Categorías:
Carrito 0

Servicio no disponible por el momento

Popol Vuh|Hosianna Mantra

Hosianna Mantra

Popol Vuh

Disponible en
16-Bit/44.1 kHz Estéreo

Streaming ilimitado

Escuche este álbum ahora en alta calidad en nuestras apps

Comenzar mi periodo de prueba gratis y escuchar este álbum

Disfrute de este álbum en las apps Qobuz con sususcripción

Suscribir

Disfrute de este álbum en las apps Qobuz con sususcripción

Florian Fricke pioneered the use of synthesizers in German rock, but by the time of Hosianna Mantra he had abandoned them (eventually selling his famous Moog to Klaus Schulze). While In den Gärten Pharaos had blended synths with piano and African and Turkish percussion, Hosianna Mantra focuses on organic instrumentation. Conny Veit contributes electric guitar, but other than that, Fricke pulls the plug and builds the album around violin, tamboura, piano, oboe, cembalo, and Veit's 12-string, often with Korean soprano Djong Yun's haunting voice hovering above the arrangements. As the album's title suggests, Fricke conceived of Hosianna Mantra as a musical reconciliation of East and West, a harmonization of seemingly opposed terms, combining two devotional music traditions. That notion of cultural hybridity resonates throughout. On "Kyrie" droning tamboura, simple piano patterns, ethereal, gull-like guitars, and yearning oboe ebb and flow before coalescing in a passage of intensity and release. The epic title track adds another dimension to the fusion, emphasizing a Western rock sound with Veit's spectacular playing to the fore, simultaneously smoldering and liquid, occasionally yielding to Djong Yun's celestial vocals. Above all, Fricke envisioned this as sacred music, intimately linked to religious experience; however, as his musical synthesis of disparate religious traditions indicates, he was seeking to foment a spiritual experience beyond the specificity of any particular faith. Indeed, Fricke called this album a "mass for the heart" and that aspect can be heard most succinctly on the melancholy "Abschied" and the gossamer-fragile "Segnung," which blend an austere hymnal sensibility with a more mystical vibe. Julian Cope has said that Hosianna Mantra sounds like it was made in a "cosmic convalescent home" -- an excellent description underscoring the timeless, healing quality of this music, which is far removed from the everyday world and yet at one with it.

© Wilson Neate /TiVo

Más información

Hosianna Mantra

Popol Vuh

launch qobuz app Ya he descargado Qobuz para Windows / MacOS Abrir

download qobuz app Todavía no he descargado Qobuz para Windows / MacOS Descargar la app Qobuz

Está escuchando muestras.

Escuche más de 100 millones de pistas con un plan de streaming ilimitado.

Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.

Desde $ 4.259,00/mes

1
Ah!
00:04:46

Florian Fricke, Composer - Popol Vuh, Composer, Performance, MainArtist

© 1970 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 1972 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH

2
Kyrie
00:05:23

Florian Fricke, Composer - Popol Vuh, Composer, Performance, MainArtist

© 1970 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 1972 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH

3
Hosianna-Mantra
00:10:11

Florian Fricke, Composer - Popol Vuh, Composer, Performance, MainArtist

© 1970 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 1972 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH

4
Abschied
00:03:14

Florian Fricke, Composer - Popol Vuh, Composer, Performance, MainArtist

© 1970 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 1972 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH

5
Segnung
00:06:07

Florian Fricke, Composer - Popol Vuh, Composer, Performance, MainArtist

© 1970 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 1972 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH

6
Andacht, Pt. 1
00:00:47

Florian Fricke, Composer - Popol Vuh, Composer, Performance, MainArtist

© 1970 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 1972 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH

7
Nicht hoch im himmel
00:06:18

Florian Fricke, Composer - Popol Vuh, Composer, Performance, MainArtist

© 1970 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 1972 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH

8
Andacht, Pt. 2
00:00:48

Florian Fricke, Composer - Popol Vuh, Composer, Performance, MainArtist

© 1970 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 1972 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH

9
Maria (Ave Maria)
00:04:30

Florian Fricke, Composer - Popol Vuh, Composer, Performance, MainArtist

© 1970 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH ℗ 1972 Edition Popol Vuh under exclusive license to BMG Rights Management GmbH

Presentación del Álbum

Florian Fricke pioneered the use of synthesizers in German rock, but by the time of Hosianna Mantra he had abandoned them (eventually selling his famous Moog to Klaus Schulze). While In den Gärten Pharaos had blended synths with piano and African and Turkish percussion, Hosianna Mantra focuses on organic instrumentation. Conny Veit contributes electric guitar, but other than that, Fricke pulls the plug and builds the album around violin, tamboura, piano, oboe, cembalo, and Veit's 12-string, often with Korean soprano Djong Yun's haunting voice hovering above the arrangements. As the album's title suggests, Fricke conceived of Hosianna Mantra as a musical reconciliation of East and West, a harmonization of seemingly opposed terms, combining two devotional music traditions. That notion of cultural hybridity resonates throughout. On "Kyrie" droning tamboura, simple piano patterns, ethereal, gull-like guitars, and yearning oboe ebb and flow before coalescing in a passage of intensity and release. The epic title track adds another dimension to the fusion, emphasizing a Western rock sound with Veit's spectacular playing to the fore, simultaneously smoldering and liquid, occasionally yielding to Djong Yun's celestial vocals. Above all, Fricke envisioned this as sacred music, intimately linked to religious experience; however, as his musical synthesis of disparate religious traditions indicates, he was seeking to foment a spiritual experience beyond the specificity of any particular faith. Indeed, Fricke called this album a "mass for the heart" and that aspect can be heard most succinctly on the melancholy "Abschied" and the gossamer-fragile "Segnung," which blend an austere hymnal sensibility with a more mystical vibe. Julian Cope has said that Hosianna Mantra sounds like it was made in a "cosmic convalescent home" -- an excellent description underscoring the timeless, healing quality of this music, which is far removed from the everyday world and yet at one with it.

© Wilson Neate /TiVo

Acerca del álbum

Mejorar la información del álbum
Más en Qobuz
Por Popol Vuh

Aguirre

Popol Vuh

Aguirre Popol Vuh

In The Gardens Of Pharao

Popol Vuh

Einsjäger & siebenjäger

Popol Vuh

Revisited & Remixed: 1970-1999

Popol Vuh

Revisited & Remixed 1970-1999

Popol Vuh

Quizás también le guste...

Moves in the Field

Kelly Moran

Moves in the Field Kelly Moran

All Melody

Nils Frahm

All Melody Nils Frahm

Three

Four Tet

Three Four Tet

Tripping with Nils Frahm

Nils Frahm

Ghosts

Hania Rani

Ghosts Hania Rani