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The Golden Palominos|Visions of Excess

Visions of Excess

The Golden Palominos

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The first in a long series of about-faces and left turns, Visions of Excess forgoes the noise-funk of the Golden Palominos' debut in favor of more pop-oriented material and staggering lineup of underground luminaries. Built around a nucleus of Anton Fier, bassist Bill Laswell, guitarist Jody Harris, and keyboardist Bernie Worrell, the album recruits vocalists from Jack Bruce to John Lydon to, most impressively, Michael Stipe, who turns in striking performances on the opening "Boy (Go)" (featuring guitarist Richard Thompson), the Jefferson Airplane-like "Clustering Train," and a cover of Moby Grape's "Omaha." The real find of the record is singer Syd Straw, who makes her debut on the lovely "(Kind of) True" and "Buenos Aires" and more than holds her own with the big guns.

© Jason Ankeny /TiVo

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Visions of Excess

The Golden Palominos

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1
Boy (Go)
00:05:27

The Golden Palominos, Artist, MainArtist

2001 Interra Music Publishing 2001 CineVu/NuMedia

2
Clustering Train
00:06:06

The Golden Palominos, Artist, MainArtist

2001 Interra Music Publishing 2001 CineVu/NuMedia

3
Omaha
00:03:09

The Golden Palominos, Artist, MainArtist

2001 Interra Music Publishing 2001 CineVu/NuMedia

4
The Animal Speaks
00:04:07

The Golden Palominos, Artist, MainArtist

2001 Interra Music Publishing 2001 CineVu/NuMedia

5
Silver Bullet
00:05:08

The Golden Palominos, Artist, MainArtist

2001 Interra Music Publishing 2001 CineVu/NuMedia

6
(Kind of) True
00:04:41

The Golden Palominos, Artist, MainArtist

2001 Interra Music Publishing 2001 CineVu/NuMedia

7
Buenos Aires
00:03:47

The Golden Palominos, Artist, MainArtist

2001 Interra Music Publishing 2001 CineVu/NuMedia

8
Only One Party
00:04:31

The Golden Palominos, Artist, MainArtist

2001 Interra Music Publishing 2001 CineVu/NuMedia

Album review

The first in a long series of about-faces and left turns, Visions of Excess forgoes the noise-funk of the Golden Palominos' debut in favor of more pop-oriented material and staggering lineup of underground luminaries. Built around a nucleus of Anton Fier, bassist Bill Laswell, guitarist Jody Harris, and keyboardist Bernie Worrell, the album recruits vocalists from Jack Bruce to John Lydon to, most impressively, Michael Stipe, who turns in striking performances on the opening "Boy (Go)" (featuring guitarist Richard Thompson), the Jefferson Airplane-like "Clustering Train," and a cover of Moby Grape's "Omaha." The real find of the record is singer Syd Straw, who makes her debut on the lovely "(Kind of) True" and "Buenos Aires" and more than holds her own with the big guns.

© Jason Ankeny /TiVo

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