Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Since making a middle-of-life comeback in the 1990s, saxophonist, composer, and bandleader Charles Lloyd has continually issued fascinating recordings. While some of them contain missteps, it's not for lack of ambition. For one of jazz's elder statesmen, Lloyd pushes his envelope of ideas about improvisation, rhythm and harmony, often to the breaking point. He is a player who sets sometimes impossibly high goals for himself, but in so doing, gives listeners something to really hold on to when encountering one of his albums or seeing him live. Jumping the Creek, which continues his association with ECM Records, is another compelling affair. The band -- pianist Geri Allen, bassist Robert Hurst and drummer Eric Harland -- is simply outstanding. Allen, particularly, hasn't shined on a record like this thus far this decade. Lloyd's compositional ideas here come from rhythmic phrases, small harmonic vamps and emotional thematics. Lloyd engages his quartet in various ways, sometimes in duets, sometimes trios, sometimes as a full band, often during the same composition. The whole quartet does engage fully on the 13-plus-minute opener "Ne Me Quitte Pas," with skeletal phrases becoming larger, striated harmonic statements as Allen uses both modal and post-bop concerns to flesh out the body of the tune. The saxophone/drums duet in "Ken Katta Ma Om," is an utterly lovely change-up that follows. The rest of the band doesn't even enter until halfway through. And Allen does this as a way of introducing a contrapuntal solo that touches upon both Andrew Hill and Lennie Tristano. The title track uses trio and quartet settings to explore the various tensions in melody. Lloyd is a master of moving from gorgeous, gently swinging balladry to blues-drenched free blowing, on a dime. "The Sufi's Tears" features Lloyd on taragato -- a soprano saxophone-like instrument used in Middle Eastern and Indian music. Accompanied only by Hurst's bowed bass, the mournful melody slips off into ether as improvisation wanders into the heart of the frame and remains. It's exotic and tight. "Georgia Bright Smile," is another long work in which the band changes configurations repeatedly in the course of its execution, winding around Lloyd's themes and Allen's painterly pianism. Hurst is particularly impressive here as he trades fours with Allen in his solo. Ultimately however, this, like Lloyd's other recordings on ECM is about emotion, feeling, and a sense of peace and serenity. Lloyd uses the rough places in his improvisations, to be sure, but it is only to make the rough places plain, limpid, utterly integrated in a serene whole. On Jumping the Creek he succeeds seamlessly and ups his own artistic ante.
© Thom Jurek /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Jacques Brel, Composer, Author - Geri Allen, Piano, AssociatedPerformer - Steven Rhodes, Asst. Recording Engineer, StudioPersonnel - Charles Lloyd Quartet, MainArtist - Charles Lloyd, Producer, Tenor Saxophone, AssociatedPerformer - Robert Hurst, Double Bass, AssociatedPerformer - Eric Harland, Drums, Percussion, AssociatedPerformer - Ulysses Noriega, Assistant Mixer, StudioPersonnel - Talley Sherwood, Recording Engineer, Mix Engineer, StudioPersonnel - Manfred Eicher, Producer, Executive Producer
℗ 2005 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Geri Allen, Piano, AssociatedPerformer - Steven Rhodes, Asst. Recording Engineer, StudioPersonnel - Charles Lloyd Quartet, MainArtist - Charles Lloyd, Composer, Producer, Tenor Saxophone, AssociatedPerformer - Robert Hurst, Double Bass, AssociatedPerformer - Eric Harland, Drums, Percussion, AssociatedPerformer - Ulysses Noriega, Assistant Mixer, StudioPersonnel - Talley Sherwood, Recording Engineer, Mix Engineer, StudioPersonnel - Manfred Eicher, Producer, Executive Producer
℗ 2005 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Geri Allen, Piano, AssociatedPerformer - Steven Rhodes, Asst. Recording Engineer, StudioPersonnel - Charles Lloyd Quartet, MainArtist - Charles Lloyd, Composer, Producer, Tenor Saxophone, AssociatedPerformer - Robert Hurst, Double Bass, AssociatedPerformer - Eric Harland, Drums, Percussion, AssociatedPerformer - Ulysses Noriega, Assistant Mixer, StudioPersonnel - Talley Sherwood, Recording Engineer, Mix Engineer, StudioPersonnel - Manfred Eicher, Producer, Executive Producer
℗ 2005 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Geri Allen, Piano, AssociatedPerformer - Steven Rhodes, Asst. Recording Engineer, StudioPersonnel - Charles Lloyd Quartet, MainArtist - Charles Lloyd, Composer, Producer, Tenor Saxophone, AssociatedPerformer - Robert Hurst, Double Bass, AssociatedPerformer - Eric Harland, Drums, Percussion, AssociatedPerformer - Ulysses Noriega, Assistant Mixer, StudioPersonnel - Talley Sherwood, Recording Engineer, Mix Engineer, StudioPersonnel - Manfred Eicher, Producer, Executive Producer
℗ 2005 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Geri Allen, Piano, AssociatedPerformer - Steven Rhodes, Asst. Recording Engineer, StudioPersonnel - Charles Lloyd Quartet, MainArtist - Charles Lloyd, Composer, Producer, Tenor Saxophone, AssociatedPerformer - Robert Hurst, Double Bass, AssociatedPerformer - Eric Harland, Drums, Percussion, AssociatedPerformer - Talley Sherwood, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer, Executive Producer - Dom Camardela, Mixer, StudioPersonnel
℗ 2005 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Geri Allen, Piano, AssociatedPerformer - Steven Rhodes, Asst. Recording Engineer, StudioPersonnel - Charles Lloyd Quartet, MainArtist - Charles Lloyd, Composer, Producer, Tenor Saxophone, AssociatedPerformer - Robert Hurst, Double Bass, AssociatedPerformer - Eric Harland, Drums, Percussion, AssociatedPerformer - Ulysses Noriega, Assistant Mixer, StudioPersonnel - Talley Sherwood, Recording Engineer, Mix Engineer, StudioPersonnel - Manfred Eicher, Producer, Executive Producer
℗ 2005 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Geri Allen, Piano, AssociatedPerformer - Steven Rhodes, Asst. Recording Engineer, StudioPersonnel - Charles Lloyd Quartet, MainArtist - Charles Lloyd, Composer, Producer, Tenor Saxophone, AssociatedPerformer - Robert Hurst, Double Bass, AssociatedPerformer - Eric Harland, Drums, Percussion, AssociatedPerformer - Ulysses Noriega, Assistant Mixer, StudioPersonnel - Talley Sherwood, Recording Engineer, Mix Engineer, StudioPersonnel - Manfred Eicher, Producer, Executive Producer
℗ 2005 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Duke Ellington, ComposerLyricist - Geri Allen, Piano, AssociatedPerformer - Steven Rhodes, Asst. Recording Engineer, StudioPersonnel - Charles Lloyd Quartet, MainArtist - Charles Lloyd, Producer, Tenor Saxophone, AssociatedPerformer - Robert Hurst, Double Bass, AssociatedPerformer - Eric Harland, Drums, Percussion, AssociatedPerformer - Ulysses Noriega, Assistant Mixer, StudioPersonnel - Talley Sherwood, Recording Engineer, Mix Engineer, StudioPersonnel - Manfred Eicher, Producer, Executive Producer
℗ 2005 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Geri Allen, Piano, AssociatedPerformer - Steven Rhodes, Asst. Recording Engineer, StudioPersonnel - Charles Lloyd Quartet, MainArtist - Charles Lloyd, Composer, Producer, Tenor Saxophone, AssociatedPerformer - Robert Hurst, Double Bass, AssociatedPerformer - Eric Harland, Drums, Percussion, AssociatedPerformer - Ulysses Noriega, Assistant Mixer, StudioPersonnel - Talley Sherwood, Recording Engineer, Mix Engineer, StudioPersonnel - Manfred Eicher, Producer, Executive Producer
℗ 2005 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Geri Allen, Piano, AssociatedPerformer - Steven Rhodes, Asst. Recording Engineer, StudioPersonnel - Charles Lloyd Quartet, MainArtist - Charles Lloyd, Composer, Producer, Tenor Saxophone, AssociatedPerformer - Robert Hurst, Double Bass, AssociatedPerformer - Eric Harland, Drums, Percussion, AssociatedPerformer - Ulysses Noriega, Assistant Mixer, StudioPersonnel - Talley Sherwood, Recording Engineer, Mix Engineer, StudioPersonnel - Manfred Eicher, Producer, Executive Producer
℗ 2005 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Albumbeschreibung
Since making a middle-of-life comeback in the 1990s, saxophonist, composer, and bandleader Charles Lloyd has continually issued fascinating recordings. While some of them contain missteps, it's not for lack of ambition. For one of jazz's elder statesmen, Lloyd pushes his envelope of ideas about improvisation, rhythm and harmony, often to the breaking point. He is a player who sets sometimes impossibly high goals for himself, but in so doing, gives listeners something to really hold on to when encountering one of his albums or seeing him live. Jumping the Creek, which continues his association with ECM Records, is another compelling affair. The band -- pianist Geri Allen, bassist Robert Hurst and drummer Eric Harland -- is simply outstanding. Allen, particularly, hasn't shined on a record like this thus far this decade. Lloyd's compositional ideas here come from rhythmic phrases, small harmonic vamps and emotional thematics. Lloyd engages his quartet in various ways, sometimes in duets, sometimes trios, sometimes as a full band, often during the same composition. The whole quartet does engage fully on the 13-plus-minute opener "Ne Me Quitte Pas," with skeletal phrases becoming larger, striated harmonic statements as Allen uses both modal and post-bop concerns to flesh out the body of the tune. The saxophone/drums duet in "Ken Katta Ma Om," is an utterly lovely change-up that follows. The rest of the band doesn't even enter until halfway through. And Allen does this as a way of introducing a contrapuntal solo that touches upon both Andrew Hill and Lennie Tristano. The title track uses trio and quartet settings to explore the various tensions in melody. Lloyd is a master of moving from gorgeous, gently swinging balladry to blues-drenched free blowing, on a dime. "The Sufi's Tears" features Lloyd on taragato -- a soprano saxophone-like instrument used in Middle Eastern and Indian music. Accompanied only by Hurst's bowed bass, the mournful melody slips off into ether as improvisation wanders into the heart of the frame and remains. It's exotic and tight. "Georgia Bright Smile," is another long work in which the band changes configurations repeatedly in the course of its execution, winding around Lloyd's themes and Allen's painterly pianism. Hurst is particularly impressive here as he trades fours with Allen in his solo. Ultimately however, this, like Lloyd's other recordings on ECM is about emotion, feeling, and a sense of peace and serenity. Lloyd uses the rough places in his improvisations, to be sure, but it is only to make the rough places plain, limpid, utterly integrated in a serene whole. On Jumping the Creek he succeeds seamlessly and ups his own artistic ante.
© Thom Jurek /TiVo
Informationen zu dem Album
- 1 Disc(s) - 10 Track(s)
- Gesamte Laufzeit: 01:08:18
- Künstler: Charles Lloyd Quartet
- Komponist: Various Composers
- Label: ECM Records
- Genre: Jazz
© 2005 ECM Records GmbH ℗ 2005 ECM Records GmbH
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.