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Steve Howe|The Grand Scheme of Things

The Grand Scheme of Things

Steve Howe

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This is more like it -- a lithe, lively collection of material, sung in good voice (Howe is joined by his 1960s Tomorrow bandmate Keith West) and played with the kind of robust, cheerful verve that characterized the best moments of Yes's classic sound. There are also guitar breaks that recall the best moments of Yes's work, only they're a little quieter, which gives one the chance to appreciate Howe's virtuoso dexterity. What's more, the melodies range from the beautiful to the memorable, and the songs are clever ("Blinded By Science"), passionate ("Beautiful Ideas"), and generally enjoyable. Howe plays lots of electric and acoustic guitars ("The Valley of Rocks" is a delightful sequel to The Yes Album's "The Clap"), plus mandolin, koto, and numerous other stringed instruments, backed by a violin and keyboards, and drums and bass. One of the better recent offshoots of 1970s progressive rock.

© Bruce Eder /TiVo

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The Grand Scheme of Things

Steve Howe

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1
The Grand Scheme of Things
00:05:11

Steve Howe, MainArtist, AssociatedPerformer - S. Howe, Composer, Lyricist

(P) 1993 Sony Music Entertainment

2
Desire Comes First
00:03:38

Steve Howe, MainArtist, AssociatedPerformer - S. Howe, Composer, Lyricist

(P) 1993 Sony Music Entertainment

3
Blinded by Science
00:03:29

Steve Howe, MainArtist, AssociatedPerformer - S. Howe, Composer, Lyricist

(P) 1993 Sony Music Entertainment

4
Beautiful Ideas
00:04:01

Steve Howe, MainArtist, AssociatedPerformer - S. Howe, Composer, Lyricist

(P) 1993 Sony Music Entertainment

5
The Valley of Rocks
00:03:08

Steve Howe, MainArtist, AssociatedPerformer - S. Howe, Composer, Lyricist

(P) 1993 Sony Music Entertainment

6
At the Gates of the New World
00:03:58

Steve Howe, MainArtist, AssociatedPerformer - S. Howe, Composer, Lyricist

(P) 1993 Sony Music Entertainment

7
Wayward Course
00:04:15

Steve Howe, MainArtist, AssociatedPerformer - S. Howe, Composer, Lyricist

(P) 1993 Sony Music Entertainment

8
Reaching the Point
00:03:52

Steve Howe, MainArtist, AssociatedPerformer - S. Howe, Composer, Lyricist

(P) 1993 Sony Music Entertainment

9
Common Ground
00:02:17

Steve Howe, MainArtist, AssociatedPerformer - S. Howe, Composer, Lyricist

(P) 1993 Sony Music Entertainment

10
Luck of the Draw
00:01:42

Steve Howe, MainArtist, AssociatedPerformer - S. Howe, Composer, Lyricist

(P) 1993 Sony Music Entertainment

11
The Fall of Civilization
00:04:07

Steve Howe, MainArtist, AssociatedPerformer - S. Howe, Composer, Lyricist

(P) 1993 Sony Music Entertainment

12
Passing Phase
00:03:28

Steve Howe, MainArtist, AssociatedPerformer - S. Howe, Composer, Lyricist

(P) 1993 Sony Music Entertainment

13
Georgia's Theme
00:02:44

Steve Howe, MainArtist, AssociatedPerformer - S. Howe, Composer, Lyricist

(P) 1993 Sony Music Entertainment

14
Too Much Is Taken and Not Enough Given
00:05:35

Steve Howe, MainArtist, AssociatedPerformer - S. Howe, Composer, Lyricist

(P) 1993 Sony Music Entertainment

15
Maiden Voyage
00:04:24

Steve Howe, MainArtist, AssociatedPerformer - S. Howe, Composer, Lyricist

(P) 1993 Sony Music Entertainment

16
Road to One's Self
00:02:41

Steve Howe, MainArtist, AssociatedPerformer - S. Howe, Composer, Lyricist

(P) 1993 Sony Music Entertainment

Albumbeschreibung

This is more like it -- a lithe, lively collection of material, sung in good voice (Howe is joined by his 1960s Tomorrow bandmate Keith West) and played with the kind of robust, cheerful verve that characterized the best moments of Yes's classic sound. There are also guitar breaks that recall the best moments of Yes's work, only they're a little quieter, which gives one the chance to appreciate Howe's virtuoso dexterity. What's more, the melodies range from the beautiful to the memorable, and the songs are clever ("Blinded By Science"), passionate ("Beautiful Ideas"), and generally enjoyable. Howe plays lots of electric and acoustic guitars ("The Valley of Rocks" is a delightful sequel to The Yes Album's "The Clap"), plus mandolin, koto, and numerous other stringed instruments, backed by a violin and keyboards, and drums and bass. One of the better recent offshoots of 1970s progressive rock.

© Bruce Eder /TiVo

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