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Carl Barât|Carl Barât  (Deluxe Edition)

Carl Barât (Deluxe Edition)

Carl Barât

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After Dirty Pretty Things disbanded in late 2008, Carl Barat embarked on several projects, including the book Threepenny Memoir: The Lives of a Libertine and a stint in theater, both of which left their mark on his self-titled solo debut. Like his former bandmate Pete Doherty and the Last Shadow Puppets, Barat trades Paul Weller and Joe Strummer for Scott Walker, Kurt Weill, and Jacques Brel as his inspirations. It’s also a tried and true move for a rocker to show another side with an ambitious solo album filled with elaborate arrangements, and Carl Barat is no exception. Barat is still a huge romantic, but these slight songs lack the substance to support the grandiose treatments they get. “What Have I Done” is a love song that would be winsome if it wasn’t drowning in treacly strings and backing vocals, and though “She’s Something” starts off with simple acoustic strumming, it isn’t long before it’s overwhelmed too. This indulgence runs through nearly every track, whether it’s “The Magus”’ stiff cabaret or “Shadows Fall”’s lax, late-night groove. When Barat returns to his rock roots, the results are downright campy: the cleaned-up riffs and big brass on “Run With the Boys” makes the song sound like it’s from Barat! The Musical, and “Death Fires Burn at Night”’s industrial rock differs so much from what came before it that it sounds like it’s from a different album. Yet Carl Barat's most memorable moments, for better or worse, are its most flamboyant. “Je Regrette Je Regrette” adds more charm to Barat’s cabaret; “Carve My Name” exudes widescreen melodrama with lyrics like “Take away the poet’s pen/I’ll never speak of love again”; and “The Fall”'s toy pianos, strings, wilting roses, and windswept kisses are so over the top that they’re kind of brave. Barat has the talent to take his music in a different direction than what he did with Dirty Pretty Things and the Libertines, but he’s in way over his head here; that Carl Barat comes off as a pale imitation of what some of his contemporaries and former bandmates are doing just adds insult to injury.
© Heather Phares /TiVo

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Carl Barât (Deluxe Edition)

Carl Barât

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1
The Magus
00:03:16

Andrew Wyatt, Composer, Mixer - Copyright Control, MusicPublisher - Leo Abrahams, Producer - Carl Barât, Composer, Lyricist, Artist, MainArtist

2011 Arcardy Records 2011 Arcardy Records,under exclusive license to [PIAS] Recordings

2
Je Regrette, Je Regrette
00:03:06

Andrew Wyatt, Composer, Mixer - Copyright Control, MusicPublisher - Leo Abrahams, Producer - Carl Barât, Composer, Lyricist, Artist, MainArtist

2011 Arcardy Records 2011 Arcardy Records,under exclusive license to [PIAS] Recordings

3
She's Something
00:02:29

Andrew Wyatt, Mixer - Copyright Control, MusicPublisher - Leo Abrahams, Producer - Carl Barât, Composer, Lyricist, Artist, MainArtist - Findlay Brown, Composer

2011 Arcardy Records 2011 Arcardy Records,under exclusive license to [PIAS] Recordings

4
Carve My Name
00:04:34

Andrew Wyatt, Mixer - Copyright Control, MusicPublisher - Leo Abrahams, Producer - Carl Barât, Composer, Lyricist, Artist, MainArtist - Davey Raye Moore, Composer

2011 Arcardy Records 2011 Arcardy Records,under exclusive license to [PIAS] Recordings

5
Run With the Boys
00:03:24

Copyright Control, MusicPublisher - Carl Barât, Composer, Lyricist, Artist, MainArtist - Findlay Brown, Composer

2011 Arcardy Records 2011 Arcardy Records,under exclusive license to [PIAS] Recordings

6
The Fall
00:03:31

Copyright Control, MusicPublisher - Neil Hannon, Composer - Leo Abrahams, Producer - Carl Barât, Composer, Lyricist, Artist, MainArtist - Andy Tommasi, Mixer

2011 Arcardy Records 2011 Arcardy Records,under exclusive license to [PIAS] Recordings

7
So Long, My Lover
00:03:39

Andrew Wyatt, Mixer - Copyright Control, MusicPublisher - Leo Abrahams, Producer - Carl Barât, Composer, Lyricist, Artist, MainArtist

2011 Arcardy Records 2011 Arcardy Records,under exclusive license to [PIAS] Recordings

8
What Have I Done
00:03:42

Andrew Wyatt, Composer, Mixer - Copyright Control, MusicPublisher - Leo Abrahams, Producer - Carl Barât, Composer, Lyricist, Artist, MainArtist

2011 Arcardy Records 2011 Arcardy Records,under exclusive license to [PIAS] Recordings

9
Shadows Fall
00:04:16

Copyright Control, MusicPublisher - Leo Abrahams, Producer - Carl Barât, Composer, Lyricist, Artist, MainArtist - Andy Tommasi, Mixer

2011 Arcardy Records 2011 Arcardy Records,under exclusive license to [PIAS] Recordings

10
Ode to a Girl
00:03:59

Copyright Control, MusicPublisher - Leo Abrahams, Producer - Carl Barât, Composer, Lyricist, Artist, MainArtist - Andy Tommasi, Mixer

2011 Arcardy Records 2011 Arcardy Records,under exclusive license to [PIAS] Recordings

11
Death Fires Burn at Night
00:02:52

Copyright Control, MusicPublisher - Leo Abrahams, Producer, Mixer - Carl Barât, Composer, Lyricist, Artist, MainArtist

2011 Arcardy Records 2011 Arcardy Records,under exclusive license to [PIAS] Recordings

12
Grimaldi
00:03:23

Copyright Control, MusicPublisher - Peter Doherty, Composer - Leo Abrahams, Producer, Mixer - Carl Barât, Composer, Lyricist, Artist, MainArtist

2011 Arcardy Records 2011 Arcardy Records,under exclusive license to [PIAS] Recordings

13
This Is the Song
00:04:53

Copyright Control, MusicPublisher - Leo Abrahams, Producer, Mixer - Carl Barât, Composer, Lyricist, Artist, MainArtist

2011 Arcardy Records 2011 Arcardy Records,under exclusive license to [PIAS] Recordings

14
Sing for Your Supper
00:03:07

Copyright Control, MusicPublisher - Leo Abrahams, Producer, Mixer - Carl Barât, Artist, MainArtist - The Langley Sisters, Composer, Lyricist

2011 Arcardy Records 2011 Arcardy Records,under exclusive license to [PIAS] Recordings

15
She's Something (Live)
00:02:49

Copyright Control, MusicPublisher - Leo Abrahams, Producer - Carl Barât, Composer, Lyricist, Artist, MainArtist - Findlay Brown, Composer

2011 Arcardy Records 2011 Arcardy Records,under exclusive license to [PIAS] Recordings

16
So Long, My Lover (Live)
00:04:20

Copyright Control, MusicPublisher - Leo Abrahams, Producer - Carl Barât, Composer, Lyricist, Artist, MainArtist

2011 Arcardy Records 2011 Arcardy Records,under exclusive license to [PIAS] Recordings

17
Grimaldi (Live)
00:04:02

Copyright Control, MusicPublisher - Peter Doherty, Composer - Leo Abrahams, Producer - Carl Barât, Composer, Lyricist, Artist, MainArtist

2011 Arcardy Records 2011 Arcardy Records,under exclusive license to [PIAS] Recordings

18
Carve My Name (Live)
00:04:43

Copyright Control, MusicPublisher - Leo Abrahams, Producer - Carl Barât, Composer, Lyricist, Artist, MainArtist - Davey Raye Moore, Composer

2011 Arcardy Records 2011 Arcardy Records,under exclusive license to [PIAS] Recordings

Album review

After Dirty Pretty Things disbanded in late 2008, Carl Barat embarked on several projects, including the book Threepenny Memoir: The Lives of a Libertine and a stint in theater, both of which left their mark on his self-titled solo debut. Like his former bandmate Pete Doherty and the Last Shadow Puppets, Barat trades Paul Weller and Joe Strummer for Scott Walker, Kurt Weill, and Jacques Brel as his inspirations. It’s also a tried and true move for a rocker to show another side with an ambitious solo album filled with elaborate arrangements, and Carl Barat is no exception. Barat is still a huge romantic, but these slight songs lack the substance to support the grandiose treatments they get. “What Have I Done” is a love song that would be winsome if it wasn’t drowning in treacly strings and backing vocals, and though “She’s Something” starts off with simple acoustic strumming, it isn’t long before it’s overwhelmed too. This indulgence runs through nearly every track, whether it’s “The Magus”’ stiff cabaret or “Shadows Fall”’s lax, late-night groove. When Barat returns to his rock roots, the results are downright campy: the cleaned-up riffs and big brass on “Run With the Boys” makes the song sound like it’s from Barat! The Musical, and “Death Fires Burn at Night”’s industrial rock differs so much from what came before it that it sounds like it’s from a different album. Yet Carl Barat's most memorable moments, for better or worse, are its most flamboyant. “Je Regrette Je Regrette” adds more charm to Barat’s cabaret; “Carve My Name” exudes widescreen melodrama with lyrics like “Take away the poet’s pen/I’ll never speak of love again”; and “The Fall”'s toy pianos, strings, wilting roses, and windswept kisses are so over the top that they’re kind of brave. Barat has the talent to take his music in a different direction than what he did with Dirty Pretty Things and the Libertines, but he’s in way over his head here; that Carl Barat comes off as a pale imitation of what some of his contemporaries and former bandmates are doing just adds insult to injury.
© Heather Phares /TiVo

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