Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
Australian conductor Graham O'Reilly founded Ensemble européen William Byrd in France in 1990 to perform Thomas Tallis' 40-part motet, Spem in alium, and the group has gone on to specialize in the music of the Renaissance and Baroque, with emphasis on 17th century repertoire. This album is a fascinating demonstration of the variety of styles Tallis adopted in his Latin sacred music during the reigns of the monarchs (Henry VII, Edward VI, Mary I, and Elizabeth I) who ruled during his career. Not surprisingly, he produced most of his Latin liturgical music during Henry's reign, before it became apparent that the Anglican schism would necessarily result in a repudiation of the culture as well as the authority of Rome, and during Mary's reign, when the church was again supportive of majestic and elaborate polyphony. The 17-minute Marian antiphon, Gaude gloriosa Dei Mater, which Tallis may have written for Mary's coronation in 1553, is an extravagantly melismatic, dense contrapuntal thicket that requires considerable concentration to follow. In the far more accessible Respond: Loqubantur variis linguis, Audivi vocem de caelo, Dum transisset Sabbatum, the polyphony is punctuated by sections of solo plainchant. The singers perform these a cappella works with exceptional focus, intensity, and crystal-clear intonation; when they land on a major chord, the effect is like a ray of sunlight breaking through clouds. The pieces are performed with one singer per part, so the lines are distinct, the harmonies (which are sometimes intriguingly odd) are easy to hear, and the balance is good. The singers' tone, individually and when blended, is consistently open, sweet, and pure. O'Reilly has stated that even within the period practice movement, vocal music is often performed with too much Romantic expressiveness, and his approach to the music can sound austere to ears accustomed to more emotive performances. For fans of the repertoire and other adventurous listeners, his uncompromising take on this music can be bracing, but it is not conducive to casual listening. Passacaille's sound is clear, clean, and natural sounding.
© TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From £10.83/month
Thomas Tallis, Composer - Ensemble européen William Byrd, Ensemble, MainArtist - Graham O'Reilly, Conductor
(C) 2009 Passacaille 963 (P) 2009 Passacaille 963
Thomas Tallis, Composer - Ensemble européen William Byrd, MainArtist - Graham O'Reilly, Conductor
(C) 2009 Passacaille 963 (P) 2009 Passacaille 963
Thomas Tallis, Composer - Ensemble européen William Byrd, MainArtist - Graham O'Reilly, Conductor
(C) 2009 Passacaille 963 (P) 2009 Passacaille 963
Thomas Tallis, Composer - Ensemble européen William Byrd, MainArtist - Graham O'Reilly, Conductor
(C) 2009 Passacaille 963 (P) 2009 Passacaille 963
Thomas Tallis, Composer - Ensemble européen William Byrd, MainArtist - Graham O'Reilly, Conductor
(C) 2009 Passacaille 963 (P) 2009 Passacaille 963
Thomas Tallis, Composer - Ensemble européen William Byrd, MainArtist - Graham O'Reilly, Conductor
(C) 2009 Passacaille 963 (P) 2009 Passacaille 963
Thomas Tallis, Composer - Ensemble européen William Byrd, MainArtist - Graham O'Reilly, Conductor
(C) 2009 Passacaille 963 (P) 2009 Passacaille 963
Thomas Tallis, Composer - Ensemble européen William Byrd, MainArtist - Graham O'Reilly, Conductor
(C) 2009 Passacaille 963 (P) 2009 Passacaille 963
Thomas Tallis, Composer - Ensemble européen William Byrd, MainArtist - Graham O'Reilly, Conductor
(C) 2009 Passacaille 963 (P) 2009 Passacaille 963
Thomas Tallis, Composer - Ensemble européen William Byrd, MainArtist - Graham O'Reilly, Conductor
(C) 2009 Passacaille 963 (P) 2009 Passacaille 963
Thomas Tallis, Composer - Ensemble européen William Byrd, MainArtist - Graham O'Reilly, Conductor
(C) 2009 Passacaille 963 (P) 2009 Passacaille 963
Thomas Tallis, Composer - Ensemble européen William Byrd, MainArtist - Graham O'Reilly, Conductor
(C) 2009 Passacaille 963 (P) 2009 Passacaille 963
Thomas Tallis, Composer - Ensemble européen William Byrd, MainArtist - Graham O'Reilly, Conductor
(C) 2009 Passacaille 963 (P) 2009 Passacaille 963
Thomas Tallis, Composer - Ensemble européen William Byrd, MainArtist - Graham O'Reilly, Conductor
(C) 2009 Passacaille 963 (P) 2009 Passacaille 963
Thomas Tallis, Composer - Ensemble européen William Byrd, MainArtist - Graham O'Reilly, Conductor
(C) 2009 Passacaille 963 (P) 2009 Passacaille 963
Album review
Australian conductor Graham O'Reilly founded Ensemble européen William Byrd in France in 1990 to perform Thomas Tallis' 40-part motet, Spem in alium, and the group has gone on to specialize in the music of the Renaissance and Baroque, with emphasis on 17th century repertoire. This album is a fascinating demonstration of the variety of styles Tallis adopted in his Latin sacred music during the reigns of the monarchs (Henry VII, Edward VI, Mary I, and Elizabeth I) who ruled during his career. Not surprisingly, he produced most of his Latin liturgical music during Henry's reign, before it became apparent that the Anglican schism would necessarily result in a repudiation of the culture as well as the authority of Rome, and during Mary's reign, when the church was again supportive of majestic and elaborate polyphony. The 17-minute Marian antiphon, Gaude gloriosa Dei Mater, which Tallis may have written for Mary's coronation in 1553, is an extravagantly melismatic, dense contrapuntal thicket that requires considerable concentration to follow. In the far more accessible Respond: Loqubantur variis linguis, Audivi vocem de caelo, Dum transisset Sabbatum, the polyphony is punctuated by sections of solo plainchant. The singers perform these a cappella works with exceptional focus, intensity, and crystal-clear intonation; when they land on a major chord, the effect is like a ray of sunlight breaking through clouds. The pieces are performed with one singer per part, so the lines are distinct, the harmonies (which are sometimes intriguingly odd) are easy to hear, and the balance is good. The singers' tone, individually and when blended, is consistently open, sweet, and pure. O'Reilly has stated that even within the period practice movement, vocal music is often performed with too much Romantic expressiveness, and his approach to the music can sound austere to ears accustomed to more emotive performances. For fans of the repertoire and other adventurous listeners, his uncompromising take on this music can be bracing, but it is not conducive to casual listening. Passacaille's sound is clear, clean, and natural sounding.
© TiVo
About the album
- 1 disc(s) - 15 track(s)
- Total length: 01:10:12
- Main artists: Ensemble européen William Byrd
- Composer: Thomas Tallis
- Label: Passacaille
- Genre: Classical
(C) 2009 Passacaille 963 (P) 2009 Passacaille 963
Improve album informationWhy buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.