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Arthur "Big Boy" Crudup|That's All Right Mama

That's All Right Mama

Arthur "Big Boy" Crudup

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If Arthur "Big Boy" Crudup had never made another fan in the course of his career than a certain young kid in Memphis, TN, his place in music history would still have been assured -- Elvis Presley often cited Crudup as one of his favorite blues artists, and the future "King of Rock & Roll" recorded three of Crudup's songs ("That's All Right, Mama," "My Baby Left Me," and "So Glad You're Mine"), bringing them to a far wider audience then their original author would ever enjoy on his own. Anyone expecting to hear Elvis' primal influence on That's All Right, Mama, a compilation of 22 songs Crudup recorded for the RCA-affiliated Bluebird label between 1941 and 1954, might be a bit disappointed -- for the most part, this is rough-and-ready rural blues, dominated by Crudup's big, boomy voice and simple but efficient guitar runs, though by the end of the disc, drums, electric guitars, and even saxophone have begun to creep into the mix, suggesting a stripped-down but high-powered Chicago blues combo. In short, this isn't rock & roll, or even rhythm & blues, but pure blues stuff, and it certainly makes clear that Presley's influences were a lot rawer and deeper than most folks would lead you to believe. That's All Right, Mama also reveals that Crudup deserves to be known as more than just the guy who Elvis liked -- this is a tough but good-grooving blues collection that should please those who like their blues straight with no chaser.

© Mark Deming /TiVo

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That's All Right Mama

Arthur "Big Boy" Crudup

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1
If I Get Lucky
Various Interprets
00:03:04

Arthur "Big Boy" Crudup, Composer - Arthur "Big Boy" Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal

(P) Recorded Prior to 1972. All Rights Reserved by BMG Music

2
Gonna Follow My Baby
Various Interprets
00:02:51

Arthur "Big Boy" Crudup, Composer - Arthur "Big Boy" Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal - Arthur Crudup, Guitar - Ransom Knowling, Bass

(P) Recorded Prior to 1972. All Rights Reserved by BMG Music

3
Mean Old Frisco Blues
Various Interprets
00:02:38

Arthur "Big Boy" Crudup, Vocal - Arthur Crudup, Composer - Arthur Crudup, Guitar - Arthur Crudup, Lyricist - Lester Melrose, Producer - Ransom Knowling, Bass

Originally Recorded 1942. All rights reserved by BMG Music

4
Cool Disposition
Various Interprets
00:03:09

Arthur "Big Boy" Crudup, Guitar - Arthur "Big Boy" Crudup, Vocal - Arthur Crudup, Composer - Arthur Crudup, Lyricist

Originally Recorded 1944. All rights reserved by BMG Music

5
Rock Me Mama
Various Interprets
00:03:00

Arthur "Big Boy" Crudup, Guitar - Arthur "Big Boy" Crudup, Vocal - Arthur Crudup, Composer - Arthur Crudup, Lyricist

Originally Recorded 1944. All rights reserved by BMG Music

6
Keep Your Arms Around Me
Various Interprets
00:02:35

Arthur "Big Boy" Crudup, Composer - Arthur "Big Boy" Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal - Lester Melrose, A&R Director

(P) Recorded Prior to 1972. All Rights Reserved by BMG Music

7
That's Your Red Wagon
Various Interprets
00:03:14

Arthur "Big Boy" Crudup, Composer - Arthur "Big Boy" Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal

(P) Recorded Prior to 1972. All Rights Reserved by BMG Music

8
She's Gone
Various Interprets
00:03:04

Arthur "Big Boy" Crudup, Composer - Arthur "Big Boy" Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal

(P) Recorded Prior to 1972. All Rights Reserved by BMG Music

9
So Glad You're Mine
Various Interprets
00:02:48

Arthur "Big Boy" Crudup, Vocal - Arthur Crudup, Composer - Arthur Crudup, Lyricist - Lester Melrose, Producer

Originally Recorded 1946. All rights reserved by BMG Music

10
Chicago Blues
Various Interprets
00:03:13

Arthur "Big Boy" Crudup, Guitar - Arthur "Big Boy" Crudup, Vocal - Arthur Crudup, Composer - Arthur Crudup, Lyricist - Judge Riley, Drums - Lester Melrose, Producer - Ransom Knowling, Bass

Originally Recorded 1946. All rights reserved by BMG Music

11
Crudup's After Hours
Various Interprets
00:02:58

Arthur "Big Boy" Crudup, Composer - Arthur "Big Boy" Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal - Lester Melrose, A&R Director

(P) Recorded Prior to 1972. All Rights Reserved by BMG Music

12
That's All Right
Various Interprets
00:02:56

Arthur "Big Boy" Crudup, Composer - Arthur "Big Boy" Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal - Lester Melrose, A&R Director

Originally Recorded 1946. All rights reserved by BMG Music

13
Shout, Sister, Shout
Various Interprets
00:02:43

Arthur "Big Boy" Crudup, Guitar - Arthur "Big Boy" Crudup, Vocal - Arthur Crudup, Composer - Arthur Crudup, Lyricist - Judge Riley, Drums - Lester Melrose, Producer - Ransom Knowling, Bass

Originally Recorded 1949. All rights reserved by BMG Music

14
She Ain't Nothing But Trouble
Various Interprets
00:02:54

Arthur "Big Boy" Crudup, Composer - Arthur "Big Boy" Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal

(P) Recorded Prior to 1972. All Rights Reserved by BMG Music

15
My Baby Left Me
Various Interprets
00:02:32

Arthur "Big Boy" Crudup, Composer - Arthur "Big Boy" Crudup, Guitar - Arthur "Big Boy" Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal - Judge Riley, Drums - Ransom Knowling, Bass - Steve Sholes, Producer

Originally Recorded 1950. All rights reserved by BMG Music

16
Too Much Competition
Various Interprets
00:02:55

Arthur "Big Boy" Crudup, Composer - Arthur "Big Boy" Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal

(P) Recorded Prior to 1972. All Rights Reserved by BMG Music

17
Second Man Blues
Various Interprets
00:02:55

Arthur "Big Boy" Crudup, Composer - Arthur "Big Boy" Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal

(P) Recorded Prior to 1972. All Rights Reserved by BMG Music

18
I'm Gonna Dig Myself A Hole
Various Interprets
00:03:01

Arthur "Big Boy" Crudup, Guitar - Arthur "Big Boy" Crudup, Vocal - Arthur Crudup, Composer - Arthur Crudup, Lyricist - Judge Riley, Drums - Lester Melrose, Producer - Ransom Knowling, Bass

(P) Recorded Prior to 1972. All Rights Reserved by BMG Music zMusic

19
Mr. So And So
Various Interprets
00:02:42

Arthur "Big Boy" Crudup, Guitar - Arthur "Big Boy" Crudup, Vocal - Arthur Crudup, Composer - Arthur Crudup, Lyricist - J. Sheffield, Bass - Joe Thomas, Producer - N. Butler, Drums - Stephen H. Sholes, Producer

Originally Recorded 1952. All rights reserved by BMG Music

20
My Wife And Woman
Various Interprets
00:02:26

Arthur "Big Boy" Crudup, Composer - Arthur "Big Boy" Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal - Danny Kessler, Producer

Recorded prior to 1972. All rights reserved by BMG Entertainment

21
I Love You
Various Interprets
00:02:47

Arthur "Big Boy" Crudup, Composer - Arthur "Big Boy" Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal - Danny Kessler, Producer

Recorded prior to 1972. All rights reserved by BMG Entertainment

22
She's Got No Hair
Various Interprets
00:02:03

Arthur "Big Boy" Crudup, Composer - Arthur "Big Boy" Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal

(P) Recorded Prior to 1972. All Rights Reserved by BMG Music

Albumbeschreibung

If Arthur "Big Boy" Crudup had never made another fan in the course of his career than a certain young kid in Memphis, TN, his place in music history would still have been assured -- Elvis Presley often cited Crudup as one of his favorite blues artists, and the future "King of Rock & Roll" recorded three of Crudup's songs ("That's All Right, Mama," "My Baby Left Me," and "So Glad You're Mine"), bringing them to a far wider audience then their original author would ever enjoy on his own. Anyone expecting to hear Elvis' primal influence on That's All Right, Mama, a compilation of 22 songs Crudup recorded for the RCA-affiliated Bluebird label between 1941 and 1954, might be a bit disappointed -- for the most part, this is rough-and-ready rural blues, dominated by Crudup's big, boomy voice and simple but efficient guitar runs, though by the end of the disc, drums, electric guitars, and even saxophone have begun to creep into the mix, suggesting a stripped-down but high-powered Chicago blues combo. In short, this isn't rock & roll, or even rhythm & blues, but pure blues stuff, and it certainly makes clear that Presley's influences were a lot rawer and deeper than most folks would lead you to believe. That's All Right, Mama also reveals that Crudup deserves to be known as more than just the guy who Elvis liked -- this is a tough but good-grooving blues collection that should please those who like their blues straight with no chaser.

© Mark Deming /TiVo

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