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Electronic|Feel Every Beat EP

Feel Every Beat EP

Electronic

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The idea of Sumner rapping must have seemed like a strange proposition before the release of Electronic's debut album, but so he did on this, the final track from the release as well as the final single that came from it. The single remix that starts things off pumps up some of the keyboards and lays the vocals back a touch more, but otherwise it faithfully reproduces the combination of shuffling Madchester beats, kicky, sharp Marr guitar, and easy grooving atmospheres. The drug references Sumner drops in his lyrics are a touch bemusing, but rather than trying to be a hip-hop badass he just talks things out in an engagingly rough way. Four further mixes appear on the disc, from varying sources. The "Tactile Mix" throws in some sassy funk/soul samples here and there; it's a slight transformation more than anything else, but it all flows nicely enough. The "Downstairs Mix," from the same two mixers, plays around with the same elements, but not to a noticeably different effect. Danny Rampling and Pete Lorimer tweak the "U.K. 12" remix" in their own winning style, not doing much but not wrecking anything either, while adding just enough quirky keyboards for taste. DNA, having done remix work for "Get the Message," returns with another two new tracks to fill out the corners. "Lean to the Inside" appears in instrumental form (or perhaps was always an instrumental); it's an okay enough plucked-string-touched effort, a bit like one of Simple Minds' own early instrumental pieces, if sprightlier. "Second to None," meanwhile, is an engaging, reflective number, with neat backing overdubs from Sumner and a nice chorus to recommend it.

© Ned Raggett /TiVo

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Feel Every Beat EP

Electronic

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1
Feel Every Beat (12'' Remix)
00:06:49

Johnny Marr, Composer, Producer, Guitar, Bass Guitar, Keyboards - BERNARD SUMNER, Composer, Producer, Keyboards, Vocals - Electronic, MainArtist - Danny Rampling, Remixer - PETE LORIMER, Remixer - James Spencer, Engineer

© 1990 Clear Productions Ltd. This label copy information is the subject of copyright protection. All rights reserved. (C) 2007 Parlophone Records Ltd ℗ 1990 The copyright in this sound recording is owned by Clear Productions Ltd under exclusive licence to EMI Records Ltd

2
Feel Every Beat (Tactile Mix)
00:05:58

Johnny Marr, Composer, Guitar, Keyboards, Writer, Bass - BERNARD SUMNER, Composer, Keyboards, Vocals, Writer - Electronic, Producer, MainArtist - Winston Jones, Production, Remixer - James Spencer, Engineer - Dave Shaw, Production, Remixer - David Adrlington, Mixer - Bob & Jazzy, Additional Drums

© 1990 Clear Productions Ltd. This label copy information is the subject of copyright protection. All rights reserved. (C) 2007 Parlophone Records Ltd ℗ 1990 The copyright in this sound recording is owned by Clear Productions Ltd under exclusive licence to EMI Records Ltd

3
Feel Every Beat (Downstairs Mix)
00:06:11

Johnny Marr, Composer, Guitar, Keyboards, Writer, Bass - BERNARD SUMNER, Composer, Keyboards, Vocals, Writer - Electronic, Producer, MainArtist - Winston Jones, Production, Remixer - James Spencer, Engineer - Dave Shaw, Production, Remixer - David Adrlington, Mixer - Bob & Jazzy, Additional Drums

© 1990 Clear Productions Ltd. This label copy information is the subject of copyright protection. All rights reserved. (C) 2007 Parlophone Records Ltd ℗ 1990 The copyright in this sound recording is owned by Clear Productions Ltd under exclusive licence to EMI Records Ltd

Albumbeschreibung

The idea of Sumner rapping must have seemed like a strange proposition before the release of Electronic's debut album, but so he did on this, the final track from the release as well as the final single that came from it. The single remix that starts things off pumps up some of the keyboards and lays the vocals back a touch more, but otherwise it faithfully reproduces the combination of shuffling Madchester beats, kicky, sharp Marr guitar, and easy grooving atmospheres. The drug references Sumner drops in his lyrics are a touch bemusing, but rather than trying to be a hip-hop badass he just talks things out in an engagingly rough way. Four further mixes appear on the disc, from varying sources. The "Tactile Mix" throws in some sassy funk/soul samples here and there; it's a slight transformation more than anything else, but it all flows nicely enough. The "Downstairs Mix," from the same two mixers, plays around with the same elements, but not to a noticeably different effect. Danny Rampling and Pete Lorimer tweak the "U.K. 12" remix" in their own winning style, not doing much but not wrecking anything either, while adding just enough quirky keyboards for taste. DNA, having done remix work for "Get the Message," returns with another two new tracks to fill out the corners. "Lean to the Inside" appears in instrumental form (or perhaps was always an instrumental); it's an okay enough plucked-string-touched effort, a bit like one of Simple Minds' own early instrumental pieces, if sprightlier. "Second to None," meanwhile, is an engaging, reflective number, with neat backing overdubs from Sumner and a nice chorus to recommend it.

© Ned Raggett /TiVo

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