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Tenebrae|Tomás Luis De Victoria: Tenebrae Responsories

Tomás Luis De Victoria: Tenebrae Responsories

Tenebrae & Nigel Short

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The 18 singers of the British choir Tenebrae make a lovely sound, pure, yet not so dispassionate as the larger cathedral choirs in the classic English style. They take their name from a (mostly former) Catholic service during the last three days of Holy Week, and their style beautifully fits the settings of these texts from the late 16th century. The contents of this album partly overlap with a Tenebrae release that also included settings by Carlo Gesualdo; both are excellent, and which one to pick probably depends on your attitude toward Gesualdo's comparatively overheated music. The set of Victoria responsories for Thursday, Friday, and Saturday make a persuasive group. Although Victoria's music, here as elsewhere, is somber in tone, his responsories are not overwhelming expressions of grief but rather musically profound structures. The music is harmonically rich, not chromatic like Gesualdo's but reflective of the text in countless different ways, with tension and meaning added, for example, by the artful delay of a cadence. The question of text and how it is treated would have been paramount for listeners of this period, and Tenebrae's performances get you into it. Maybe you should acquire both albums. The sound environment of London's St. Alban the Martyr church is both appropriate and well handled.
© TiVo

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Tomás Luis De Victoria: Tenebrae Responsories

Tenebrae

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1
Responsories for Maundy Thursday Nocturn 2: I. Amicus meus osculi me tradidit signa
00:03:00

Tomás Luis de Victoria, Composer - Nigel Short, Conductor - Tenebrae, MainArtist

(C) 2013 Signum Records (P) 2013 Signum Records

2
Responsories for Maundy Thursday Nocturn 2: II. Iudas mercator pessimus
00:02:24

Tomás Luis de Victoria, Composer - Nigel Short, Conductor - Tenebrae, MainArtist

(C) 2013 Signum Records (P) 2013 Signum Records

3
Responsories for Maundy Thursday Nocturn 2: III. Unus ex discipulis meis tradet me hodie
00:04:06

Tomás Luis de Victoria, Composer - Nigel Short, Conductor - Tenebrae, MainArtist

(C) 2013 Signum Records (P) 2013 Signum Records

4
Responsories for Maundy Thursday Nocturn 3: I. Eram quasi agnus innocens
00:03:30

Tomás Luis de Victoria, Composer - Nigel Short, Conductor - Tenebrae, MainArtist

(C) 2013 Signum Records (P) 2013 Signum Records

5
Responsories for Maundy Thursday Nocturn 3: II. Una hora non potuistis vigilare mecum
00:03:04

Tomás Luis de Victoria, Composer - Nigel Short, Conductor - Tenebrae, MainArtist

(C) 2013 Signum Records (P) 2013 Signum Records

6
Responsories for Maundy Thursday Nocturn 3: III. Seniores populi consilium fecerunt
00:05:43

Tomás Luis de Victoria, Composer - Nigel Short, Conductor - Tenebrae, MainArtist

(C) 2013 Signum Records (P) 2013 Signum Records

7
Responsories for Good Friday Nocturn 2: I. Tamquam ad latronem existis
00:03:42

Tomás Luis de Victoria, Composer - Nigel Short, Conductor - Tenebrae, MainArtist

(C) 2013 Signum Records (P) 2013 Signum Records

8
Responsories for Good Friday Nocturn 2: II. Tenebrae factae sunt
00:04:21

Tomás Luis de Victoria, Composer - Nigel Short, Conductor - Tenebrae, MainArtist

(C) 2013 Signum Records (P) 2013 Signum Records

9
Responsories for Good Friday Nocturn 2: III. Animam meam dilectam
00:08:14

Tomás Luis de Victoria, Composer - Nigel Short, Conductor - Tenebrae, MainArtist

(C) 2013 Signum Records (P) 2013 Signum Records

10
Responsories for Good Friday Nocturn 3: I. Tradiderunt me in manus impiorum
00:02:43

Tomás Luis de Victoria, Composer - Nigel Short, Conductor - Tenebrae, MainArtist

(C) 2013 Signum Records (P) 2013 Signum Records

11
Responsories for Good Friday Nocturn 3: II. lesum tradidit impius summis
00:02:55

Tomás Luis de Victoria, Composer - Nigel Short, Conductor - Tenebrae, MainArtist

(C) 2013 Signum Records (P) 2013 Signum Records

12
Responsories for Good Friday Nocturn 3: III. Caligaverunt oculi mei
00:06:32

Tomás Luis de Victoria, Composer - Nigel Short, Conductor - Tenebrae, MainArtist

(C) 2013 Signum Records (P) 2013 Signum Records

13
Responsories for Holy Saturday Nocturn 2: I. Recessit pastor noster
00:03:31

Tomás Luis de Victoria, Composer - Nigel Short, Conductor - Tenebrae, MainArtist

(C) 2013 Signum Records (P) 2013 Signum Records

14
Responsories for Holy Saturday Nocturn 2: II. O vos omnes
00:03:04

Tomás Luis de Victoria, Composer - Nigel Short, Conductor - Tenebrae, MainArtist

(C) 2013 Signum Records (P) 2013 Signum Records

15
Responsories for Holy Saturday Nocturn 2: III. Ecce quomodo moritur iustus 
00:05:29

Tomás Luis de Victoria, Composer - Nigel Short, Conductor - Tenebrae, MainArtist

(C) 2013 Signum Records (P) 2013 Signum Records

16
Responsories for Holy Saturday Nocturn 3: I. Astiterunt reges terrae
00:02:09

Tomás Luis de Victoria, Composer - Nigel Short, Conductor - Tenebrae, MainArtist

(C) 2013 Signum Records (P) 2013 Signum Records

17
Responsories for Holy Saturday Nocturn 3: II. Aestimatus sum cum descendentibus
00:02:44

Tomás Luis de Victoria, Composer - Nigel Short, Conductor - Tenebrae, MainArtist

(C) 2013 Signum Records (P) 2013 Signum Records

18
Responsories for Holy Saturday Nocturn 3: III. Sepulto Domino
00:04:41

Tomás Luis de Victoria, Composer - Nigel Short, Conductor - Tenebrae, MainArtist

(C) 2013 Signum Records (P) 2013 Signum Records

Album review

The 18 singers of the British choir Tenebrae make a lovely sound, pure, yet not so dispassionate as the larger cathedral choirs in the classic English style. They take their name from a (mostly former) Catholic service during the last three days of Holy Week, and their style beautifully fits the settings of these texts from the late 16th century. The contents of this album partly overlap with a Tenebrae release that also included settings by Carlo Gesualdo; both are excellent, and which one to pick probably depends on your attitude toward Gesualdo's comparatively overheated music. The set of Victoria responsories for Thursday, Friday, and Saturday make a persuasive group. Although Victoria's music, here as elsewhere, is somber in tone, his responsories are not overwhelming expressions of grief but rather musically profound structures. The music is harmonically rich, not chromatic like Gesualdo's but reflective of the text in countless different ways, with tension and meaning added, for example, by the artful delay of a cadence. The question of text and how it is treated would have been paramount for listeners of this period, and Tenebrae's performances get you into it. Maybe you should acquire both albums. The sound environment of London's St. Alban the Martyr church is both appropriate and well handled.
© TiVo

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