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Kirill Gerstein’s decade long relationship with British composer and pianist Thomas Adès is reflected through this latest release from myrios classics. Recorded in the luxurious acoustics of the Symphony Hall in Boston, the three Mazurkas for solo piano feature alongside the world premiere recordings of Berceuse from The Exterminating Angel and the concert paraphrase on Powder Her Face for two pianos performed with the composer.
Together with these works is In Seven Days for piano and orchestra which anticipated Adès’s recent piano concerto written, like Berceuse, especially for Kirill. The live performance was captured in the Seiji Ozawa Hall as part of the 2018 Tanglewood Music Festival, with Adès conducting the Tanglewood Music Centre Orchestra. © myrios classics
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Thomas Ades, Composer, Piano, MainArtist, AssociatedPerformer - Kirill Gerstein, Piano, MainArtist, AssociatedPerformer
℗ 2020 myrios classics
Thomas Ades, Composer, Piano, MainArtist, AssociatedPerformer - Kirill Gerstein, Piano, MainArtist, AssociatedPerformer
℗ 2020 myrios classics
Thomas Ades, Composer, Piano, MainArtist, AssociatedPerformer - Kirill Gerstein, Piano, MainArtist, AssociatedPerformer
℗ 2020 myrios classics
Thomas Ades, Composer, Piano, MainArtist, AssociatedPerformer - Kirill Gerstein, Piano, MainArtist, AssociatedPerformer
℗ 2020 myrios classics
Thomas Ades, Composer - Kirill Gerstein, Piano, MainArtist, AssociatedPerformer
℗ 2020 myrios classics
Thomas Ades, Composer - Kirill Gerstein, Piano, MainArtist, AssociatedPerformer
℗ 2020 myrios classics
Thomas Ades, Composer - Kirill Gerstein, Piano, MainArtist, AssociatedPerformer
℗ 2020 myrios classics
Thomas Ades, Composer - Kirill Gerstein, Piano, MainArtist, AssociatedPerformer
℗ 2020 myrios classics
Thomas Ades, Composer, Conductor, MainArtist - Kirill Gerstein, Piano, MainArtist, AssociatedPerformer - Tanglewood Music Center Orchestra, Orchestra, MainArtist
℗ 2020 myrios classics
Thomas Ades, Composer, Conductor, MainArtist - Kirill Gerstein, Piano, MainArtist, AssociatedPerformer - Tanglewood Music Center Orchestra, Orchestra, MainArtist
℗ 2020 myrios classics
Thomas Ades, Composer, Conductor, MainArtist - Kirill Gerstein, Piano, MainArtist, AssociatedPerformer - Tanglewood Music Center Orchestra, Orchestra, MainArtist
℗ 2020 myrios classics
Thomas Ades, Composer, Conductor, MainArtist - Kirill Gerstein, Piano, MainArtist, AssociatedPerformer - Tanglewood Music Center Orchestra, Orchestra, MainArtist
℗ 2020 myrios classics
Thomas Ades, Composer, Conductor, MainArtist - Kirill Gerstein, Piano, MainArtist, AssociatedPerformer - Tanglewood Music Center Orchestra, Orchestra, MainArtist
℗ 2020 myrios classics
Thomas Ades, Composer, Conductor, MainArtist - Kirill Gerstein, Piano, MainArtist, AssociatedPerformer - Tanglewood Music Center Orchestra, Orchestra, MainArtist
℗ 2020 myrios classics
Thomas Ades, Composer, Conductor, MainArtist - Kirill Gerstein, Piano, MainArtist, AssociatedPerformer - Tanglewood Music Center Orchestra, Orchestra, MainArtist
℗ 2020 myrios classics
Album review
Kirill Gerstein’s decade long relationship with British composer and pianist Thomas Adès is reflected through this latest release from myrios classics. Recorded in the luxurious acoustics of the Symphony Hall in Boston, the three Mazurkas for solo piano feature alongside the world premiere recordings of Berceuse from The Exterminating Angel and the concert paraphrase on Powder Her Face for two pianos performed with the composer.
Together with these works is In Seven Days for piano and orchestra which anticipated Adès’s recent piano concerto written, like Berceuse, especially for Kirill. The live performance was captured in the Seiji Ozawa Hall as part of the 2018 Tanglewood Music Festival, with Adès conducting the Tanglewood Music Centre Orchestra. © myrios classics
About the album
- 1 disc(s) - 15 track(s)
- Total length: 00:58:42
- 1 Digital booklet
- Main artists: Kirill Gerstein Thomas Adès Tanglewood Music Center Orchestra
- Composer: Thomas Adès
- Label: Myrios Classics
- Genre: Classical
© 2020 myrios classics ℗ 2020 myrios classics
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