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Bill Dixon|Vade Mecum

Vade Mecum

Bill Dixon

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The first of two volumes released from this session, Vade Mecum features this remarkably nimble and creative quartet under the direction of Bill Dixon. Not quite free improvisation, Dixon's compositions provide loose frameworks for the musicians, creating subtle structural spaces for the to investigate. In this sense, his work is akin to (and perhaps an updating of) Cecil Taylor's classic Conquistador!, on which Dixon participated. The expansiveness and airiness of the sound here is one of this record's most striking qualities. The two bassists, Guy and Parker, have very different but complimentary personae; the former fleet and inquisitive, the latter dark and probing. With the two of them occupying the middle ground, underpinned by Oxley's uniquely coloristic percussion, Dixon's flights have all the naturalness and unpredictability of a bird's. Vade Mecum II, released separately, arguably attains even greater heights than this recording, but both are vital documents representing the state of improvised music in the '90s.

© Brian Olewnick /TiVo

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Vade Mecum

Bill Dixon

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1
Moment
00:04:24

Barry Guy, AssociatedPerformer - William Parker, AssociatedPerformer - Tony Oxley, AssociatedPerformer - Bill Dixon, Composer, MainArtist, AssociatedPerformer - Metamorphosis Music, MusicPublisher - Giovanni Bonandrini, Producer

1994 Kepach Music S.r.l. 1994 Kepach Music S.r.l.

2
Anamorphosis
00:12:28

Barry Guy, AssociatedPerformer - William Parker, AssociatedPerformer - Tony Oxley, AssociatedPerformer - Bill Dixon, Composer, MainArtist, AssociatedPerformer - Metamorphosis Music, MusicPublisher - Giovanni Bonandrini, Producer

1994 Kepach Music S.r.l. 1994 Kepach Music S.r.l.

3
Viale Nino Bixio 20
00:09:16

Barry Guy, AssociatedPerformer - William Parker, AssociatedPerformer - Tony Oxley, AssociatedPerformer - Bill Dixon, Composer, MainArtist, AssociatedPerformer - Metamorphosis Music, MusicPublisher - Giovanni Bonandrini, Producer

1994 Kepach Music S.r.l. 1994 Kepach Music S.r.l.

4
Pellucity
00:09:04

Barry Guy, AssociatedPerformer - William Parker, AssociatedPerformer - Tony Oxley, AssociatedPerformer - Bill Dixon, Composer, MainArtist, AssociatedPerformer - Metamorphosis Music, MusicPublisher - Giovanni Bonandrini, Producer

1994 Kepach Music S.r.l. 1994 Kepach Music S.r.l.

5
Vade Mecum
00:15:51

Barry Guy, AssociatedPerformer - William Parker, AssociatedPerformer - Tony Oxley, AssociatedPerformer - Bill Dixon, Composer, MainArtist, AssociatedPerformer - Metamorphosis Music, MusicPublisher - Giovanni Bonandrini, Producer

1994 Kepach Music S.r.l. 1994 Kepach Music S.r.l.

6
Twice Upon A Time
00:13:12

Copyright Control, MusicPublisher - Barry Guy, AssociatedPerformer - William Parker, AssociatedPerformer - Tony Oxley, AssociatedPerformer - Bill Dixon, Composer, MainArtist, AssociatedPerformer - Giovanni Bonandrini, Producer

1994 Kepach Music S.r.l. 1994 Kepach Music S.r.l.

7
Acanthus
00:13:24

Barry Guy, AssociatedPerformer - William Parker, AssociatedPerformer - Tony Oxley, AssociatedPerformer - Bill Dixon, Composer, MainArtist, AssociatedPerformer - Metamorphosis Music, MusicPublisher - Giovanni Bonandrini, Producer

1994 Kepach Music S.r.l. 1994 Kepach Music S.r.l.

Album review

The first of two volumes released from this session, Vade Mecum features this remarkably nimble and creative quartet under the direction of Bill Dixon. Not quite free improvisation, Dixon's compositions provide loose frameworks for the musicians, creating subtle structural spaces for the to investigate. In this sense, his work is akin to (and perhaps an updating of) Cecil Taylor's classic Conquistador!, on which Dixon participated. The expansiveness and airiness of the sound here is one of this record's most striking qualities. The two bassists, Guy and Parker, have very different but complimentary personae; the former fleet and inquisitive, the latter dark and probing. With the two of them occupying the middle ground, underpinned by Oxley's uniquely coloristic percussion, Dixon's flights have all the naturalness and unpredictability of a bird's. Vade Mecum II, released separately, arguably attains even greater heights than this recording, but both are vital documents representing the state of improvised music in the '90s.

© Brian Olewnick /TiVo

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