Heinz Holliger
Heinz Holliger is widely considered the greatest oboe virtuoso of modern times. He is also a noted composer and conductor; as a composer, he is one of the few who has maintained a strict adherence to serial procedures. With a deep understanding of the performance practices of all eras of music, Holliger has garnered praise for his mastery of the many extended techniques related to the performance of 20th century music. He is credited with having extended the technical range of the instrument more than any other oboist. Some of these extended techniques include harmonics, double trills, multiphonics, and glissandos.
Holliger was born on May 21, 1939, in Langenthal, Switzerland, near Bern. He began playing the recorder at age four and piano at six. At 11, he switched to oboe, studying with Emile Cassagnaud and Sándor Veress at the Bern Conservatory. He then moved to Paris to study oboe with Pierre Pierlot and piano with Yvonne Lefébure. In 1959, he won first prize for oboe in the Geneva Competition, and in the same year, he was hired as an oboist by the Basel Symphony Orchestra. Holliger began composing when he was young and has compiled an extensive catalog in many genres. He studied composition in Paris from 1961 to 1963 with Pierre Boulez, who became a key influence on his style. His music is thoroughly influenced by Schoenberg, Webern, and Luigi Nono. The Magical Dances for two dancers, chorus, orchestra, and tape, is a work of exceptional aural density and fine nuances. Holliger's career as an international oboe virtuoso began in 1963. His tours included solo appearances, performances with his late wife, harpist Ursula Holliger, and chamber music appearances with the Holliger Ensemble, a chamber group he founded.
Holliger was appointed professor of oboe at the Staatliche Musikhochschule of Freiburg in 1965. He quickly became known as the most outstanding oboist of the time, adopting the smoother, thinner French (although exceptionally bright) sound rather than the wider German quality. In interviews, he has disputed the accreditation for extending the oboe's technical range, saying, "I have invented nothing"; he points to instances where these techniques appeared in earlier music, such as a glissando in Mahler's Third Symphony, but in fact, he was the first to make extensive use of these techniques. In addition, he has introduced new sounds attainable only by placing a microphone inside the instrument. He has been very alert to the need for expanding the repertoire of the instrument, being critical of oboists for not commissioning challenging new works. Holliger has personally commissioned works from Berio, Stockhausen, and Penderecki, among others. The Double Concerto for oboe, harp, and chamber orchestra by Lutoslawski, written for Holliger and his wife, is considered a masterpiece of 20th century literature. Holliger's music has a very tight, internal logic caused by the strict use of serial procedures. His musical textures can range from slow, attenuated wisps of sound to combinations of instrumental sound so thick that they practically become "white noise." His compositions are almost uniformly technically difficult to perform and highly challenging for the listener. Pneuma (1970) for 36 winds, four radios, organ, and percussion, requires the performers to make specific breathing sounds into microphones; Cardiophonie (1971) uses an amplified stethoscope attached to a solo wind player to add the players' pulse to the music.
Holliger's extensive recording history has seen him featured on dozens of releases on labels including Decca, Philips, and Sony Classical, among many others. These recordings include performances of his own compositions, winning a Grammy award for his opera Schneewittchen (2000) on the ECM label; his many recordings on oboe range from classical giants, such as Bach and Mozart, to contemporary composers, such as Lutoslawski. Along with these are recordings of Holliger conducting orchestral works. Notable of these are a complete recording of Schumann's symphonic works with the WDR Sinfonieorchester Köln on the Audite label. In 2017, Holliger completed his second opera, Lunea (expanded from a previous song cycle of the same name), and the following year, it was premiered at the Opernhaus Zürich. Written for baritone Christian Gerhaher, a recording of the opera with Holliger conducting the Philharmonia Zürich, featuring a cast led by Gerhaher, was issued in 2022.
© TiVo Staff /TiVo
Artistas semelhantes
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Magicien orchestrateur
Radio-Sinfonieorchester Stuttgart des SWR, Sarah Wegener, Florian Hoelscher, Heinz Holliger
Classical - Lançado por SWR Classic em 1 de mai. de 2012
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Richard Strauss: Suite for 13 Wind Instruments; Symphony for Wind Instruments; Serenade
Heinz Holliger, Chamber Orchestra of Europe, Wind Soloists
Classical - Lançado por Decca Music Group Ltd. em 1 de mai. de 1995
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Lebrun / Mozart: Oboe concertos
Heinz Holliger, Thomas Füri, Hans Stadlmair
Classical - Lançado por Archiv Produktion em 1 de jan. de 2002
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Holliger: Siebengesang; Der magische Tänzer
Classical - Lançado por Deutsche Grammophon (DG) em 1 de jan. de 1970
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Trio in C Major for 2 Oboes and Cor Anglais
Heinz Holliger, Andrea Bischoff, Marie-Lise Schüpbach
Chamber Music - Lançado por Prospero Classical em 11 de mar. de 2022
24-Bit 96.0 kHz - Stereo -
Debussy: Orchestral Works
Dirk Altmann, Daniel Gauthier, Radio-Sinfonieorchester Stuttgart des SWR, Heinz Holliger
Classical - Lançado por SWR Classic em 12 de mai. de 2014
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Heinz Holliger / J.S. Bach
Thomas Demenga, Heinz Holliger, Catrin Demenga
Classical - Lançado por ECM New Series em 1 de jan. de 1978
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Schubert: Symphonies Nos. 2 & 3
Kammerorchester Basel, Heinz Holliger
Classical - Lançado por Sony Classical - Sony Music em 13 de nov. de 2020
24-Bit 96.0 kHz - Stereo -
Induuchlen
Heinz Holliger, Anna Maria Bacher, Albert Streich, Swiss Chamber Soloists
Classical - Lançado por ECM New Series em 17 de jun. de 2011
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Thomas Füri - The Early Viennese School
Camerata Bern, Thomas Füri, Heinz Holliger, Thomas Demenga
Classical - Lançado por Deutsche Grammophon (DG) em 1 de jan. de 1983
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Music of Stefan Wolpe, Vol. 4
Chamber Music - Lançado por Bridge Records em 1 de jan. de 2007
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Bach, C.P.E.: 4 Flute Concertos; 2 Oboe Concertos, etc.
Classical - Lançado por Decca Music Group Ltd. em 1 de jan. de 1994
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Holliger: Siebengesang / Stockhausen: Spiral
Heinz Holliger, Basler Sinfonie Orchester, Schola Cantorum, Stuttgart, Francis Travis
Classical - Lançado por Deutsche Grammophon (DG) em 1 de jan. de 2018
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Veress: Passacaglia Concertante / Songs Of The Seasons / Musica Concertante
Heinz Holliger, Camerata Bern, London Voices, Terry Edwards
Classical - Lançado por ECM New Series em 1 de fev. de 1995
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Zwiegespräche
Classical - Lançado por ECM New Series em 24 de mai. de 2019
Gramophone Editor's ChoiceQualidade de CD de 16 bits 44.1 kHz - Stereo -
Lunea
Christian Gerhaher, Basle Madrigalists, Philharmonia Zürich, Heinz Holliger
Classical - Lançado por ECM New Series em 22 de abr. de 2022
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Variations on "Là ci darem la mano", WoO 28
Heinz Holliger, Andrea Bischoff, Marie-Lise Schüpbach
Chamber Music - Lançado por Prospero Classical em 25 de mar. de 2022
24-Bit 96.0 kHz - Stereo -
III. Scherzo. Allegro vivace (Arr. for Orchestra by Gabriel Bürgin)
Kammerorchester Basel, Heinz Holliger
Classical - Lançado por Sony Classical em 12 de ago. de 2022
24-Bit 96.0 kHz - Stereo -
Heinz Holliger: Streichquartett / Die Jahreszeiten / Chaconne
Classical - Lançado por wergo em 1 de jan. de 1996
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Mozart: Oboe Concerto in C Major & Flute Concerto No. 2 in D Major
Heinz Holliger, Aurèle Nicolet, Radio-Sinfonieorchester Stuttgart des SWR, Hans Müller-Kray
Classical - Lançado por SWR Mediaservices GmbH em 1 de dez. de 2014
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Graun / Krebs / Telemann: Oboe Concertos
Heinz Holliger, Camerata Bern, Thomas Füri
Classical - Lançado por Archiv Produktion em 1 de ago. de 2004
Qualidade de CD de 16 bits 44.1 kHz - Stereo