Hector Berlioz
Berlioz, the passionate, ardent, irrepressible genius of French Romanticism, left a rich and original oeuvre which exerted a profound influence on 19th century music. Berlioz developed a profound affinity toward music and literature as a child. Sent to Paris at 17 to study medicine, he was enchanted by Gluck's operas, firmly deciding to become a composer. With his father's reluctant consent, Berlioz entered the Paris Conservatoire in 1826. His originality was already apparent and disconcerting -- a competition cantata, Cléopâtre (1829), looms as his first sustained masterpiece -- and he won the Prix de Rome in 1830 amid the turmoil of the July Revolution. Meanwhile, a performance of Hamlet in September 1827, with Harriet Smithson as Ophelia, provoked an overwhelming but unrequited passion, whose aftermath may be heard in the Symphonie fantastique (1830).
Returning from Rome, Berlioz organized a concert in 1832, featuring his symphony. Harriet Smithson was in the audience. They were introduced days later and married on October 3, 1833.
Berlioz settled into a career pattern which he maintained for more than a decade, writing reviews, organizing concerts, and composing a series of visionary masterpieces: Harold en Italie (1834), the monumental Requiem (1837), and an opera, Benvenuto Cellini (1838), a crushing fiasco. At year's end, the dying Paganini made Berlioz a gift of 20,000 francs, enabling him to devote nearly a year to the composition of his "dramatic symphony," Roméo et Juliette (1839). And then, to commemorate the tenth anniversary of the July Revolution, came the Symphonie funèbre et triomphale (1840).
Iridescently scored, an exquisite collection of six Gautier settings, Les nuits d'été, opened the new decade. This was a difficult time for Berlioz, as his marriage failed to bring him the happiness he desired. Concert tours to Brussels, many German cities, Vienna, Pesth, Prague, and London occupied him through most of the 1840s. He composed La Damnation de Faust, en route, offering the new work to a half-empty house in Paris, December 6, 1846. Expenses were catastrophic, and only a successful concert tour to St. Petersburg saved him.
He sat out the revolutionary upheavals of 1848 in London, returning to Paris in July. The massive Te Deum -- a "little brother" to the Requiem -- was largely composed over 1849, though it would not be heard until 1855. L'Enfance du Christ, scored an immediate and enduring success from its first performance on December 10, 1854. Elected to the Institut de France in 1855, he started receiving a members' stipend, and this provided him with a modicum of financial security. Consequently, Berlioz was able to devote himself to the summa of his career, his vast opera, Les Troyens, based on Virgil's Aeneid, the Roman poet's unfinished epic masterpiece. The opera was completed in 1858. As he negotiated for its performance, he composed a comique adaptation of Shakespeare's Much Ado About Nothing, which met with a rapturous Baden première, on August 9, 1862. Unfortunately, only the third, fourth, and fifth acts of Les Troyens were mounted by the Théatre-Lyrique, a successful premiere, on November 4, 1863, and a run of 21 performances notwithstanding. This lopsided production stemmed from a compromise (bitterly regretted by the composer) that Berlioz had made with the Théâtre-Lyrique.
Though frail and ailing, Berlioz conducted his works in Vienna and Cologne in 1866, traveling to St. Petersburg and Moscow in the winter of 1867-1868. Despondent and tortured by self-doubt, the composer received a triumphant welcome in Russia. Back in Paris in March 1868, he was but a walking shadow as paralysis slowly overcame him.
© Adrian Corleonis /TiVo
-
Hector Berlioz
Classical - Released by Piros - Artyvoz on 29 Jan 2015
16-Bit CD Quality 44.1 kHz - Stereo -
Symphonie Fantastique for Orchestra, Overture to 'King Lear' for Orchestra
Classical - Released by Pipeline Music on 7 Jun 2006
16-Bit CD Quality 44.1 kHz - Stereo -
Berlioz: Symphony Fantastique, Op. 14 "Episode de la vie d'un artiste"
The Slovenia Philharmonic Orchestra, Hector Berlioz, Russian Music Society
Classical - Released by Russian Music Society on 21 Jan 2009
16-Bit CD Quality 44.1 kHz - Stereo -
Romeo And Juliet, Op. 17 Dramatic Symphony
Rosalind Elias, Hector Berlioz, Charles Munch, Boston Symphony Orchestra, New England Conservatory Chorus, Cesare Velletti
Classical - Released by Music Manager on 23 Jan 2013
16-Bit CD Quality 44.1 kHz - Stereo -
Berlioz: Symphonie fantastique / Ravel: Pavane & Bolero [1960]
Leningrad Philharmonic Orchestra
Classical - Released by Classical Moments on 26 Mar 2015
16-Bit CD Quality 44.1 kHz - Stereo -
El Romanticismo Berlioz - Liszt
Orquesta Filarmónica Eslovaca, Orquesta Sinfónica De Radio Bratislava, Mirka Pokorná
Classical - Released by JamadaDigital on 2 Dec 2014
16-Bit CD Quality 44.1 kHz - Stereo -
Clásicas del Milenio. Sinfonía Fantástic
Orquesta Sinfónica de Slovaquia
Classical - Released by Piros - Send on 15 Mar 2014
16-Bit CD Quality 44.1 kHz - Stereo -
Russian Piano School: Nikolai Petrov
Classical - Released by Russian Compact Disc on 2 Jul 1995
16-Bit CD Quality 44.1 kHz - Stereo -
2017-2018樂季昆明聶耳交響樂團開幕音樂會
Classical - Released by Classical Music on 1 Sep 2017
16-Bit CD Quality 44.1 kHz - Stereo -
Berlioz: Benvenuto Cellini Overture - Symphonie fantastique
Radio Symphony Orchestra Ljubljana, South German Philharmonic Orchestra, Alberto Lizzio
Classical - Released by Int - Bertus on 3 Oct 2016
16-Bit CD Quality 44.1 kHz - Stereo -
Luxe Classics. Concierto Brandenburgo
Classical - Released by Piros Comercial Digital on 16 Feb 2014
16-Bit CD Quality 44.1 kHz - Stereo -
Berlioz: Excerpts from the Damnation of Faust
The New Symphony Orchestra of London, Alexander Gibson
Classical - Released by Violet Hill Records on 6 Jun 2012
16-Bit CD Quality 44.1 kHz - Stereo -
Berlioz: L'enfance du Christ
The Goldsbrough Orchestra, The St. Anthony Singers, Sir Colin Davis
Classical - Released by Sunday Club Records on 23 Dec 2013
16-Bit CD Quality 44.1 kHz - Stereo -
The Best of Berlioz (Remastered)
Miscellaneous - Released by Classic Records Ltd. on 27 Apr 2018
16-Bit CD Quality 44.1 kHz - Stereo -
Berlioz: Symphonie Fantastique, Op. 14
Constantin Silvestri, The Paris Conservatoire Orchestra
Symphonic Music - Released by Sunday Club Records on 28 Feb 2014
16-Bit CD Quality 44.1 kHz - Stereo -
Berlioz: Overture, 'Le Corsaire', Op. 21
Thomas Beecham, Royal Philharmonic Orchestra
Classical - Released by Sunday Club Records on 25 Nov 2013
16-Bit CD Quality 44.1 kHz - Stereo -
Berlioz Overtures Vol. 1
Sir Adrian Boult, London Philharmonic Orchestra
Classical - Released by Sunday Club Records on 12 Mar 2014
16-Bit CD Quality 44.1 kHz - Stereo -
Berlioz: Menuet des Follets from "La Damnation de Faust"
Thomas Beecham, Royal Philharmonic Orchestra
Classical - Released by Sunday Club Records on 18 Nov 2013
16-Bit CD Quality 44.1 kHz - Stereo -
Berlioz - Roman Carnival Overture, Op. 9
The Orchestra of the Teatro Communale of Bologna , Arturo Basile
Classical - Released by Violet Hill Records on 21 May 2012
16-Bit CD Quality 44.1 kHz - Stereo -
Berlioz: Overture, "Le Carnaval Romain", Op. 9
Royal Philharmonic Orchestra, Malcolm Sargent
Classical - Released by Violet Hill Records on 18 May 2012
16-Bit CD Quality 44.1 kHz - Stereo