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Gato Barbieri|Third World

Third World

Gato Barbieri

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The Third World is the initial session that mixed Gato Barbieri's free jazz tenor playing with Latin and Brazilian influences. It's also the album that brought Barbieri positive attention from the college crowds of the late '60s. He would expand on this musical combination with his next few Flying Dutchman releases as well as his first recordings for the Impulse! label. The records made between 1969 through 1974 find Barbieri creating a danceable yet fiery combination of South American rhythms and free jazz forcefulness. Strangely, once Barbieri signed with A&M, he began making commercial records geared to fans of Herb Alpert, sounding nothing like his earlier albums.

© Al Campbell /TiVo

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Third World

Gato Barbieri

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1
Introduction / Cancion Del Llamero / Tango
00:11:06

Astor Piazzola, Composer - Copyright Control, MusicPublisher - Gato Barbieri, Composer, MainArtist - Peermusic (UK) Ltd, MusicPublisher - Anastasio Quiroga, Composer

(C) 2014 Ace Records (P) 1970 Flying Dutchman Records

2
Zelao
00:08:04

Gato Barbieri, MainArtist - Sérgio Ricardo, Composer - IMG SONGS UK, MusicPublisher - WIXEN MUSIC PUB OBO FERMATA INT'L MELODIES, MusicPublisher

(C) 2014 Ace Records (P) 1970 Flying Dutchman Records

3
Antonio das Mortas
00:09:26

Gato Barbieri, Composer, MainArtist - Carlin Music Corp, MusicPublisher - Bienstock Publishing Company, MusicPublisher

(C) 2014 Ace Records (P) 1970 Flying Dutchman Records

4
Bachianas Brasileiras / Haleo and the Wild Rose
00:11:02

Copyright Control, MusicPublisher - Gato Barbieri, MainArtist - Heitor Villa-Lobos, Composer - EMI Mills Music Inc, MusicPublisher - G Ricordi & Co (London) Ltd, MusicPublisher

(C) 2014 Ace Records (P) 1970 Flying Dutchman Records

Album review

The Third World is the initial session that mixed Gato Barbieri's free jazz tenor playing with Latin and Brazilian influences. It's also the album that brought Barbieri positive attention from the college crowds of the late '60s. He would expand on this musical combination with his next few Flying Dutchman releases as well as his first recordings for the Impulse! label. The records made between 1969 through 1974 find Barbieri creating a danceable yet fiery combination of South American rhythms and free jazz forcefulness. Strangely, once Barbieri signed with A&M, he began making commercial records geared to fans of Herb Alpert, sounding nothing like his earlier albums.

© Al Campbell /TiVo

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