung, Einsjäger & Siebenjäger, and Das Hohelied Salomos). Letzte Tage - Letzte Nächte is the band's boldest foray into rock territory. On Das Hohelied Salomos, Fichelscher's guitar often eclipsed Fricke's piano; here, his presence is even more emphatic. That's not to say that the band has lost its equilibrium -- this is another classic Popol Vuh exercise in balancing and reconciling apparent opposites. An opening pair of instrumentals sets the tone. Buoyed by hard-driving percussion, on "Der Große Krieger" Fichelscher combines muscular riffage with a lightness of touch as he unleashes streams of soaring notes; "Oh Wie Nah Ist der Weg Hinab" builds on an ominous Floydian groove before lilting, interwoven guitar lines lift the song to its conclusion. Elsewhere, vocals play a key role in the dynamics: pounding drums and thick layers of bluesy guitar provide a heavy foundation on "Dort Ist der Weg," while the ethereal voices of Djong Yun and Renate Knaup add an expansive dimension. Their vocals also contribute a pastoral feel, especially on the folky title track and on meditative numbers like the guitar and piano mantra "Haram Dei Raram Dei Haram Dei Ra" and "Kyrie," on which Fricke's arpeggios blend with Ted de Jong's tamboura and Alois Gromer's sitar. Concluding a strong cycle of albums, Letzte Tage - Letzte Nächte continues to encapsulate Popol Vuh's defining characteristics: an ability to create music that's simultaneously delicate and powerful, detailed and expansive, earthbound in its origins and cosmic in its reach.
© Wilson Neate /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde $ 4.259,00/mes
Popol Vuh, Composer, Performance, MainArtist
© 1976 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 1976 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH
Popol Vuh, Composer, Performance, MainArtist
© 1976 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 1976 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH
Popol Vuh, Composer, Performance, MainArtist
© 1976 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 1976 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH
Popol Vuh, Composer, Performance, MainArtist
© 1976 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 1976 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH
Florian Fricke, Composer - Popol Vuh, Composer, Performance, MainArtist
© 1976 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 1976 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH
Popol Vuh, Composer, Performance, MainArtist
© 1976 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 1976 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH
Popol Vuh, Composer, Performance, MainArtist
© 1976 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 1976 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH
Popol Vuh, Composer, Performance, MainArtist
© 1976 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 1976 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH
Popol Vuh, Composer, Performance, MainArtist
© 1976 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 1976 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH
Popol Vuh, Composer, Performance, MainArtist
© 1976 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 1976 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH
Popol Vuh, Composer, Performance, MainArtist
© 1976 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 1976 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH
Presentación del Álbum
As Florian Fricke moved away from an early synthesizer-centered sound and embraced organic instrumentation in his quest to fuse Eastern and Western musical and spiritual traditions, Popol Vuh's rock orientation became more pronounced. That aspect derived largely from the contributions of electric guitarists Conny Veit (on Hosianna Mantra and Seligpreisung) and Daniel Fichelscher (on Seligpreisung, Einsjäger & Siebenjäger, and Das Hohelied Salomos). Letzte Tage - Letzte Nächte is the band's boldest foray into rock territory. On Das Hohelied Salomos, Fichelscher's guitar often eclipsed Fricke's piano; here, his presence is even more emphatic. That's not to say that the band has lost its equilibrium -- this is another classic Popol Vuh exercise in balancing and reconciling apparent opposites. An opening pair of instrumentals sets the tone. Buoyed by hard-driving percussion, on "Der Große Krieger" Fichelscher combines muscular riffage with a lightness of touch as he unleashes streams of soaring notes; "Oh Wie Nah Ist der Weg Hinab" builds on an ominous Floydian groove before lilting, interwoven guitar lines lift the song to its conclusion. Elsewhere, vocals play a key role in the dynamics: pounding drums and thick layers of bluesy guitar provide a heavy foundation on "Dort Ist der Weg," while the ethereal voices of Djong Yun and Renate Knaup add an expansive dimension. Their vocals also contribute a pastoral feel, especially on the folky title track and on meditative numbers like the guitar and piano mantra "Haram Dei Raram Dei Haram Dei Ra" and "Kyrie," on which Fricke's arpeggios blend with Ted de Jong's tamboura and Alois Gromer's sitar. Concluding a strong cycle of albums, Letzte Tage - Letzte Nächte continues to encapsulate Popol Vuh's defining characteristics: an ability to create music that's simultaneously delicate and powerful, detailed and expansive, earthbound in its origins and cosmic in its reach.
© Wilson Neate /TiVo
Acerca del álbum
- 1 disco(s) - 11 pista(s)
- Duración total: 00:45:13
- Artistas principales: Popol Vuh
- Compositor: Various Composers
- Sello: BMG Rights Management GmbH
- Género Electrónica Ambientes
© 1976 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 1976 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH
Mejorar la información del álbum