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Carolyn Sampson|Trennung: Songs of Separation

Trennung: Songs of Separation

Carolyn Sampson and Kristian Bezuidenhout

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This is a well conceived album that has clearly been subject to a thorough editorial process. Not content with having recorded over 100 vocal pieces, soprano Carolyn Sampson is stepping away from her global limelight to join Kristian Bezuidenhout (an inconspicuous pianofortist who is nevertheless still very active in terms of recordings and concerts, whether as a soloist or with best early music ensembles of the moment). Together, they’ve created an incredibly original programme based on separation and departure songs from the 18th century, a time period when a loved one’s absence could last for a long time, if not forever. This album has provided the perfect opportunity for these two curious minds to discover delightful, unknown pieces written by gifted composers who’ve remained hidden in the folds of time. They’re the perfect accompaniment to the safe and timeless works of Mozart and Haydn.


Their recording begins with a beautifully crafted hybrid work: a 12-minute long mini-opera by August Bernhard Valentin Herbing, a widely unknown assistant organist at Magdeburg Cathedral. Montan und Lalage tells the story of an eternal love that takes a wrong turn. This is a score which alternates between recitative, song, and piano interlude to perfectly capture exasperated sighs and existential questioning.

Melancholy is the main vehicle of expression for the songs by Friedrich Gottlob Fleischer and Christian Michael Wolff. The feelings that come with being separated from lovers and friends is what this sensitive catalogue aims to address, and this is perfectly expressed through Mozart and Haydn’s Lieder. A particular stand-out piece is their very moving interpretation of the cantata Arianna a Naxos in four parts; the perfect way to close this beautifully delicate collection of small, yet powerful, innately human dramas. © François Hudry/Qobuz

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Trennung: Songs of Separation

Carolyn Sampson

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Musikalischer Versuch (August Bernhard Valentin Herbing)

1
No. 3, Montan und Lalage
00:12:23

Andrew Mellor, Producer, SoundEngineer - Kristian Bezuidenhout, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Christian Fürchtegott Gellert, Lyricist - August Bernhard Valentin Herbing, Composer

2022 BIS 2022 (P) BIS

2
Das Lied der Trennung, K. 519
00:06:34

Wolfgang Amadeus Mozart, Composer - Andrew Mellor, Producer, SoundEngineer - Kristian Bezuidenhout, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Klamer Eberhard Karl Schmidt, Lyricist

2022 BIS 2022 (P) BIS

3
An den Schlaf
00:04:24

Andrew Mellor, Producer, SoundEngineer - Kristian Bezuidenhout, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Johann Wilhelm Ludwig Gleim, Lyricist - Friedrich Gottlob Fleischer, Composer

2022 BIS 2022 (P) BIS

4
An Chloe, K. 524
00:02:32

Wolfgang Amadeus Mozart, Composer - Andrew Mellor, Producer, SoundEngineer - Kristian Bezuidenhout, MainArtist, AssociatedPerformer - Johann Georg Jacobi, Lyricist - Carolyn Sampson, MainArtist, AssociatedPerformer

2022 BIS 2022 (P) BIS

5
Als Luise die Briefe, K. 520
00:01:44

Wolfgang Amadeus Mozart, Composer - Andrew Mellor, Producer, SoundEngineer - Kristian Bezuidenhout, MainArtist, AssociatedPerformer - Gabriele von Baumberg, Lyricist - Carolyn Sampson, MainArtist, AssociatedPerformer

2022 BIS 2022 (P) BIS

6
Abendempfindung, K. 523
00:04:42

Wolfgang Amadeus Mozart, Composer - Andrew Mellor, Producer, SoundEngineer - Kristian Bezuidenhout, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Joachim Heinrich Campe, Lyricist

2022 BIS 2022 (P) BIS

7
An das Clavier
00:06:42

Andrew Mellor, Producer, SoundEngineer - Kristian Bezuidenhout, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Christian Michael Wolff, Composer - Henriette Ernestine von Hagen, Lyricist

2022 BIS 2022 (P) BIS

8
Das Clavier
00:02:57

Andrew Mellor, Producer, SoundEngineer - Kristian Bezuidenhout, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Friedrich Gottlob Fleischer, Composer - Justus Friedrich Wilhelm Zachariae, Lyricist

2022 BIS 2022 (P) BIS

9
Der Verlassene, Hob. XXVIa:5
00:04:41

Franz Joseph Haydn, Composer - Andrew Mellor, Producer, SoundEngineer - Kristian Bezuidenhout, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Lorenz Leopold Haschka, Lyricist

2022 BIS 2022 (P) BIS

10
Vergiß mein nicht, Hob. XXVIa:46 (Antwort auf die Frage eines Mädchens)
00:03:41

Franz Joseph Haydn, Composer - Andrew Mellor, Producer, SoundEngineer - Kristian Bezuidenhout, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer

2022 BIS 2022 (P) BIS

11
Das Leben ist ein Traum, Hob. XXVIa:21
00:03:35

Franz Joseph Haydn, Composer - Andrew Mellor, Producer, SoundEngineer - Kristian Bezuidenhout, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Johann Wilhelm Ludwig Gleim, Lyricist

2022 BIS 2022 (P) BIS

Arianna a Naxos, Hob. XXVIb:2 (Joseph Haydn)

12
No. 1, Teseo mio ben
00:06:10

Franz Joseph Haydn, Composer - Andrew Mellor, Producer, SoundEngineer - Kristian Bezuidenhout, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer

2022 BIS 2022 (P) BIS

13
No. 2, Dove sei, mio bel tesoro?
00:04:25

Franz Joseph Haydn, Composer - Andrew Mellor, Producer, SoundEngineer - Kristian Bezuidenhout, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer

2022 BIS 2022 (P) BIS

14
No. 3, Ma, a chi parlo?
00:04:01

Franz Joseph Haydn, Composer - Andrew Mellor, Producer, SoundEngineer - Kristian Bezuidenhout, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer

2022 BIS 2022 (P) BIS

15
No. 4, Ah! Che morir vorrei
00:04:00

Franz Joseph Haydn, Composer - Andrew Mellor, Producer, SoundEngineer - Kristian Bezuidenhout, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer

2022 BIS 2022 (P) BIS

Album review

This is a well conceived album that has clearly been subject to a thorough editorial process. Not content with having recorded over 100 vocal pieces, soprano Carolyn Sampson is stepping away from her global limelight to join Kristian Bezuidenhout (an inconspicuous pianofortist who is nevertheless still very active in terms of recordings and concerts, whether as a soloist or with best early music ensembles of the moment). Together, they’ve created an incredibly original programme based on separation and departure songs from the 18th century, a time period when a loved one’s absence could last for a long time, if not forever. This album has provided the perfect opportunity for these two curious minds to discover delightful, unknown pieces written by gifted composers who’ve remained hidden in the folds of time. They’re the perfect accompaniment to the safe and timeless works of Mozart and Haydn.


Their recording begins with a beautifully crafted hybrid work: a 12-minute long mini-opera by August Bernhard Valentin Herbing, a widely unknown assistant organist at Magdeburg Cathedral. Montan und Lalage tells the story of an eternal love that takes a wrong turn. This is a score which alternates between recitative, song, and piano interlude to perfectly capture exasperated sighs and existential questioning.

Melancholy is the main vehicle of expression for the songs by Friedrich Gottlob Fleischer and Christian Michael Wolff. The feelings that come with being separated from lovers and friends is what this sensitive catalogue aims to address, and this is perfectly expressed through Mozart and Haydn’s Lieder. A particular stand-out piece is their very moving interpretation of the cantata Arianna a Naxos in four parts; the perfect way to close this beautifully delicate collection of small, yet powerful, innately human dramas. © François Hudry/Qobuz

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