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Dave Douglas|Witness

Witness

Dave Douglas

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One of the things that makes Dave Douglas such a compelling voice in avant-garde jazz is his open-mindedness. The New York-based trumpeter has made a point of exposing himself to a wide variety of music -- everything from Lester Bowie's innovations to classical to East European folk -- and his willingness to be influenced by so many different things has made for a lot of fresh, adventurous albums. Witness is no exception; this 2001 release finds the jazzman being affected by classical as well as Middle Eastern and North African music. This CD offers a continuous nine-part suite that was inspired by different political figures in various parts of the world, although Douglas doesn't get on the microphone and turn Witness into an album of protest songs à la Joan Baez, Ice-T, Bob Marley, or Rage Against the Machine; in fact, the disc is mostly instrumental. Nonetheless, Douglas was thinking of these political figures when he did the composing, and they range from Bangladeshi poet Taslima Nasrin on "Episode for Taslima Nasrin" to Egyptian doctor Nawal El Saadawi on "Woman at Point Zero." Do you have to know anything about these people to appreciate Witness? Absolutely not; you don't have to know anything about Douglas' political beliefs (or even agree with all of them) to be moved by this CD. The trumpeter's melodies and improvisations are substantial regardless of how much you know or don't know about his politics. One track that isn't instrumental is the haunting "Mahfouz," which boasts a spoken-word performance by Tom Waits. Some myopic jazz snobs might be offended that Douglas would feature a pop/rock artist, but that's their problem; the trumpeter is about openness, not dogma, and featuring Waits isn't out of character for him. Witness is yet another album that Douglas can be proud of.

© Alex Henderson /TiVo

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Witness

Dave Douglas

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1
Ruckus
00:04:45

Joe Ferla, Assistant Producer - Joe Ferla, Recording Engineer - Joe Ferla, Mixing Engineer - Ross Petersen, 2nd Engineer - Joe Daley, Tube - Tony Gorman, 2nd Engineer - Bryan Carrott, Vibraphone - Drew Gress, Bass - Peter Doris, 2nd Engineer - Erik Friedlander, Acoustic Cello - Jamie Saft, 2nd Engineer - Joshua Roseman, Trombone - Chris Speed, Clarinet - Dave Douglas, Composer - Dave Douglas, Producer - Dave Douglas, Trumpet - Michael Sarin, Drums - Mark Feldman, Violin - Yuka Honda, Percussion - Ikue Mori, Performer - Suzy Barros, 2nd Engineer

(P) 2001 BMG Music

2
Witness
00:08:16

Joe Ferla, Assistant Producer - Joe Ferla, Recording Engineer - Joe Ferla, Mixing Engineer - Ross Petersen, 2nd Engineer - Joe Daley, Tube - Tony Gorman, 2nd Engineer - Bryan Carrott, Vibraphone - Drew Gress, Bass - Peter Doris, 2nd Engineer - Erik Friedlander, Acoustic Cello - Chris Speed, Clarinet - Dave Douglas, Composer - Dave Douglas, Producer - Dave Douglas, Trumpet - Michael Sarin, Drums - Mark Feldman, Violin - Ikue Mori, Performer - Suzy Barros, 2nd Engineer

(P) 2001 BMG Music

3
One More News
00:03:03

Joe Ferla, Assistant Producer - Joe Ferla, Recording Engineer - Joe Ferla, Mixing Engineer - Ross Petersen, 2nd Engineer - Joe Daley, Tube - Tony Gorman, 2nd Engineer - Bryan Carrott, Vibraphone - Drew Gress, Bass - Peter Doris, 2nd Engineer - Erik Friedlander, Acoustic Cello - Chris Speed, Clarinet - Dave Douglas, Composer - Dave Douglas, Producer - Dave Douglas, Trumpet - Michael Sarin, Drums - Mark Feldman, Violin - Ikue Mori, Performer - Suzy Barros, 2nd Engineer

(P) 2001 BMG Music

4
Woman at Point Zero
00:07:41

Joe Ferla, Assistant Producer - Joe Ferla, Recording Engineer - Joe Ferla, Mixing Engineer - Ross Petersen, 2nd Engineer - Joe Daley, Tube - Tony Gorman, 2nd Engineer - Bryan Carrott, Vibraphone - Drew Gress, Bass - Peter Doris, 2nd Engineer - Erik Friedlander, Acoustic Cello - Joshua Roseman, Trombone - Chris Speed, Clarinet - Dave Douglas, Composer - Dave Douglas, Producer - Dave Douglas, Trumpet - Michael Sarin, Drums - Mark Feldman, Violin - Ikue Mori, Performer - Suzy Barros, 2nd Engineer

(P) 2001 BMG Music

5
Kidnapping Kissinger
00:03:03

Joe Ferla, Assistant Producer - Joe Ferla, Recording Engineer - Joe Ferla, Mixing Engineer - Ross Petersen, 2nd Engineer - Joe Daley, Tube - Tony Gorman, 2nd Engineer - Bryan Carrott, Vibraphone - Drew Gress, Bass - Peter Doris, 2nd Engineer - Erik Friedlander, Acoustic Cello - Chris Speed, Clarinet - Dave Douglas, Composer - Dave Douglas, Producer - Dave Douglas, Trumpet - Michael Sarin, Drums - Mark Feldman, Violin - Ikue Mori, Performer - Suzy Barros, 2nd Engineer

(P) 2001 BMG Music

6
Mahfouz
00:23:56

Ross Petersen, 2nd Engineer - Suzy Barros, 2nd Engineer - Chris Speed, Clarinet - Jamie Saft, 2nd Engineer - Ikue Mori, Performer - Dave Douglas, Composer - Dave Douglas, Producer - Dave Douglas, Trumpet - Tony Gorman, 2nd Engineer - Joe Daley, Tube - Joe Ferla, Assistant Producer - Joe Ferla, Recording Engineer - Joe Ferla, Mixing Engineer - Tom Waits, Vocal - Bryan Carrott, Vibraphone - Michael Sarin, Drums - Yuka Honda, Percussion - Peter Doris, 2nd Engineer - Erik Friedlander, Acoustic Cello - Joshua Roseman, Trombone - Drew Gress, Bass - Mark Feldman, Violin

(P) 2001 BMG Music

7
Episode for Taslima Nasrin
00:04:44

Joe Ferla, Assistant Producer - Joe Ferla, Recording Engineer - Joe Ferla, Mixing Engineer - Ross Petersen, 2nd Engineer - Joe Daley, Tube - Tony Gorman, 2nd Engineer - Bryan Carrott, Vibraphone - Drew Gress, Bass - Peter Doris, 2nd Engineer - Erik Friedlander, Acoustic Cello - Chris Speed, Clarinet - Dave Douglas, Composer - Dave Douglas, Producer - Dave Douglas, Trumpet - Michael Sarin, Drums - Mark Feldman, Violin - Ikue Mori, Performer - Suzy Barros, 2nd Engineer

(P) 2001 BMG Music

8
Child of All Nations
00:07:17

Joe Ferla, Assistant Producer - Joe Ferla, Recording Engineer - Joe Ferla, Mixing Engineer - Ross Petersen, 2nd Engineer - Joe Daley, Tube - Tony Gorman, 2nd Engineer - Bryan Carrott, Vibraphone - Drew Gress, Bass - Peter Doris, 2nd Engineer - Erik Friedlander, Acoustic Cello - Chris Speed, Clarinet - Dave Douglas, Producer - Dave Douglas, Composer - Dave Douglas, Trumpet - Michael Sarin, Drums - Mark Feldman, Violin - Ikue Mori, Performer - Suzy Barros, 2nd Engineer

(P) 2001 BMG Music

9
Sozaboy
00:04:02

Joe Ferla, Assistant Producer - Joe Ferla, Recording Engineer - Joe Ferla, Mixing Engineer - Ross Petersen, 2nd Engineer - Joe Daley, Tube - Tony Gorman, 2nd Engineer - Bryan Carrott, Vibraphone - Drew Gress, Bass - Peter Doris, 2nd Engineer - Erik Friedlander, Acoustic Cello - Joshua Roseman, Trombone - Chris Speed, Clarinet - Dave Douglas, Composer - Dave Douglas, Producer - Dave Douglas, Trumpet - Michael Sarin, Drums - Mark Feldman, Violin - Ikue Mori, Performer - Suzy Barros, 2nd Engineer

(P) 2001 BMG Music

Album review

One of the things that makes Dave Douglas such a compelling voice in avant-garde jazz is his open-mindedness. The New York-based trumpeter has made a point of exposing himself to a wide variety of music -- everything from Lester Bowie's innovations to classical to East European folk -- and his willingness to be influenced by so many different things has made for a lot of fresh, adventurous albums. Witness is no exception; this 2001 release finds the jazzman being affected by classical as well as Middle Eastern and North African music. This CD offers a continuous nine-part suite that was inspired by different political figures in various parts of the world, although Douglas doesn't get on the microphone and turn Witness into an album of protest songs à la Joan Baez, Ice-T, Bob Marley, or Rage Against the Machine; in fact, the disc is mostly instrumental. Nonetheless, Douglas was thinking of these political figures when he did the composing, and they range from Bangladeshi poet Taslima Nasrin on "Episode for Taslima Nasrin" to Egyptian doctor Nawal El Saadawi on "Woman at Point Zero." Do you have to know anything about these people to appreciate Witness? Absolutely not; you don't have to know anything about Douglas' political beliefs (or even agree with all of them) to be moved by this CD. The trumpeter's melodies and improvisations are substantial regardless of how much you know or don't know about his politics. One track that isn't instrumental is the haunting "Mahfouz," which boasts a spoken-word performance by Tom Waits. Some myopic jazz snobs might be offended that Douglas would feature a pop/rock artist, but that's their problem; the trumpeter is about openness, not dogma, and featuring Waits isn't out of character for him. Witness is yet another album that Douglas can be proud of.

© Alex Henderson /TiVo

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